Posted in: Disc Reviews by Archive Authors on February 8th, 2008
Ever find yourself shuffling around your local video store, eyes glazed over at all of typical genre fare studios churn out year after year, longing for something different? You could head over to the independent/festival section for relief, but it might mean straying farther from your usual tastes than you’d like. Enter The Brave One, an intelligent thriller that takes the usual revenge tale and rearranges its DNA. It offers the unusual perspective of director Neil Jordan (The Good Thief) and Jodie Foster’s finest performance since The Silence of the Lambs.
Foster stars as Erica Bain, a New Yorker whose life is torn apart by a vicious attack that leaves her in a coma and her fiancé dead. When she comes to weeks later, she learns of his death and funeral, and she cannot remember enough from those dark moments in Central Park to help the police track down the killers. Bain, host of an I-love-NY radio show called “I Walk the Streets,” can now hardly bear leaving her apartment. Fear controls her. The city she once loved has become a terrible place where danger lurks everywhere, in dark corners and broad daylight. Giving in to her fear, Bain buys a gun off the street, and like Alice down the rabbit-hole, her life spirals into a disturbing adventure.
Posted in: Disc Reviews by Athena on February 8th, 2008
OK. Listen up. My name’s Athena and I’m a 12 year old Siberian Husky living in Florida. When I heard Gino say he needed a break and some down time, I decided to pitch in. It turns out that pulling a speaker from the shelf was not the kind of “break” he was talking about, and maybe not what he meant by “down” time either, now that I think about it. So, in between the “bad dogs” and those funny little words that come out whenever I get creative, I was able to figure out what he was really talking about. He was tired from watching all these DVD’s for you guys and then telling you all about them. It seems he wanted to take a day off is all.You humans aren’t very good at saying what you really mean sometimes. So, with no selfish desire for a treat or belly rub, and partly to make up for the messed up speaker (guess I’m the only big woofer right now :-) ) I agreed to watch Snow Buddies and write a review of this doggie film from a dog’s point of view.
Posted in: Disc Reviews by David Annandale on February 8th, 2008
Sarah Caine (Lisa Pepper) is a newspaper columnist whose career is in a rough patch – her work lacks inspiration, and she is barely syndicated anymore (only two newspapers still carry her). But perhaps her muse is soon to be revived. Her Amish sister dies, leaving her children in Sarah’s care. Cue the culture shock as Sarah travels from the Big Smoke (well... Portland, anyway) to the Amish community, and then again as the children come back with her.
The warning signs arrive with the opening credits. The film is a co-production of Believe Pictures and Redemption Films. Uh-oh. The very names of the studios indicated that actual filmmaking is going to take a back seat to proselytizing, and sure enough, that’s what follows. Performances and script are strictly at the level of community theatre. What poor Elliott Gould is doing here (as Sarah’s editor) is anybody’s guess. He does his best to make his lines sound less stale than they are. Here’s hoping he was paid well.
Posted in: Disc Reviews by Archive Authors on February 6th, 2008
In the Valley of Elah is the second film I’ve seen recently that addresses the condition of soldiers returning from the Iraq war. Unlike Home of the Brave, however, Elah is actually a strong film with impressive performances and a story that hooks you and holds on to the end. It’s a Paul Haggis production – the two-time Oscar winner wrote, directed and produced the film – so Elah has some serious cred right off the bat, thanks to the success of other Haggis projects. Maybe you’ve heard of Crash, best picture winner of 2004, Million Dollar Baby or Letters From Iwo Jima?
Those credits aside, In the Valley of Elah’s best feature is a masterful performance by Tommy Lee Jones (No Country for Old Men), who’s up for a best actor Oscar for his portrayal of an old-school army veteran searching for his son.
Posted in: Disc Reviews by Gino Sassani on February 4th, 2008
I have watched these DVD episodes of the Ira Glass series This American Life, some segments more than once, and I have to say I just don’t get it. Perhaps it is because I never heard the radio program on which they are based. It is a somewhat popular show with a cult following. I tend to avoid public radio at all costs as it is far too heavy handed in its liberal politics for my particular tastes. Still, I approached the series with an open mind that knew literally nothing going in. I’m sorry to report that I still seem to know nothing about the show. So I began to try and research the series and found there is remarkably little information out there on it at all. Even Showtime, where the series originally airs, offers precious little about the program. I can’t even get a good handle on what kind of a show it is trying to be. The commentaries suggest it is a documentary of sorts, but their banter also makes one believe that they are actually attempting to spoof the documentary. Bad news Ira, Michael Moore’s already been doing that for years.
Posted in: Disc Reviews by Archive Authors on January 31st, 2008
I remember when Ocean’s Eleven was first announced, and how disappointed I was. Steven Soderbergh was already well-respected by critics and serious film buffs due to his films Sex, Lies & Videotape, Out of Sight, Erin Brockovich and Traffic. He was the last person in Hollywood that needed to sell out to the masses by directing a re-make packed with eye candy. Not only that, but he chose to re-make a fantastic film that starred the Rat Pack. Essentially, Soderbergh decided to go to Vegas and relieve himself on the legacy of Frank Sinatra in the name of the almighty dollar. Imagine my surprise when I saw the film, and it was nothing short of fantastic; an amazing re-creation of the spirit of the original film, while updating the plot to be both modern and classic at the same time. Soderbergh had won me over. Even with all that success, I never expected a sequel. The sequel, cleverly titled Ocean’s Twelve, was something of a letdown. It was missing the slick feel of the original, and it seemed like everybody simply phoned it in. I still enjoyed it, but it was nowhere near as fun as the first. Now we come to Ocean’s Thirteen, which sees the crew finally return to their Vegas roots. While I still consider Eleven to be the best film in this series, Thirteen is a worthy follow up. The camera work is clever, the story is tight, and the acting is sharper than the previous iteration. Newcomer Al Pacino does his usual fantastic work here, and the whole film moves along at a quick pace that keeps the action exciting from start to finish, with no lulls. The whole point of this film is cool, and it delivers completely. VideoI love movies shot in Vegas. The lights on the strip and in the casinos always pop in a way that is more spectacular than any other location on earth. This is a golden opportunity to really show off what the standard DVD format can do. Unfortunately, this disc just looks horrible. Images are way too dark, even during the daytime in the desert. The images severely lack definition, and they are very grainy. There is also a real problem with edge enhancement that makes many of the stars’ faces appear nowhere near as sharp as they should be. AudioThe audio here is a mixed bag. On the one hand, the music is fantastic; cool, peppy and slick. On the other hand, the audio quality it self is pretty average. There is not a lot of punch from the subwoofer, the surrounds are sparse, and the whole thing is lacking the flash that I was hoping to hear from such a slick film. Special FeaturesIt’s a real shame to say it, but the special features included on this disc are slim. In addition to the inclusion of some deleted scenes, there are also two special features here. The first is called Vegas: An Opulent Illusion- Las Vegas’ Influential Design Sense. See, now all this time I thought Las Vegas was the pinnacle of trashy design, but apparently I was mistaken. Independent of taste, this featurette appears to be a Travel Channel segment that discusses the architecture of Sin City, and is actually a very interesting and first-rate documentary segment. The other featurette is called Jerry Weintraub Walk and Talk- The producer takes us on a casino tour. This is actually a tour of the indoor set where this film was shot, and it reminded me of a similar extra that Martin Scorsese did on the Gangs of New York DVD. Unfortunately, it just lasts a little over two minutes. Final ThoughtsTo put it simply, good movie, bad disc. While not up to the same standard set by Ocean’s Eleven, this is a very entertaining film that deserves much better treatment on DVD. It’s possible that the HD DVD version fixes many of the audio and video problems present here, but I can not attest to that. Given the poor quality of the presentation here, however, I can only imagine that HD would be the way to go.
Posted in: Disc Reviews by Michael Durr on January 31st, 2008
Director's cut can be a misleading term. The very definition of cut means to take away. A lot of Director's Cuts add in footage to the original release to make it longer. Then there are Director's Cuts which don't even involve the director. They involve a team which could possibly care less about whether the finished product resembles a movie or a saturday morning cartoon. Then there are Director's Cuts which involve a family member like a son. That my friends is another animal indeed.
Erik (played by Tim Robbins) never got the Viking handbook on pillaging, plundering and raping. After a bout of self realization and a talk with his grandfather (played by Mickey Rooney), he decides to take his crew aboard his ship in search of Valhalla. There he will ask the gods to end the age of Ragnorok and bring sunlight to his home once again. However, along the way he takes a Odyessey-esque journey as he encounters everything from a dragon with hay fever to the people of Hy-Brasil to a rival monarch named Halfdan the Black (played by John Cleese) that stand in his way. This begins a hilarious escapade on the Viking Life and might even involve an invisibility cloak or two.
Posted in: Disc Reviews by Michael Durr on January 30th, 2008
Teens seem to have a lot of angst. They like to have angst regarding what they wear or who they make friends or simply because their hair has a split end. In the middle of their angst, they form groups who share angst. These groups are more pseudo-families where they share experiences and care for each as if they resembled a sibling or a close relative. Enter Normal Adolescent Behavior: Havoc 2 where a group of 6 teenagers form a bond where only the 6 of them exists in each other's hearts. But would this bond step over the line and create a situation that one or more could not bear to take?
Wendy (played by Amber Tamblyn)is part of a group of six friends who have grown up together. They go to school together, they hang out together, and they sleep together. Yes, with each other. Any relations with other people outside of the circle are strictly forbidden. They kinda want to keep their cooties all to themselves, touching I think. Wendy and her brother Nathan (played by Daryl Sabara) meet a boy named Sean (played by Ashton Holmes). Wendy falls for the boy and the two do their best to keep it from the group. The group's un-official leader, Billie (played by Kelli Garner) finds out about the relationship and is not interested in losing her best friend or a valued member. True love is precious but hard to keep in perspective when 5 other people grow up beside and demand your utmost attention.
Posted in: Disc Reviews by Archive Authors on January 29th, 2008
What happened to Cuba Gooding Jr.? Since when did he have to take Eddie Murphy's sloppy seconds? The man has an Academy Award for crying out loud. OK, that was twelve years ago from Jerry McGuire, and Cuba has made Snow Dogs and Boat Trip since then, but I still kinda believe in him. After all, this is the guy who said "Show me the money" and made Tom Cruise say "I love black people!" Wasn't that great? Talent like that doesn't just fade away into bolivian like Mike Tyson would say.
Apparently Cuba didn't heed the advice that you should avoid working with kids and animals because they'll always steal the show from you. Or the advice that you should avoid crappy sequels to kids movies. Maybe he lost out to Scott Baio on Superbabies: Baby Geniuses 2 and decided never to miss an opportunity like that ever again. Maybe he needs to consider hiring a new agent. Maybe we never hear from Cuba again. Only time will tell if he can stand the test of time...
Posted in: Disc Reviews by Archive Authors on January 28th, 2008
On the surface, The Kingdom appears to be a good way for Americans to relieve some stress by watching the demise of some middle-eastern terrorists. But The Kingdom is actually quite different from your standard action movie shoot 'em up. Yes, there is a lot of action, most of it occurring in the film's last half an hour, but the film asks some tough questions and is optimistic in its belief that Americans and Muslims can work towards one goal together.
Jamie Foxx plays Ronald Fleury, the leader of a FBI forensics team (Chris Cooper, Jason Bateman, Jennifer Garner) called in to investigate the bombing of a Western-workers complex in Saudi Arabia. At first his team is not wanted there, as Colonel Faris Al Ghazi (Ashraf Barhom) is leading the investigation and is determined to find those responsible himself. But when the two men realize that they are better off combining their efforts, a friendship develops between Fleury and Al Ghazi. And that is where The Kingdom works best. It gives us hope that people from different backgrounds can defeat a common enemy.
