Posted in: Disc Reviews by Archive Authors on May 30th, 2006
In Stephen Sommers’ Van Helsing, we meet Gabriel Van Helsing (Hugh Jackman) who is a professional monster-killer with a sidekick named Carl. Van Helsing must first track down Mr. Hyde who lives in the Notre Dame Cathedral and, sometimes, likes to venture outside for the occasional murder here and there. After completing this basic mission, Van Helsing is sent to the famous Transylvania to deal with Frankenstein’s Monster where he meets Anna Valerious (Kate Beckinsale). Anna and her brother Velkan represent the...last of nine generations of a family whose one goal is to rid the world of Dracula. Naturally, Anna is suspicious of this Van Helsing character but eventually teams up with Helsing to kick some butt.
It amazes me how Sommers convinced Universal to grant him well over $150 million dollars to make this film. I suppose this is because Sommers’ last two adventure based films, both Mummy films, were great summer adventure flicks which both made Universal some nice coin. However, Van Helsing never seemed to click with audiences as it just made over $160 million dollars domestically. Certainly not the huge success Universal or Sommers were hoping for. Some feel the reasoning was the lack of star power, but was Brendan Fraser really that much of a bankable star? Some feel that Van Helsing focused too much on CGI with all the various amounts of monsters that prowled the screen. I tend to lean toward the latter as Van Helsing seemed like 132 minutes of CGI effect after CGI effect.
Posted in: Disc Reviews by Archive Authors on May 27th, 2006
It seems like I keep saying this, but here we go again... Jennifer Anniston is way too good of an actress to be stuck in this film. Now, that's certainly not to imply that Shirley Maclaine isn't fantastic as well, but that's a given. Anniston is clearly the star of this film, and it's easy to see what attracted her to it. Not only is it a romantic comedy directed by Rob Reiner, but the premise is a really clever one. While in town for her sister's wedding, Sarah (Anniston) discovers that her family was the inspirati...n for the book The Graduate. How could something with a plot this clever not work out?
This film may be the ultimate example of a great premise wasted. There are so many different things wrong with this film, but many of them can be boiled down to this; too many coincidences. Scene after scene is filled with conversations that work out in just the right way so as the actors get just the information they were looking for at just the right time. The plot is forced on the story, instead of the story leading the plot. The result is a movie that is a big, clumsy train wreck, instead of the fascinating and smart story that it should have been.
Posted in: Disc Reviews by Archive Authors on May 19th, 2006
The world of politically charged films has certainly grown in the past few years. Films like Farhenheit 911 have seen big success, while other films like Rupert Murdoch’s OutFoxed have seen more of a critical success. Both of these films had extreme media attention, one obviously more than the other, prior and after their releases. Both asked questions and demanded answers to topics and issues we, as people, wondered about but never really asked about as a simple person can’t really enact a high success...rate in terms of results. However, if you have a name like Michael Moore or Rupert Murdoch attached to the bill, people will probably pay attention. A similar note is given to the recent political thriller Syriana starring George Clooney. Even though Syriana had actors like Matt Damon and George Clooney attached to the bill, would this be enough to make the film’s questions seem important enough to make an impact?
Syriana, to sum up the film in three words, is about oil and money. The film begins with one of the Gulf States agreeing to supply the up and coming China with some of its oil. Texas based company Connex, views this deal as a huge defeat. At the exact same time as this deal is happening with Connex, another company, Killen, has signed a deal to drill for oil in Kazakhstan. Connex, obviously, announces an immediate merger with Killen, thus giving them the oil. Wait one second. This sounds pretty familiar doesn’t it? Naturally the Justice Department intervenes and the movie starts to accelerate.
Posted in: Disc Reviews by Gino Sassani on May 17th, 2006
The Producers has taken an almost cinematic storyline of its own. In 1967 Mel Brooks filmed this tale with one of his mainstays, Gene Wilder. The film was a modest success. It was as a Broadway production that this material reached a wide audience. The play has been a hit for decades now. It only seems inevitable that a new film would surface. This 2005 version of the story is closer to the stage production than the original film. There are quite a few more musical numbers, and that’s essentially where this film goes wrong. What works as a stage production will not necessarily work as a feature film. Everything about this movie is over the top except its heart. Nathan Lane and Matthew Broderick reprise their stage roles of Bialystock and Bloom with different results. Broderick appears to have gotten so comfortable with the role that he seems to be sleepwalking through it for the film. Lane, on the other hand, carries the film on his very broad shoulders. His mannerisms recall Lou Costello. His voice is actually quite remarkable and is the highlight of any of the numbers he’s in. The addition of Uma Thurman as a Swedish bombshell feels forced on so many levels, from her horrible accent to her mismatched chemistry with Broderick’s Bloom.
The 40 year old story still has potential that falls short in this film. Bialystock and Bloom are attempting to produce a Broadway flop. Why? Because if you can pull in enough investor cash and close after one day, you can walk away with millions of dollars. They set out to find the worst play and hire the bottom of the heap. What can go wrong? How can a pro-Nazi production called “Springtime For Hitler” not crash and burn on opening day? If it’s a Mel Brooks written plot, you can count on everything going wrong, and of course, the play becomes a hit. The film picks up a bit when the “Springtime For Hitler” show is finally underway. Still, the film is overlong at 2 hours and 15 minutes. Some of the numbers drag on pointlessly. The film was intended to bring the Broadway experience to the film’s audience, but it fails at almost every turn.
Posted in: Disc Reviews by Archive Authors on May 9th, 2006
Harrison Ford stars as Jack Stanfield, an online security chief for a mid-sized baking chain. One day, he is introduced to a new possible candidate in Bill Cox (Paul Bettany). We learn this turns out to be a setup. Cox and his men are holding Stanfield's wife (Virginia Madsen) and their two children hostage. In return, Cox demands that Stanfield hack into his bank's computers to transfer a fortune into Cox's offshore accounts.
Firewall, in whole, contains a smart plot, one that makes you think. The ...asic plot, however, is nothing new. The plot has been updated with newer technology, such as an iPod containing everything Stanfield needs to get into his bank. It seems a bit odd that a small little device like an iPod could hold this much data. The bigger question is if a film like this needs events that are plausible in order to make a shred of sense. Fortunately though, mostly due to how entertaining Ford is to watch, the film holds its own and doesn't necessarily conclude in an odd manner.
Posted in: Disc Reviews by David Annandale on May 2nd, 2006
Synopsis
Over 400 years in the future, the remnants of humanity live in one last city. This is under the total control of the Goodchild regime. Innocents are constantly disappearing. The government is fought by the Monican resistance, and super-assassin Aeon Flux (Charlize Theron) is sent to assassinate supreme leader Trevor Goodchild. At the moment of her victory, however, she hesitates, and it soon becomes apparent that nothing is as she though it was.
Posted in: Disc Reviews by David Annandale on April 28th, 2006
Synopsis
Red (as in Riding Hood) visits Granny, only to find the Wolf in disguise. Granny bursts out of the closet, and then the Woodsman crashes through the window, axe upraised. We then cut to the police investigation of this scene, as a frog investigator interviews each of the players in turn. The forest has been terrorized by the Goodie Bandit, who has been stealing recipes, and one of these characters might be the guilty party. What follows is a series of tales in the vein of Rashomon, wh...re we gradually come to understand what is really going on.
Posted in: Disc Reviews by Archive Authors on April 24th, 2006
Steven Spielberg has always been a surefire type of director to go to if you want a high quality film. I was first introduced to Spielberg’s work via his groundbreaking film Jaws. Since then, Spielberg has continued to churn out hit after hit from 1993’s Schindler’s List which was awarded a Best Picture Oscar to his most recent film 2005’s Munich. Both of these particular films have gained numerous political and critical praise for the messages and raw power they both contained via the film’s int...nse imagery and story. I’ve always viewed Schindler’s List as my favorite film simply because of the impact the film had on me. After watching Spielberg’s latest masterpiece Munich, I can now say that the film is high up on my list nearly dethroning Schindler’s List.
Munich opens with the 1972 events that took place at the Munich Olympics where terrorists took hostages and killed them for the simple goal of wanting peace for their homeland. The event is re-enacted in near heart-stopping moments due the raw silent scenery that Spielberg creates. We then move to a room where we meet Israeli Prime Minister Golda Meir (Lynn Cohen) sitting with her cabinet. She utters the line “Forget peace for now.” We learn that Meir has decided to establish a secret Israeli revenge squad. What’s the goal of this squad? Why simply to kill the men who were responsible for these heinous attacks. The question that was eventually raised, long after the events in the film, was why kill these men? Men who will simply be replaced by more and more powerful and intense men who will want to do even more harm.
Posted in: Disc Reviews by Gino Sassani on April 12th, 2006
The Greatest Game Ever Played?
When I saw that title on the DVD case my immediate thought was: “How did Disney find out about my 1981 Marathon game of RISK where I took out Mark “Trip Sixes” Shreader in 9 hours of battle? Of course, I soon decided they meant professional sports. This film would be about the Minnesota Viking playoff whoopin’ of the Green Bay Packers at Lambeau Field. Turns out that wasn’t it. Point of fact, not one game of the 1980 World Series victory of the Phillies made the cut. Sudde...ly it hit me. Disney does ice hockey films. They must have made one about the Tampa Bay Lightning’s Game Seven beat down on some Canadian boys to win the Stanley Cup. Wrong! Apparently long before my boy Abner picked up a bat or Dr. Nesmith was shooting soccer balls into his trashcan, some funny looking fellas in Scotland had come up with their own game. Golf. Don’t get me started. Still ESPN says it’s a sport, so who am I to argue?
So let’s talk about the film. It’s an old formula, and no one tells them better than Disney. Let’s face it who can tell a Cinderella story as well as the folks that brought you… well, Cinderella. Disney sprinkles enough of their traditional family movie magic to at least make this film somewhat interesting to those of us who do not enjoy golf. The opening credits hark back to Monty Python with clever use of cut-out animation mixed with period film. The screenplay was written by Mark Frost from his own novel.
Posted in: Disc Reviews by David Annandale on April 12th, 2006
Synopsis
Three friends are driving across Australia. In a particularly desolate national park, their car mysteriously dies, and they accept help from a passing bushman. Big mistake. The bushman (John Jarrat) is a psycho of the first order.
![Van Helsing [HD DVD] dvd cover art](https://upcomingdiscs.com/ecs_covers/van-helsing-hd-dvd-large.jpg)
