Posted in: Disc Reviews by David Annandale on February 29th, 2008
Blackgate Prison is built on ground where massacres of one sort or another have occurred throughout the history of the United States. When a disused wing of the prison is reopened, all sorts of nastiness emerges. Michael Paré is the officer called in when a guard mysteriously commits suicide, but that is only the first of many unexplained deaths yet to come.
So here we go with another haunted prison film, and a great deal that we have seen before. Take a cinematic tone that seeks to borrow the eeriness of Session 9 (but fails), mix in creepy little girls in jump-cuts (from the J-horror remake of your choice), and season with a cast that’s a collection of down-on-their luck pros (Tom Sizemore) and a lead in Paré who clearly took the part when From Hell It Came’s tree turned the role down for something with more range. Wake me when it’s over. Our hero’s performance is not helped by a script that appears to be composed entirely of lines from CSI fan fiction.
Posted in: Disc Reviews by Michael Durr on February 29th, 2008
My college life was usually spent doing two things. Okay, actually three things. One, studying (nearly unsuccessful) . Two, trying to get women to sleep with me (mostly unsuccessful). Three, playing Dungeons & Dragons. I owned a good dozen dice from a D3 to many assorted D20's. Want to scare a fellow gamer? As DM, roll for damage and bring out 5 D20's. Anyhow, around this time I also discovered D&D adventure books. I read primarily the works of R.A. Salvatore & Ed Greenwood (Drizzt & Elminster). So needles to say, I was a little intrigued when I saw a Dragonlance movie in my pile. The original book was published in 1984, a few years before I really got into D&D. But with dragons, elves & a mad mage; it was a surefire recipe for something wonderful.
Tanis (voiced by Michael Rosenbaum), a half-elf comes upon his old friend, a dwarf named Flint Fireforge. The two are also joined by a kinder named Tasslehoff Burrfoot. They decide to go to their local hometown tavern where they meet up with their other friends. First there is a knight named Sturm Brightblade. Beside him are two brothers, one a warrior named Caramon Majere. The other, a young mage named Raistlin Majere (voiced by Kiefer Sutherland). Off in the corner, an older mage named Fizban is telling tales of long ago (what he can remember anyways)about the gods of light and their ultra powerful healing magic that has since left this world.
Posted in: Disc Reviews by Gino Sassani on February 28th, 2008
Beowulf is one of the oldest written stories known. The story began as a heroic tale passed from generation to generation only by word of mouth. Naturally there’s no way to know how much the story changed during those years of oral tradition. The author of the piece is unknown, and it is likely several persons contributed to the work. By the 8th Century an epic poem was written that forms the story as it is remembered today. Several translations have followed over the years, resulting in many variations of the story. This very impressive history makes Beowulf a natural to be filmed. There are so many versions that there is little worry about following a beloved canon. Second, the story is flourishing with wonderfully imaginative creatures that can now be savored ever so much more with the development of CG technology over the last 20 years. I’m honestly quite surprised that it has taken this long for this kind of a movie to find its way into release.
Posted in: Disc Reviews by Archive Authors on February 27th, 2008
I am a huge John Woo fan, especially his earlier classics like Hard Boiled. I’ll admit it’s been several years since I last seen Face/Off, but I don’t have a reason why, as I remember really liking this movie then. At either rate now I have a copy of the movie to call my own, and a special two disc release at that. Let’s just hope that it is what I remember, but as a big fan of Nick Cage I don’t think I’ll be let down.
In order to catch him, he must become him. I couldn’t put it any better myself, Face/Off tells quite the eccentric story of revenge, devotion, and of course crime. Sean Archer (John Travolta, Wild Hogs) is an extremely devoted FBI agent, obsessed with catching terrorist Castor Troy (Nicholas Cage, Ghost Rider). Several years earlier Troy killed Archer’s son, since then it’s been his goal in life to put Troy to justice. He gets the opportunity one day when Troy ends up in a coma after boasting about a massive terrorist attack he has planned on Los Angeles.
Posted in: Disc Reviews by Michael Durr on February 26th, 2008
Dorky romantic comedies have been around forever. Usually there is nothing I can't stand more than some movie telling me how people fall in love when it never happens like that. Like a street walker falling in love with a rich guy or the nerd getting the cheerleader or a dozen people having sex with some girl named Jenna. (well maybe on the last one) Love is mystical and special but it rarely has any set pattern that makes sense. So what would happen when I watched a dorky little New Zealand romantic comedy that featured two people in animal costumes? Hopefully not the norm.
Lily (played by Loren Horsley) is in love with Jarrod (played by Jemaine Clement). She works at a local burger joint (Meaty Boy) asc a cashier. Jarrod comes in everyday at lunch but Lily rarely gets to wait on him since he has a crush on another employee. Opportunity knocks when Jarrod gives Lily an invitation to go to an animal costume party. She decides to go as a shark. There at the party she participates in the "Fight Man" tournament which is a video that vaguely looks like Way of the Warrior (an old 3do fighting game) and Mortal Kombat. Somehow she makes it to the final where she faces Jarrod (dressed as an eagle) in the final challenge. However, she becomes lost in Jarrod's eyes and loses out to him.
Posted in: Disc Reviews by Archive Authors on February 26th, 2008
Guy Pierce fascinates me. He first broke on the scene in a big way in LA Confidential, which just happens to be one of my favorite films. Instead of taking the path of his co-star Russell Crow and chasing the big Hollywood dollar, however, Pierce chose to explore smaller, more interesting fringe films. Sometimes, this decision pays off for him, as was the case in the amazing Memento, or the recent The Proposition. Other times, however, the gamble falls flat, as was the case with The Hard Word. Pierce is consistently excellent, but the films he picks are hit and miss. That's the problem with interesting projects, they either turn into surprise hits, or predictable failures. So the big question is, is First Snow a hit or a miss?
First let's talk about the plot. Guy Pierce plays a salesman whose car breaks down in a remote part of the country, and while he is waiting for repairs, he visits a traveling fortune teller to pass the time. What starts out as a lark turns into a profound experience that alters the course of his life forever. The fortune teller informs him that his life will be over at the first snowfall of the season, and he slowly begins to believe him.
Posted in: Disc Reviews by Archive Authors on February 25th, 2008
Well, since HD DVD has pretty much collapsed now, it only makes sense that we here at Upcomingdiscs clear off what’s left on the mantle, get the cobwebs out, and do our level best to take a look at this lame duck format if you will. I mean, there are movies on them after all, and Knocked Up was arguably a favorite of many in 2007, to the tune of over $150 million and helping to entrench Judd Apatow and Seth Rogen, those who were behind Superbad, as significant contributors to the world of motion picture comedy.
Knocked Up was written and directed by Apatow, who presumably translated his own life experience into this adaptation. Katherine Heigl (Grey’s Anatomy) plays Alison, a recently promoted network personality of the E! television network. To celebrate her promotion, her and her sister Debbie (Apatow’s better half, Leslie Mann of Big Daddy lore) go to a club, and Alison hooks up with Ben (Rogen), who seems to be her polar opposite. He’s unemployed, makes no money, and spends most of his time hanging out and smoking pot with his friends Jonah (Jonah Hill, Superbad), Jason (Jason Segel, How I Met Your Mother), Jay (Jay Baruchel, Million Dollar Baby) and Martin (Martin Starr, Stealing Harvard). So when Ben and Alison hook up, the result is predictable. I mean, look at the title!
Posted in: Disc Reviews by David Annandale on February 22nd, 2008
Just another working day in Los Angeles. Lexi (Mary McCormack) heads off for the commute, while hubby Brad (Rory Cochrane) stays home. His morning ablutions are interrupted by the news that a series of dirty bombs have just gone off in the city. Stymied in his attempts to reach his wife, Brad retreats home, where he acts on the instructions to seal up the house, as the bombs have released a deadly toxin. When Lexi does return, Brad cannot let her in, as she is contaminated. How's that for a strain on a relationship?
The first act of Right at Your Door is a propulsive exercise in panic. There is a genuinely alarming realism to the depiction of LA under terrorist attack, accomplished through a judicious and restrained use of FX and convincingly freaked-out radio news reports. This section of the film will not only conjure unpleasant memories of 9/11, but will generate a deeply distrubing you-are-there sensation for viewers. Once Lexi returns, the film becomes less about the attack then about the individual responses to it, and the action shifts to the emotional domain. After the frenzy of the first half hour, the second act inevitably feels a bit slower, and one has the impression of the plot marking time until the conclusion can begin. Said conclusion is dark and twisty, and very much in keeping with the bleak zeitgeist the film is tapping into.
Posted in: Disc Reviews by David Annandale on February 22nd, 2008
World War II has just ended, and the recently discharged Robert De Niro hits New York on the prowl for sex. He runs up against WAC Liza Minnelli, and the more she resists his advances, the more determined he becomes. There is more: he is a saxophonist, and she (of course) is a singer). So begins a tempestuous relationship between two artists whose enormous talents and equally enormous personalities mean they can neither live with nor without each other.
The idea of Martin Scorsese taking on the form of the classic musical is so bizarre that it had to happen, and here it is. Scorsese’s conceit is ingenious: all the conventions are there (the meet cute, the songs, the artificial sets and colours), but they collide with the naturalism of the performances and the emotions. A perfect case in point: wandering the streets at night, De Niro sees a sailor and his girl perform a dance together. It is a classic musical moment, but the only sound is that of a train passing. It is a scene of extraordinary beauty, grit, and cinematic truth. And it belongs in an extraordinary film.
Posted in: Disc Reviews by Michael Durr on February 22nd, 2008
Traditionally, I love spoofs. I spent many of my younger days watching movies like Spaceballs, Robin Hood: Men in Tights or Young Frankenstein. More recently, I have actually (for the most part) enjoyed every Scary Movie. So whenever I see a new spoof, I am at least somewhat interested in the movie and have aspirations to see it on disc. Epic Movie scares me a bit because it comes from the same people who did Date Movie. I found Date Movie to be okay at best, but I had a small hope that this would turn out better. Jello shots & Nyquil could not save me from this disaster.
The movie starts out with Lucy (played by Jayma Mays), Edward (played by Kal Penn), Susan (played by Faune Chambers) and Peter (played by Adam Campbell) who find golden tickets inside Willy chocolate bars. Their scenes emulate DaVinci Code, Nacho Libre, Snakes on a Plane, & X-Men. They get to the chocolate factory where they meet Willy (played by Crispin Glover) who shows them inside. He then explains how the four lucky winners are to become parts of his candy. So they start running.