Posted in: Disc Reviews by Michael Durr on December 7th, 2008
Most women would consider Matthew McConaughey a hot guy. Hubba, hubba, the whole nine yards. Typically when he stars in a new motion picture, women flock to see the show for him to walk around for ninety minutes preferably with his shirt taken off and speaking romantic to some leading lady. For those ninety minutes, those women wish that they were in his arms, they were in his touch. But what if Matthew was portraying an out of work treasure hunter, broken down on his luck and owing some guy named Bigg Bunny a whole lot of money? I think this will all depend on whether his shirt is coming off or not.
Posted in: Disc Reviews by Gino Sassani on November 21st, 2008
There have been many films about the Vietnam War. Some have been epic. Some have been emotional. Some have even been very bad, but now comes one that is absolutely funny. Are we ready for this kind of a send up? That might be the overriding question, but I think that we are. Tropic Thunder took the chance that the public was ready to accept such a film and be able to enjoy it. To soften the blow, it was likely a good idea that the film doesn’t address the war in itself. The film takes aim at movies about the war, and in an extension of that theme it pokes a lot of fun at
Posted in: Disc Reviews by Gino Sassani on November 7th, 2008
On the surface it would seem that Linewatch is going to tackle the controversial illegal immigration debate that is going on in the
Posted in: Disc Reviews by Gino Sassani on November 1st, 2008
You simply know you’re in trouble when one of these video titles begins with that age old “inspired by disturbing true events” line. As I watched the film, I couldn’t find anything even remotely based on a true case. I dug deeper and found an obscure remark from writer and director Bryan Bertino that explains he was inspired by the events of the Charlie Manson murders of the 1960’s. You’ve got to be kidding me.
Posted in: Disc Reviews by Gino Sassani on November 1st, 2008
The very first thing you need to know is that this film has absolutely nothing in common with the 1980 cult classic except for the name. Everyone involved has admitted the fact, so, if you’re looking for an update on an old memory, you really are in for a disappointment. The truth is, even if you aren’t expecting the old story you’re in for a huge letdown. Everything about this film screams mundane, from the killer to the story to the acting.
Posted in: Disc Reviews by David Annandale on October 23rd, 2008
Hagar Shipley (Ellen Burstyn) is in her twilight years, and her son (Dylan Baker) is trying to get her into a home. Fiercely independent, possessed of a will that has been both a strength and a weakness (making life miserable for herself and all around her), Hagar fights back. She also looks back on her life, and in the flashbacks (where the young Hagar is played by Christine Horne) we see the tragic relationships that have brought us to the fractious family we see now.
Posted in: Disc Reviews by Gino Sassani on October 9th, 2008
To start with I give Spielberg credit for going against the wishes of Lucas to film this thing in digital. Not only did he attempt to reproduce the same film stock look, but he edited the film, not on a computer, but an old movieola. The attempt to make this look like the other films is obvious and appreciated. Some of the sets are simply incredible. The Akator set is massive and dressed with all kinds of detail. It conjures up images of many of Indy’s tomb-raiding past. Again you have to credit Spielberg for wanting his actors in a real place as often as he did.
Posted in: Disc Reviews by Archive Authors on October 6th, 2008
I like Mike Myers. I think he’s really talented, and I’ve enjoyed him in films like Wayne’s World, So I Married an Axe Murderer and Austin Powers: International Man of Mystery. That’s why I didn’t want to see The Love Guru. Seeing the trailers for this latest Myers project, I had the distinct feeling it was going to be a black mark on his filmography.
What an understatement — 20 minutes into The Love Guru, I wanted to punch Mike Myers in the face.
Posted in: Disc Reviews by Gino Sassani on September 30th, 2008
“Who? Or What is the newest, most breath-taking, most sensational super-hero of all?”
That was the question asked on the cover of Marvel’s Tales Of Suspense issue number 39. Pictured with that buildup was a character quite different from the Iron Man that we would come to know and love over the next 40 plus years. He was all silver and appeared to be wearing combat boots. He was not very slender, and you could almost hear the clunking as he moved.
Posted in: Disc Reviews by David Annandale on September 5th, 2008
Denys Arcand’s conclusion to the loose trilogy whose first two parts were The Decline of the American Empire and The Barbarian Invasions takes place in a near-future Quebec of soulless bureaucracy and nonexistent human relations. Our hero (Marck Labrèche) is a civil servant with a wife whose job leaves no time for him, two iPod-dependent teenage daughters, and a giant suburban house that is not a home. He retreats from his dead-end life into a series of fantasies which see him as hero, shiek, rock star, celebrated novelist, and so on, always with women rushing to have sex with him.
