Dolby Digital 5.1 (English)

Westerns are fun movies to typically review because they usually don't deviate much from a basic formula. There is usually a criminal and there is usually a good guy out there to shoot that varmint. Technically, that is all there is to it. Furthermore, the budget (unless big stars are involved) is small, making for some creative storytelling. Today, we get to review an Australian western: Red Hill. Let's see if it differs from the typical American one.

A young man wants to stimulate the economy of his tiny community, mostly for the sake of his parents struggling motel, and inadvertently welcomes what would become the original Woodstock festival into his back yard (literally).

Not quite a concert film, not quite a drama. This film follows a young man named Bruno, who sleeps with his life long crush, the night before she moves from Toronto to Paris. On this final night, Broken Social Scene are playing a free show and Bruno uses a connection to get backstage passes as a last ditch effort to win over his crush. All the while, we are treated to a multi camera view of that very same concert, running the duration of the entire film.

If one were to look at my media collection, one would probably assume in advance that I have a lot of stand-up comedians. On the contrary, I have only a few stand-up discs because I tend to be critical of their replay value. I have the classics such as Richard Pryor, Robin Williams, George Carlin as well as a couple of more recent acts such as Joe Rogan and Lewis Black. However, my curiosity was peaked when I heard about Louis C.K. He has been called the George Carlin of today, a very tall order. Well here is hoping that he lives up to most recent special: Hilarious.

A young Cambodian boy, named Sokvannara “Sy” Sar, is spotted performing a traditional dance by the film's director and American Dance patron Anne Bass. She immediately takes note of his smooth talent and figures he has massive potential as a classical ballet dancer. Sy is given a rare chance to audition at the School of American Ballet in New York and then proceeds on a unique and fast-paced journey through a new world of dance, in a nation that is completely alien to his homeland.

Denis Leary and Friends presents: Douchebags and Donuts includes stand up sets from Adam Ferrara, Lenny Clarke, Whitney Cummings and Denis Leary. Also, there are musical performances by The Enablers featuring the Rehab Horns.  All proceeds from this event (as well as portions of the DVD sales) went/go to Denis Leary’s charity, The Leary Firefighters Foundation.

An ex-con trying to pull one last heist is sucked into a booby trapped house and must face against a madman who is torturing the family within. The makers of 3 SAW films (and not the first three) have ventured into familiar territory of nonsense gore, whisper thin plot, and then even more nonsense gore.

Written by Diane Tillis

When I first heard about Hot in Cleveland, I thought the show would be a modern remake of The Golden Girls. Both shows have four older, single women, living under one roof, as they try to survive each day with a little bit of humor. Before watching the show, I was worried that Hot in Cleveland would appear to be a hasty decision by TV Land because they wanted to jump on the Betty White bandwagon

A young dreamer named Power is fired from his mining job just before his union-leader father instigates a strike. Wishing he could be a drummer, but never getting the chance to play an actual kit, Power does not know what to do with his constant ambitions that make him air-drum 24/7. Fate steps in and he discovers an underground movement of air-drumming that all leads to a major event in New York city where he will have a chance to face off against a billionaire country-music star, who just so happens to be the son of the evil Copper Mine owner who is treating his Union friends, and family, so unfairly.

This documentary tracks a year in the life of Joan Rivers. We begin at a relatively low ebb in her career, with her finding it difficult to land desirable gigs. She throws herself into the production of an autobiographical play that debuts in Edinburgh, and her hope is that the London reception will be glowing enough to provide enough momentum for a Stateside production. Meanwhile, she and daughter Melissa are contestants on Celebrity Apprentice. As the film follows the ups and downs of these efforts (concentrating particularly on the play), Rivers opens up about her life and career.