Dolby Digital 5.1 (English)

I can't help it. Whenever I see David Boreanaz I can't stop seeing the brooding vampire Angel. It's not really his fault. This character couldn't be farther from the Angel character, but that's what I see. It's also true that Bones, now entering its sixth season has been around longer than Angel. It's also very likely that he now has fans that aren't even aware of that previous character. It has been quite a few years. I'm usually better at letting go of a character once the show has ended and the actor has moved on. But there it is. Agent Booth ends up doing something silly, and it throws me for a bit of a loop. It's probably a testament to how good of an actor Boreanaz actually is, that he's ingrained himself so fully in my brain. And, I haven't watched near as many episodes of Bones, to transfer that identification. But it's Bones that's here now, and based on its current popularity, it's likely to be here for a while longer yet.

Dr. Temperance Brennan, or Bones (Deschanel) is the world's leading bone specialist. She works in Washington, D.C. for the famous Jeffersonian (I assume it's intended to be the Smithsonian). Her talents have proven themselves very helpful in solving crimes where skeletal remains are all that there is to go on from the victim. Her FBI agent/liaison is Seeley Booth (Boreanaz). Together they have an uneasy relationship that grows into a kind of friendship. The problem is that Bones doesn't have a ton of social skills. She relies on Booth to guide their social interactions. More on that later. The lab is run by Dr. Camille Saroyan (Taylor) who has become a bit of a guiding mother to the team. Dr. Hodges (Thyne) is the trace-elements expert and tries very hard to be cool and hip. He's generally the opposite of Bones. He says pretty much what comes into his head and is a bit of a science-fiction geek. Angela (Conlin) is an artist who uses her skills to reconstruct facial details from the skulls. She also works on enhancing images and restructuring evidence. She's a bit of a romantic and has probably slept with every male in the lab. Dr. Sweets (Daley) is a young FBI agent and psychologist. He profiles victims and suspects as well as serves as a counselor to the team. He's a bit over-eager at times, looking up to Booth as a mentor, of sorts. The lab also has a few interns that show up from week to week, likely depending on actor availability.

Dear Faithful Readers, Due to the nature of Sam Kinison's work on stage and off stage, this review may contain foul but funny humor, bad but heeeeelarious language, and not so politically correct (but correctly off the wall) jokes. Please be aware before you continue to read. Yours Always, Noms

*Yells into a microphone* NOW LET'S GET THIS PARTY STARTED! Oooooooo owwww owww owwwwwwww! For those of you who don't know, Sam used to be a preacher. No, I am not a liar dangit, look it up! But after his divorce with his first lousy skeeze who broke his heart into a billion pieces, I mean *cough* wife... he left that behind and became a comedian. And not just any comedian, an effin legendary comedian. It is just sad that his life was cut short, and not because of drugs or alcohol that HE used (which everyone and their mothers swore was gonna be the cause some day) but due to a drunk driving, 17 year old, kid. The world works in mysterious ways.

Here is a second volume of episodes from the Marvel cartoon's first season, which is geared towards young children. The review for the first volume, written by the highly skilled and suspiciously well-dressed Michael Durr, can be found here: https://upcomingdiscs.com/2010/07/12/marvel-squad-vone/ . Dr. Doom is still using his many evil minions to obtain fractals of the shattered Infinity Sword before the Superhero Squad, a team of Marvel heroes assembled for their unique skills depending on the mission as led by Iron Man, can stop him.

As it has been for every episode in this first season, the humour ranges from quirky one-liners that only slightly older viewers may catch, to extremely low-brow bodily function gags, mostly pertaining to farts and burps; though the latter only arises whenever Mole Man or Hulk are involved. Not to say that this makes it uninteresting for viewers young or old but is more unifying. As well, each episode often features cameos by many characters from the Marvel universe, much of whom are rather obscure as only hardcore Marvel geeks might know (show me an 8-year-old who knew who Thanos was before this show and I'll eat my Thor shirt!). Perhaps the most amusing cameo is The Punisher, being voiced by Ray Stevenson who actually played the violent vigilante in an R-Rated adaptation of the comic Punisher: War Zone; only here, he uses a metaphor about brussel sprouts when speaking about crime...but still has many a gun go off at random in an especially amusing scene.

Written by Diane Tillis

On the outskirts of Reno in 1976, a pink building complex is illuminated by neon lights that read ‘The Love Ranch’.

"My name is Sam Tyler. I had an accident and I woke up in 1973. Am I mad, in a coma, or back in time? Whatever happened, it's like I've landed on a different planet. Now, maybe, if I can work out the reason, I can get back home."

I kind of did things a little backwards. I saw the single-season American version of Life On Mars quite some time before I managed to get my hands on the two seasons of the original British version of the show. The idea of a British television series being adapted for American screens is really nothing new. Lately a lot has been written about the phenomenon as if it’s some recent trendy invasion of English telly. We’ve been watching British hits since at least the 1970’s. In those days it was the sit-com that got the most attention from across the pond. Till Death Do Us Part and Steptoe And Son became All In The Family and Sanford And Son, respectively. Both shows became even bigger hits here in the states and are remembered by more folks on both continents than the originals today. The latest hit from England was The Office. Unfortunately, Life On Mars was never destined to join those Anglo/American success stories.

Based on the books by Jan Guillou this film is in fact the merging of two epics produced in Sweden. It also happens to be Sweden's most expensive production thus far. It tells the tale of a boy raised in a convent and trained to become a warrior by a former knight Templar. He falls in love and has a child with a young woman named Cecilia and the two are forced away from each other. Cecilia must pay penance living as a nun while Arn is sentenced to 20 years fighting in the name of God as a Knight Templar in Jerusalem.

This is indeed a huge production, and a beautifully shot one at that. The director of photography deserves any credit he recieves for making this film look as big and epic as it wishes to feel, allowing it to rub shoulders with the monster budgets of Kingdom of Heaven and Braveheart.

Written by Diane Tillis

Sociopathic serial killer James Bennett (played by Silas Weir Mitchell of Prison Break) has escaped a maximum security mental hospital after being incarcerated for nine years. Two FBI agents team up with a Federal Marshall to figure out where Bennett is heading next by investigating clues left behind in Bennett’s cell. They also turn to the mental hospital’s director Dr. Green (played by Gail O’Grady of Boston Legal) for insight into Bennett’s mind. What they don’t know is that Bennett’s first order of business is to return to his childhood home. Meanwhile six graduate students are traveling to Bennett’s childhood home for inspiration to finish their thesis. When Bennett arrives, the students begin to disappear one by one.

My dad was a Vietnam veteran. He did his time and came home to his wife (and eventually me). Because of when I was born, I never knew my father before the war. Therefore, I can’t really speak on his personality changes after he went off to fight the good fight. But in the same breath, I can tell you that we really don’t talk about that time except in very broad brush strokes. War is heck and hopefully my experience with The Dry Land is one that isn’t such a painful undertaking.

James (played by Ryan O’Nan) is an Army man and has come home from Iraq and arrives in the El Paso airport. He is greeted by his wife, Sarah (played by America Ferrera) and his best friend Michael (played by Jason Ritter). They exchange pleasantries and affection and go home to their doublewide trailer so that James can adjust to civilian life once again.

Lock ‘n’ Load is a hidden camera reality TV series that is based out of a gun shop in Colorado.  The show is centered on the gun shop proprietor Josh T. Ryan.  He interjects himself into every story and casually interviews each customer.  The show attempts to personify each gun owner and provides a background for each purchase.  The show is marketed as a comedy but I found myself rarely laughing.

 Josh T. Ryan is the host of the show and is too frequently involved in each story.  In the later episodes there are personalized interviews with the customers without the host.  These interviews are far more thought provoking; as they contextualize the customer’s story as to what made them purchase a gun. The show needs to incorporate more of the customer and less of the host. Audiences are far more likely to identify with a common person than a caricature.

Melinda Gordon (Jennifer Love Hewitt) is basically the kid from The Sixth Sense, only with boobs, killer cheekbones, and a formerly lucrative pop career. I may not be entirely accurate about that last item, but until this 6-disc set arrived, I had not really watched the show. It always seemed a little too Touched by an Angel meets The Sixth Sense meets Jennifer Love Hewitt’s aforementioned cheekbones for my taste. Upon viewing the episodes in this set, I pretty much stand behind that assessment, and though it is still not my particular cup of tea, I can understand its appeal to its fans.

The show revolves around Melinda’s ability to communicate with ghosts, spirits of the dead who have unfinished business in this realm and are unable to cross over to the next world. Whether that’s heaven or another dimension is never expanded on in the show, so it avoids awkward questions about religion. In most episodes, she comes in contact with one of these troubled spirits, and then spends the episode working out what happened to them, what’s keeping them from crossing over, and things of that nature. She does this with the help of a stalwart group of friends, some of who have abilities of their own. Jamie Kennedy’s character, for example, can’t see but can hear dead people. A second gifted character is introduced in this season, but we’ll get to that in a minute.