Posted in: Disc Reviews by David Annandale on November 4th, 2009
Liam O'Leary (Brendan Gleeson) has done very well in the booming Irish economy. A successful developer, he is in the process of trying to get a massive project approved, one that the future of his firm is riding on. So things are actually rather tough for him right now at work. At home, meanwhile, he and his wife (Kim Cattrall) have reached a rather chilly stage of their marriage, and his son (Briain Gleeson, and yes, Brendan's actual son) is feeling quite alienated, not to mention disgusted with the capitalist excesses that surround him. Stressful as all of this is, things are about to get much worse, as he starts seeing his double (Gleeson again). Is he hallucinating? Is it a supernatural visitation? The answer is both more earth-bound and wild, and before he knows it, his entire existence is turned upside down.
Director John Boorman has given us some pretty memorable films over the years (Deliverance and Excalibur to name but two). He is also drawn to the idea of filming parables (Zardoz being the most bizarre example). He's back in parable area here, crafting a thriller that is in fact a meditation on the human costs of Ireland's rapid economic development. The film's heart is in the right place, the performances (especially Gleeson's) are strong, and there are some nice twists. But the “author's message” neon sign is flashing rather brightly – one is rather more conscious than one should be of hearing a sermon, and the sudden shift from realist thriller to something altogether more outrageous and fantastic can be a bit jarring, if one doesn't see the film in metaphoric terms from the start.
Posted in: Disc Reviews by Archive Authors on November 3rd, 2009
Written by Adrienne Ambush
If you were to take the movie Kill Bill, mix it with the Karate Kid, and then put it into animation form, the end result would be Chop Socky Chooks.
Posted in: Disc Reviews by David Annandale on November 1st, 2009
Decades after their moment in the sun in 1984, Canadian heavy metal band Anvil plugs along, playing bars and releasing CDs that barely sell, still hoping for that break that bypassed them while landing on their festival cohorts Whitesnake, Bon Jovi and the Scorpions. The documentary charts their new European tour that starts off promisingly but disintegrates into a disaster of Spinal Tap proportions, their struggle to produce and promote another new album, and a climactic return to the site of their past glory. While the opening minutes might engage laughter as one expects a real-life version of This Is Spinal Tap, the laughter is choked off almost immediately and replace by sympathy and real hope that these guys catch a break. They are not clowns – they have real talent – and the beyond-all-measure optimism of lead singer “Lips” is heartbreaking. A rock documentary to rank with the best of them, and one that proves that the absence of fame can be as compelling as its presence.
Posted in: Disc Reviews by David Annandale on October 28th, 2009
No one who knows me will find it terribly surprising to hear me admit that I know very little about the fashion industry, nor do I have a particular interest in it. Having said that, I was, to my pleasant surprise, gripped by this documentary. It tracks the final year of legendary designer Valentino's career as he prepares his new line and the big celebration of his 45 years in the business. But there are clouds on the horizon, too. He and his partner Giancarlo Giammetti are no longer the owners of the Valentino company, and the pressures of the new corporate world are bearing down. The films is thus a fascinating look behind the scenes of numerous facets of the Valentino's world: his life, how he works, his explosive temper, and the sad fact that the world of design is changing in ways that are forcing individual creative artists to the margins. Well worth watching.
Posted in: Disc Reviews by Michael Durr on October 26th, 2009
As you might be surprised to find out, my aspirations include more than being a darn good dvd reviewer & video game columnist. I like to write, really write and not just interpret other people's works into a ten to twelve paragraph summary document. By really writing, I mean fantasy or the creation of heroes. My wish beyond being published was always to see my work come to life on either the small or big screen. It was refreshing to find a television series based on a fantasy series of books. The Legend of the Seeker is based on Terry Goodkind's Sword of Truth series. But there was something awfully familiar about the series as I continued to watch it. Let's find out what that is.
A woman named Kahlan Amnell(played by Bridget Regan) is traveling with her sister through the countryside and beach but there is one problem. She's being followed by a pack of angry guardsmen on horses. Her sister is struck by an arrow and falls down a cliff. Kahlan soon realizes that her sister is dead and that she must continue en route to her destination. The woman soon reaches the barrier on a nearby beach and it looks like she might meet her end.
Posted in: Disc Reviews by Archive Authors on October 22nd, 2009
Written by Adrienne Ambush
Romance. Drama. Tragedy and more tragedy. These four words sum up the entire storyline of Jada in a nutshell.
Posted in: Disc Reviews by Gino Sassani on October 21st, 2009
“In 1975 The Rockefeller Commission was appointed to investigate covert mind-control programs conducted by the CIA in the 1950’s and 60’s. These programs were known as Project MK-ULTRA. By the time of the investigation, documents relating to MK-ULTRA programs were destroyed. With out these documents, it was impossible to verify whether the MK-ULTRA program had in fact been discontinued.”
You can guess how the film intends to answer that question, can’t you?
Posted in: Disc Reviews by Michael Durr on October 21st, 2009
Most of us watch cop shows. The numbers indicate that the viewing public likes the CSI’s, Law & Orders, NYPD Blues, and even older shows like Hill Street Blues. Apparently about the only cop show we don’t like is Cop Rock (and even that show has been re-broadcast on other networks). So, naturally we get some cookie cutter cop shows that try to break the mold. Flashpoint is one such cop drama that focuses on the art of negotiation. Perhaps this one is interesting already.
Sergeant Gregory Parker (played by Enrico Colantoni) is the head of an elite tactical squad known as the Strategic Response Unit. They work in situations that normal police offers can not normally handle from bomb threats to hostage situations to criminals with an extreme amount of firepower. But the response of lethal force is a last resort as they try to use negotiation and alternative methods to bring the various situations back where they belong.
Posted in: Disc Reviews by Gino Sassani on October 19th, 2009
Do you believe that a numbers wizard can predict the most random of human actions with mathematical equations so accurately as to know where and when such a person will be? If so, then I suggest you put down that letter you are writing to Santa, finish eating that egg a bunny left for you, go to your pillow and pull together all of the loot you got from the tooth fairy, and plunk it down on season three of Numb3rs. No, that’s not a typo, apparently they believe that letters aren’t good enough to stand on their own, so they inserted a 3 where the e should be. Aren’t they so clever? Not. In the fairy tale world of Numb3rs, all you need is an almost obsessive knowledge of math and the crooks don’t stand a chance. It’s almost unfair, isn’t it? Those poor criminals go about their carefully plotted crimes, unaware that everything they do is controlled by math. They live their lives oblivious to the fact they are at the mercy of a diabolical equation which forces their every move. In fact, I suspect some clever attorney somewhere is already preparing the “math made me do it” defense at this very moment. Soon our justice system will be forced to account for this undeniable force on our very destinies. I would go on, but I can’t… must… fight… numbers…
Don Eppes (Morrow) is a decorated FBI officer in charge of a unit of the local field office of the FBI. His brother, Charlie (Krumholtz) is a math professor at CalSci. His brilliant mathematical mind is called upon to help the Feds track killers and rapists. No matter how complicated the trail gets, when the going gets rough these guys call on Charlie. Agent David Sinclair (Ballard), the smart tough guy, and Agent Colby Granger (Bruno) the young upcoming agent. Charlie has professor Larry Fleinhardt (MacNicol) to guide him through his struggles. Both of the geeks are socially inept, and we are “treated” to their constant struggles to relate to others, particularly women. Why can’t they write an equation to fix that? Navi Rawat is Amita, a student of Charlie’s who remains to take a job at CalSci, possibly to remain near Charlie. Judd Hirsch is the father to the Eppes brothers. A new agent is added to the mix this year in Nikki Betancourt, played by Sophina Brown. The show is produced by brothers Ridley and Tony Scott, who have had far better luck on the big screen.
Posted in: Disc Reviews by Gino Sassani on October 19th, 2009
What can I say about Showtime’s huge hit, The L Word? If you don’t already know what this show is about, and I was surprised at the number of people I talked to who didn’t, then I’m pretty sure this isn’t the show for you. Remember the old days when you used to watch Sesame Street, and each day the show would be brought to you by a letter and number of the day? Today this review is brought to you by the letter L and the number 6. L stands for lesbians, and 6 is how many seasons the series would be fated to last. Unlike that adorable count, I won’t be able to take you through the count, as I have never seen the show before last season and so only have seen 2 season releases. If you’re a fan and have collected the previous years, this is the portion of the review where you can go to your DVD shelf and count the sets. When you’re done, you may return to the review.
Finished? Good. Now unlike that wonderful muppet inhabited street we were just talking about, The L Word is strictly for the adults in the group. There is little doubt that the series is not only about gay women but for the most part is targeted to that same demographic. If you take a look at the limited extras, it is quite obvious who the intended audience is. There are obvious winks to the lifestyle that I’m really not able to understand, so I missed many of the in jokes. The storytelling is also very much in the vein of a soap opera, so you need to already know these girls before you can really get into these stories. It also doesn’t help to come to this party so late. If you have not been following the show to this point, this is not the time to join in. I suggest that if you are at all interested you go back and start from the beginning. Time and money make that impossible for me, so I’ll have to tell you what I think based on this limited exposure.
