Posted in: Disc Reviews by David Annandale on September 19th, 2004
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Posted in: Disc Reviews by David Annandale on September 17th, 2004
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Posted in: Disc Reviews by David Annandale on September 16th, 2004
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Posted in: Disc Reviews by David Annandale on September 15th, 2004
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Posted in: Disc Reviews by Archive Authors on September 13th, 2004
Scooby-Doo 2 is pretty-much the same as the original film. Oh, sure, the plot differs slightly, but for the most part, this is the same film. If you liked the first one, you will like this one. However, if you hated the first one, like I did, then this is regrettably more of the same mindless fluff.
Recently, movie studios have caught on to the idea that if they make children’s movies with subtle in-jokes for adults, their profits will rise. This was the case with Finding Nemo, Shrek an... even Looney Tunes – Back in Action. Unfortunately, this trend does not continue with the Scooby-series. These films are purely and unashamedly “kids only”. The jokes are lame, the mysteries are transparent, and the film takes itself way too seriously. The inherent problem with a film based on a cartoon is that it must develop a cast full of characters that were previously one-dimensional. This is not an easy task for any filmmaker, and it is clear that Raja Gosnell (which sounds curiously like a pseudonym to me) is not up to the challenge.
Posted in: Disc Reviews by David Annandale on September 11th, 2004
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In a totally enclosed dystopia, THX 1138 (Robert Duvall) gradually begins to rebel againstthe completely controlled and drug-managed existence. He dares to think, and to have an affair,and, after a nightmarish imprisonment in a featureless white limbo, he attempts an escape.
Posted in: Disc Reviews by David Annandale on September 9th, 2004
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Posted in: Disc Reviews by David Annandale on September 8th, 2004
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Posted in: Disc Reviews by David Annandale on September 7th, 2004
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Let’s start with the two biggest titles in the collection, which have a life outside thiscollection. North by Northwest is arguably Hitchcock’s greatest exercise in sheer roller-coaster thriller entertainment. As in so many of the director’s films, an insane chain of eventsis set in motion by the smallest of actions, in this case Cary Grant signalling a bell boy just asthe latter is calling out a name. Grant is thus misidentified by the villains, and he is suddenlyrunning fo... his life with no idea why people are trying to kill him. The crop-duster scene is oneof the most famous in all of Hitchcock’s oeuvre.
Posted in: Disc Reviews by David Annandale on September 4th, 2004
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