Posted in: Disc Reviews by Archive Authors on November 12th, 2003
Henry Turner from the Campus Circle is quoted on the cover of the DVD stating that Loco Love is “The funniest film since ‘My Big Fat Greek Wedding.’” What I would like to ask Henry is “Dude what were you smoking and where can I get some?” This utterly lifeless and unfunny “comedy” is the first of what I would expect to be a long line of “My Big Fat Greek Wedding” clones. I mean let’s face it “My Big Fat Greek Wedding” worked because of a great story, great cast and a very funny script. Let’s say that Loco Love falls ... little short – if you want to call a little short zero for three. For a film that is supposed to be dealing with adultery, racism, immigration and class struggle Loco Love definitely falls short of the mark.
The plot is horribly predictable and cliché. It follows the story of Donald, a man who marries into a rich family and through that relationship is able to acquire his own restaurant – his life’s dream. However, when his wife tells him that she’s been unfaithful and is now expecting a child by another man she drops him as fast as the movie studio should have dropped this film. As a result he loses his restaurant. This is followed by a really poor excuse for comedy as they show his failed suicide attempts. As fate would have it, his salvation lies with his Mexican gardener, Miguel, whom he has mistreated in the past with various racial insults. Miguel wins a lottery and wants to bring his sister, Catalina, to the US but she has had immigration difficulties. You can see where this is going. Miguel wants Donald to marry his sister and bring her to the US. Donald reluctantly agrees but predictably begins to fall in love with Catalina and vice versa much to Miguel’s chagrin. Throw in Donald’s ex-wife whom now wants to get back with him and you’ve got the makings of a lack luster Three’s Company episode.
Posted in: Disc Reviews by David Annandale on November 11th, 2003
Synopsis
Posted in: Disc Reviews by Archive Authors on November 10th, 2003
X2:X Men United is the follow-up film to the original X-men film from 2000. The original film did a good job of setting up the universe of the X-men and introducing us to the core characters that the comic books have always centered around. This film expands on this universe and brings along some of the coolest characters from the comics, this being Pyro, a brief glimpse of Juggernaut and lets not forget Nightcrawler. In this film we see the good and band mutants joining forces to defeat a common enemy. This is a little disappointing as we get to see cool new good characters but not really any super new baddies, but it also keeps the storyline fresh instead of it just being the good mutants versus the bad mutants.
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Posted in: Disc Reviews by David Annandale on November 5th, 2003
Synopsis
Posted in: Disc Reviews by Archive Authors on November 5th, 2003
“All I Want” is a decent film that could have been great. Elijah Wood plays Jones Dylan (a quintessential Hollywood character name), a seventeen-year-old college freshman that decides that life has more to offer than formal education. Dropping out of college without attending a single class, he rents a nearby apartment and begins to get to know his neighbors. Before long, the underage Jones in enraptured in a tangled romance with two of his fellow boarders.
The plot of this film is interesting, but unfort...nately, the actors are not. Mandy Moore does a bit of overacting in her role as a… well… as an actress. Co-star Franka Potente gives a mediocre performance as a modern-day Ally Sheedy. Sadly, the constantly wonderful Elizabeth Perkins is not enough to save the overall poor acting in this film.
Posted in: Disc Reviews by Archive Authors on November 4th, 2003
Synopsis
Nicolas Cage is a fantastic actor. I will be the first to admit that he has had some mistakes (“Face/Off” and “Snake Eyes”, to name a few), but for the most part, his performances are gutsy and honest, with just a hint of cool 60’s Rat Pack style smoldering underneath the surface. My favorite Cage performance came in the fantastic film “Leaving Las Vegas”, where he brought the struggles of a dying alcoholic to life in beautiful and tragic detail.
Posted in: Disc Reviews by Gino Sassani on November 3rd, 2003
Adam Sandler and his crazy antics are back… this time, he is animated. I went into the viewing of this film with very low expectations; and although this is not a quality movie, it did turn out to be mildly more entertaining then I expected. This film is over-the-top and childish at time, but Sandler is comical as the voices of the three main characters, and the musical numbers are entertaining in a manner in which only Adam Sandler can provide. This movie will not be for everyone, but die-hard Sandler fans will p...obably be entertained.
Audio
Posted in: Disc Reviews by Gino Sassani on October 31st, 2003
Not since the height of the American Western has there been a film genre where we find ourselves rooting for the bad guys and booing the good guys. Yesterday’s Jesse James and Billy The Kid have become Michael Corleone and Tony Soprano. Add to the mix that The Sopranos have totally revolutionized the face of the television drama. It’s no fluke that this show dominates nearly every Emmy category there is. The cinematography is feature film quality. The cast is high end and the writing is gutsy and tight. Make no mistake about it. Season Four was not the best Sopranos by any measure. Still, even at its weakest, the show delivers what most shows can’t at their best.
Audio
Posted in: Disc Reviews by Archive Authors on October 29th, 2003
In his directorial debut, Matt Dillon gives us a character driven story with fantastic cinematography and numerous plot twists. Matt Dillon, better known for his role in teen flicks and his over the top performance in “There’s Something about Mary” definitely can add another credential to his Hollywood portfolio – actor and director. It just seems funny that in his directorial debut he features himself as the main character.
Dillon plays Jimmy Cremmins, a New York con artist, whom in the wake of a huge in...urance scam finds the FBI looking for him. He escapes America and goes to Cambodia to search for his con artist mentor Marvin (James Cann). In his journey he meets many interesting people including Kaspar – one of Marvin’s henchmen (well played by Stellan Skarsgard), the sleazy hotel owner (Gerard Depardieu) and the beautiful English art restorer (Natascha McElhone). Jimmy learns that his associates have kidnapped Marvin and held for ransom, he must try to find him.
Posted in: Disc Reviews by Gino Sassani on October 27th, 2003
Harrison Ford is the top selling actor in Hollywood these days. He owes this distinction in no small part to a couple of trilogies he did early in his career. While Star Wars might have been a chance for Ford to break out, Raiders of the Lost Ark and its sequels defined his abilities. Indiana Jones is the perfect hero. He’s strong, intelligent, and above all moral. Unlike the stereotypical hero Jones is also vulnerable and at times flawed. Credit Steven Spielberg for the iconic stature Indy occupies today. Left to his own devices, George Lucas would have given us Tom Selleck as the cigarette-smoking morally bankrupt Indiana Smith.
Raiders of the Lost Ark brought back the cinematic tradition of the 2-reel serials. These shorts would combine with a newsreel, a cartoon, and a feature film to provide a splendid moviegoing event in the early days of talkies. To those of us too young to remember them, the Indiana Jones saga is a time machine to a much simpler day of good guys and bad guys. While even Spielberg himself admits that Indiana Jones and The Temple of Doom was inferior to the rest of the trilogy, even this weaker film provided a historic filmmaking moment. Because of its dark nature and gore elements the film did not fit neatly into the PG rating. The filmmakers did not want this “family” adventure labeled with R, so the ensuing conflict brought us PG-13, now the most widely used rating on films. Indiana Jones and The Last Crusade dared to show us a much more vulnerable hero with the addition of his father. The relationship is a complicated one, but a relationship every father and son can instantly recognize and relate to. Right Dad?
