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Medium made a jump in its 5th season. NBC axed the show, but the folks at CBS decided to pick it up and continue the series. It’s not a huge leap, actually. CBS was already showing the similar and better Ghost Whisperer, and the series was produced by the CBS parent company, Paramount. That means that the production team pretty much stays intact and the show doesn’t really suffer any kind of transition. The same can be said for the release. The packaging and production values are pretty much identical to the previous four years.

Medium was based on a real person with alleged psychic powers who apparently has helped out various law enforcement agencies in some actual cases. If you’ve seen the series, you might find that hard to believe, and the episodes are obviously fictional adventures and not based on the real Allison Dubois’s experiences. At first glance it might be easy to lump Medium in with Ghost Whisperer or The Dead Zone. Actually there are almost no similarities to any of those shows. Allison does not gain any understanding through touching, and while she does see ghosts at times, that aspect of the show has been made to play in only a small percentage of the episodes. Allison accesses her powers through dreams. These nightmares are usually vague and often provide additional clues with each recurring dream. The formula for the show is that she must interpret these images and signs in time to do whatever it is she needs to do. Now that her secret is out, she’s not able to continue her work at the DA’s office. Joe’s career is also in jeopardy, so the show is going through some changes here. The strike likely did some damage, so we may never know exactly what was in store.

The Strawberry Shortcake Movie: Sky’s the Limit definitely surprised me. As I turned this 96-minute movie on I expected to be bombarded with female stereotypes: flowers, butterflies, and the color pink. Though Strawberry didn’t fail to deliver these dainty, feminine elements, it also offered six very strong and independent female characters.

After watching the intro on car seat safety, sponsored by AAA and unable to be skipped, the movie begins. The opening scene shows the town of Berry Bitty City where all the girls live; Strawberry, Orange, Plum, Blueberry, Lemon and Raspberry. The Berrykins (who pick the berries to keep the berry juice flowing which is what powers the entire city) dance while picking berries and singing a song about their “very nice life.” Orange, the craftiest of the girls, has created a juice fountain and is showing it off to all her friends, while Strawberry works on a new smoothie recipe. We are introduced to the only character different from Strawberry and friends, Mr. Longface. He is the lovable caterpillar who seems to offer the girls’ guidance while reading his family’s stories from an “old family journal.”

Horror fans have suffered through a severe case of déjà vu of late. All of the major titles of the 80’s and 90’s slasher cycle have now been either remade or are currently in production. There isn’t a big title remaining. Now it appears anything is fair game. Are we really that desolate of originality in this modern age? Today no cult classic or bomb is safe from being regurgitated back to us in either a theatrical release. Or, more likely, a direct to DVD project. In some cases, I’ve welcomed the occasional re-release, if the new film has something new to offer while remaining true to the source material. I actually liked the Mummy films. They don’t really look anything like the Universal classics, but they were kind of a nice ride, so my sensibilities weren’t all that shaken up. I’m looking forward to the Wolf Man film coming soon from Universal. It appears that the movie will be quite an homage to the original, yet satisfy the more modern needs of today’s filmgoers. But for every film that deserves a second look, there are countless movies that had already played out their string. It’s Alive is one of those.

Larry Cohen ended up with an unexpected cult success on his hands when he delivered the low budget original film back in 1974. He wrote and directed the effort, and it was a pretty good hit. It told the story of an unsuspecting mother who gives birth to a carnivorous mutant with an unending hunger for fresh meat. It was a sweet Halloween treat back then. But Cohen decided to milk that baby for all that he could. In 1978 he churned out It Lives Again and finally in in 1987 he delivered his third and final baby with It’s Alive II: The Island Of The Alive. Each entry scored lower than the last, and finally It was dead. But that’s just not how Hollywood rolls these days.

This season finds the protagonists well beyond high school, now having adventures in the adult world. So writer Lucas, in the midst of promoting his book, proposes to Peyton. Brooke fights to save her clothing business from the clutches of her mother From Hell. Piece of work Dan is flattened by a car and then finds himself in the hospital, helpless, badly injured, and at the mercy of a sadistic nurse out for revenge. Basketball player Nathan doesn't know that his mother is having an affair with one of his friends. And on we go, and I haven't even mentioned the episode that's a fantasy construction of Lucas', relocating the entire cast and setting to the 1940s.

“Welcome to The Hundred Acre Wood, where voices come together in joyful celebration and, the seasons gently turn like pages in a book. A time of giving, shared with good friends and a silly old bear named Winnie The Pooh.”

“Oh Bother”A.A. Milne was quite an eclectic writer. He wrote murder mysteries that even appeared on Alfred Hitchcock Presents. From that fertile mind would also come a place known as the Hundred Acre Wood. In that select place some of literature’s finest characters had the greatest adventures any boy could imagine. And adventures are certainly no fun on your own. Young Christopher Robin was joined by Piglet, Tigger, Owl, Rabbit, Eeyore, and, of course, Winnie-The-Pooh. Who didn’t fall in love with that silly old bear… Winnie-The-Pooh. OK, so maybe Dahmer or Bundy might have been exceptions. Still, anyone growing up in the last 30-40 years who isn’t a psychopath has had a love affair with Winnie-The-Pooh, all stuffed with fluff.

“In 1982 controversial film director Wilson Wyler Concannon released his only film, The Hills Run Red. Because of its graphic depiction of sadism and murder the film was quickly pulled from theaters. All known prints vanished and no cast member was ever found. Over the years film historians attempted to find the film, but all that remained was a crudely made trailer. Director Wilson Wyler Concannon was never heard from again.”

Believe it or not, The Hills Run Red was a project saved at one point by the Man Of Steel himself, Superman. Okay, it’s not like the famous Kryptonian hero actually swooped in and rescued anyone on the project, but he does deserve some credit for the film’s ultimate release.

The idea of a British television series being adapted for American screens is really nothing new. Lately a lot has been written about the phenomenon as if it’s some recent trendy invasion of English telly. We’ve been watching British hits since at least the 1970’s. In those days it was the sit-com that got the most attention from across the pond. Till Death Do Us Part and Steptoe And Son became All In The Family and Sanford And Son, respectively. Both shows became even bigger hits here in the states and are remembered by more folks on both continents than the originals today. The latest hit from England was The Office. Unfortunately, Life On Mars was never destined to join those Anglo/American success stories.

Detective Sam Tyler (O’Mara) is hot in pursuit of a serial killer who has abducted his partner and lover. When he steps out of his SUV he is struck by an oncoming car. On his ipod David Bowie is singing his obscure track, Life On Mars. When Tyler wakes up he can still hear the song in the background. But this time it’s coming from an 8-track deck in a mint vintage 1970’s car. Turns out there’s a reason the car is so cherry. It’s actually brand spankin’ new, and Tyler is no longer in 2008. It’s 1973. Strangely, he still has his identity here. A police officer identifies the car as his. At his 125th Precinct, he’s recognized as the transfer from Hyde. His disorientation earns him a few introductory sucker punches to the gut by his new boss Lt. Gene Hunt (Keitel) who doesn’t like people coming into his station house barking out orders. It turns out he’s joined a special forces kind of team that also includes Detective Ray Carling (Imperioli) who feels passed over by Tyler. He was in line to be the new second in command. Detective Chris Skelton (Murphy) is a green detective who warms us fastest to Tyler. Also working more or less for the team is policewoman Annie Norris (Mol) better known in the squad as “No Nuts Norris”, because she acts more like a man, believing that a woman can be a detective. It seems whatever powers that have planted Tyler here have thought of everything. He has an apartment with a free spirit hippie neighbor named Windy (Ferrin), appropriately named as she kind of breezes her way in and out of his life. Eventually Tyler decides to temporarily accept his situation, hoping to figure out why he’s here and how he can get back home.

“In the future, a computer program called Skynet will declare war on the human race. Machines have traveled back in time taking human form to terminate John Connor, the future leader of the resistance; Sarah Connor, John’s mother, teacher, and protector; Cameron, a terminator reprogrammed to defend them at all costs; Derek Reese, John’s uncle and a commanding officer with the resistance. Together they fight to stop Skynet from ever being created. The battle for our tomorrow starts today.”

Well actually, to be perfectly honest, it started back in October of 1984 with the release of James Cameron’s blockbuster Terminator. It was the story of a future Armageddon and a machine sent back in time to make sure it happens by killing the mother of the unborn leader of a future resistance. No one saw the success coming, but come it did. With just over a $6 million budget the film brought in over $38 million in the domestic take. That’s not a lot by today’s mega tent pole release standards, but it was huge in 1984. Add another $40 million in overseas box office, and you get quite a return on that money. And so as inevitable as the film’s prophesized Doomsday, a sequel was unavoidable. The film also made a star of an Austrian born bodybuilder who had only television and one film to his credit by that time. A star and a huge franchise was born. The man behind the film, James Cameron, was just as unknown, having helmed a cheesy Piranha sequel as pretty much his only calling card. Who knew then that Arnold Schwarzenegger, James Cameron, and the Terminator universe would all go on to become household names. Cameron would go on to bring us Aliens and Titanic. Arnie would become THE action star of the 90’s and end up, of all places, as the Governor of California. Only in America.

Written by Adrienne Ambush

Anyone who has tuned into MTV or VH1 in the last 10 years has probably seen at least one music video that is featured in this collection of videos by Brett Ratner, but they probably couldn't place a name or face to the man that is behind the camera--that is, until now.

“There’s always a story. You just have to find it.”

What happens when you’re a popular murder mystery writer and someone starts to use your stories and ideas to kill people in the real world? At first you become the prime suspect, particularly if you’re found to be completely self centered and annoyingly arrogant. That’s where a pretty good alibi might come in handy. Is playing poker with the Mayor and the Chief of Police good enough? So, you’re no longer a suspect. Now what do you do? You sign on as a consultant for the special crimes squad of the police department, and you help catch the real killer. Only instead of looking for him O.J. style on golf courses and steak houses, you team up with the cops and nab that good for nothing plagiarist. The problem with that is you might just find that you like it. Even worse, it might end up curing that writer’s block you got after killing off your lead character and proverbial golden goose, much to the chagrin of your publisher who also happens to be your ex-wife. Follow any of that? If you did, you now have the set up for one of the better premiere series from last season, Castle.