Posted in: Disc Reviews by Archive Authors on January 25th, 2008
Director David Cronenberg’s masterpiece, A History of Violence catapulted him to the upper-echelon of today’s directors. Until AHOV, he’d previously worked on offbeat films that got mixed reviews, like Crash (1996), eXistenZ, and Spider, with the occasional brush with “commercial” films like The Fly.
His follow-up to AHOV is Eastern Promises, which features the same actor from AHOV (Viggo Mortensen) in another mysteriously dark role that has earned the actor a well-deserved Oscar Nomination for Best Actor although he will almost certainly lose to frontrunner Daniel Day-Lewis of There Will Be Blood.
Posted in: Disc Reviews by Archive Authors on January 23rd, 2008
”A philosopher once asked, ‘Are we human because we gaze at the stars, or do we gaze at them because we are human?’ Pointless, really...’Do the stars gaze back?’ Now that's a question.”
They do more than gaze in Stardust, a quirky, enjoyable film that’s not the epic tale it’s made out to be. The film adaptation of Neil Gaiman’s graphic novel of the same name, Stardust is a tale about a young man from a small English village who gets caught up in a magical adventure in another realm. With evil witches, fratricidal princes and a cross-dressing sky-pirate, there’s a lot of fantasy in Stardust, but director Matthew Vaughn’s penchant for Lord of the Rings-style sweeping cinematography creates a canvas much too grand for this simple fairy tale.
Posted in: Disc Reviews by Michael Durr on January 22nd, 2008
As expressed before, I have a certain fondness for Garfield. The larger than life orange tabby cat has been a staple of my comic strip reading diet for more than 20 years. I've watched Garfield & Friends, seen the longer animated specials, and even sat through the first of the full length movies (I couldn't stomach the nerve for the second one). So naturally, I was a little excited when I heard that Garfield would be a full CGI showing in a new dvd called Garfield Gets Real I just hoped it would be better than what I've heard about the Tale of Two Kitties
Garfield has become bored with the comic strip world. He lives in his cartoon house with owner Jon and his sidekick Odie. He goes to work (yes, Garfield does work; well in a manner of speaking) with friends like Nermal and Arlene. He shoots a daily comic strip which is seen by many newspapers in the real world. However, when Odie sticks a bone through a hole that leads to the real world, Garfield realizes that this is his ticket to alleviate boredom and soon decides to go through the hole himself. Odie follows (mostly for his bone). Once there, Garfield realizes the real world is quite different from his own (despite looking very similar) despite finding a few cats and dogs to hang out with. Trouble ensues when the newspaper starts looking for a replacement strip and then it is only a matter of time before Garfield is desperately trying to find his way home.
Posted in: Disc Reviews by Michael Durr on January 14th, 2008
Two of my favorite comedies are Dodgeball: A True Underdog Story and the first Mortal Kombat(well perhaps it wasn't meant to be a comedy). Films that have slapstick humor with a good sporting event of where the underdog wins in the end over their lavishly dressed opponents. Balls of Fury was to take that one step further by going into the dangerous underworld of Ping Pong and parody old kungfu tournament stories in the process. With an array of famous character actors including Christopher Walken; how could one not enjoy the game the Chinese call "Peing Poong"?
Randy Daytona (played by Dan Fogler) used to be a famous ping pong player. He lost in 1988 Olympics after losing his composure to Karl Wolfschtagg (played by Thomas Lennon ) and got a nasty bump on the head in the process. Nearly twenty years pass when Daytona, now a Reno side show act is recruited by Agent Ernie Rodriquez (played by George Lopez) to compete in arch-criminal Feng's (played by Christopher Walken)ping pong tournament. However, it's invitation only. So in order to get recognized, he is taught by Master Wong (played by James Hong ) and his niece Maggie (played by Maggie Q).
Posted in: Disc Reviews by Archive Authors on January 8th, 2008
The only place that I think anyone would really know Andy Samberg is as the brains behind some of the hilarious Saturday Night Live digital shorts over the last couple of years. The most notable being a Christmas gift that you can give your beloved. A gift you can make yourself, using three easy steps. Step one, cut a whole in the box…
So he’s taken the five to ten minute short and tried to harness that humor into a ninety minute feature film, which everyone seems to be doing, right? Well in Hot Rod, the feature film debut of Samberg, he plays Rod Kimble, a stuntman without a lot of charisma or ability, relying on a moped as his means of wowing the stunt crowd. With the help of his friends Rico (Danny McBride, The Foot Fist Way), and Dave (Bill Hader, Superbad) and his stepbrother Kevin (Jorma Taccone), Rod tries to impress his stepfather Frank (Ian McShane, Deadwood), who Rod challenges to fights in order to win some respect. His mom Marie (Sissy Spacek, Coal Miner’s Daughter) tries to help him through it also, and Rod’s prospective love interest is his longtime neighbor Denise (Isla Fisher, Wedding Crashers) is a problem for him, since Denise is dating Jonathan (Will Arnett, Blades of Glory).
Posted in: Disc Reviews by Archive Authors on December 31st, 2007
In the recent days and weeks since the Lindsay Lohan film I Know Who Killed Me arrived on video, she’s discussed the details behind a car accident in which she may or may not have been under the influence of alcohol. It only seems fitting, since this film is a carwreck of substantial proportions, and we probably have to ask whether or not Michael and Dina’s daughter was on something when she agreed to make the movie.
Written by Jeff Hammond in his first feature film screenplay (big shocker there) and directed by Chris Sivertson (The Lost), Lohan appears as Aubrey Fleming, who is abducted and tortured by a mysterious criminal mind. The next thing Lohan knows, she wakes up in a hospital, without any memory of what’s happened to her except for some telling physical signs, and has no memory of this person named Aubrey. In her mind, she’s Dakota, an exotic dancer and proverbial grown up girl. In Aubrey’s absence, Dakota frequently bumps heads with her parents Daniel (Neal McDonough, Minority Report) and Susan (Julia Ormond, Legends of the Fall) and with boys at school.
Posted in: Disc Reviews by Michael Durr on December 27th, 2007
Sometimes I absolutely adore anime. Great action from the far east that breaks boundaries one could only dream of. Or perhaps to tell an engaging story about a love lost long ago. Once in a while, I hate anime unfortunately. This usually occurs when they break no boundaries, tread over the same story or it plays out like hentai (tentacles in places where they don't belong). So I receive Paprika to review. Hoping I would like it, I quickly stuffed it in my dvd player and found the following:
Paprika is the story of what would happen if somebody built a machine (called the "DC Mini" here, presumably the Mini DreamCatcher) that would allow psychotherapists to enter their patient's dreams and help them understand their hidden meaning. The DC Mini was designed and built by Dr. Kosaku Tokita, an extremely large fellow who is basically a child at heart. The main therapist Dr. Atsuko Chiba uses the device to enter her patient's dreams as "Paprika". Paprika is a fun and whimsical being and in contrast to the doctor who is very serious and laid back. Her primary patient for the film is Detective Konakawa Toshimi. He is having a recurring dream where he is trying to find this killer on the case he is working on. However, he can never make that breakthrough as the killer keeps escaping thru the various scenes in his dream.
Posted in: Disc Reviews by David Annandale on December 11th, 2007
Belgian filmmaker Olivier Smolders, after a successful run of gorgeous and disturbing shorts, here makes a feature debut that is just as gorgeous and disturbing. Strongly reminiscent of the works of David Lynch, but far darker overall, the film is set at a time when the world is shrouded in the night of a perpetual eclipse. Day only comes for 15 seconds at 12:23 pm each day. Oscar (Fabrice Rodriguez) is a museum entomologist haunted by traumatic dreams involving the death of a sister who might or might not have every existed. He returns home one night to find a dying and pregnant African woman in his bed, a woman who is somehow linked to his father’s colonial past.
Trying to summarize the film’s plot is like trying to describe a dream: either case involves imposing linearity where none exists. Don’t try to figure out exactly what is going on here. Think of it as fevered nightmare inflected by guilt of Belgium’s gruesome colonial history, served up as a stunningly beautiful meditation on death, sex and insects.
Posted in: Disc Reviews by Archive Authors on December 10th, 2007
So in a summer where a film directed by Judd Apatow and starring Seth Rogen made a truckload of money, another film released a couple months later where Apatow produced and Rogen co-wrote made almost the same truckload of money, yet both films were funny for different reasons.
In Superbad, Rogen and Evan Goldberg (Da Ali G Show) wrote the script that Greg Mottola (Undeclared) directed, and the film’s premise is simple enough. Seth (Jonah Hill, Knocked Up) and Evan (Michael Cera, Arrested Development) are high school seniors who are attending one last party, with the help of their friend Fogell (Christopher Mintz-Plasse) and his fake ID and subsequent new name ‘McLovin’. The trio’s night takes a dramatic turn, as Fogell is assaulted at the liquor store and Seth and Evan presume that he’s been taken to jail for the fake ID. So Seth and Evan try to get liquor for a party that Seth’s friend Jules (Emma Stone, Drive) is throwing, and Evan wants to get some vodka for Becca (Martha MacIssac, Ice Princess), and the boys desperately want to get with the girls before the boys go to their respective colleges. In the meantime, Fogell isn’t taken to jail, but is taken on a wild ride and a wild night by Officers Slater (Bill Hader, You, Me and Dupree) and Michaels (Rogen), who take him through various twists and turns in the city.
Posted in: Disc Reviews by Archive Authors on December 2nd, 2007
What we have here is an average film based on what I'm told is a great little bestseller, The Nanny Diaries. There's a lot of talent at work in this romantic dramedy, with stars like Scarlett Johansson (Lost in Translation), Laura Linney (Kinsey) and Paul Giamatti (Sideways), and the directing talents of husband-and-wife team Shari Springer Berman and Robert Pulcini (American Splendor), so I expected more.
But are there any disappointments lurking on this widescreen DVD? Read on to find out.
