Posted in: Disc Reviews by Gino Sassani on August 11th, 2002
The final (so far) Lethal Weapon is not a bad film at all, but it does suffer from the escalation syndrome. After three explosive films number 4 finds itself in the trap of having to try too hard to top its predecessors. While Chris Rock is a funny guy and he adds some great moments in the film, he’s just simply not necessary and distracts from the Glover, Gibson, Pesci trilogy of hysterics. I could also do without the domestication of Riggs through Russo’s character. All that said, you won’t be disappointed because it’s back to Disney World and another film literally exploding with rides.
Synopsis
Posted in: Disc Reviews by Gino Sassani on July 26th, 2002
There have been so many “buddy cop” films that it has become its own genre of sorts. Still, no pairing has yet matched the chemistry of Danny Glover and Mel Gibson in the Lethal Weapon franchise. Even with four films now under their belts, the duo is capable of delivering a relationship that is worn and comfortable while still remaining fresh and exciting. Some of the franchise’s running gags begin in this first film, like Riggs and his dislocated shoulder and Murtaugh’s familiar “I’m getting to old for this shit.” If you are more used to the later films, this one will strike you as a bit grittier and certainly darker.
Synopsis
Posted in: Disc Reviews by David Annandale on July 18th, 2002
Synopsis
After a prank goes horribly wrong, almost resulting in the death of another student, high school bad boy Landon (Shane West, doing his best impression of Christian Slater channelling Charlie Sheen), is condemned not to jail, or to community service, but to act in the school play. In this new environment, he becomes more and more acutely aware of self-assured preacher's daughter Jamie (Mandy Moore). Opposites attract, hard lessons are learned, and redemption is handed out all round. Call it t...e Anti-Heathers. Also starring in what is essentially a slickly photographed after-school special (with neon-bright Moral Lessons) is Daryl Hannah as Landon's mom, almost unrecognizable as a brunette.
Posted in: Disc Reviews by Gino Sassani on June 19th, 2002
Film
If one thing can be said about Michael Bay films, it would be that they are beautifully shot. I cannot think of many directors’ that have such a unique cinematographic feel to their films… and Pearl Harbor is no exception. This film contains some of the best fighting sequences ever put onto film. Unfortunately, this fabulous action is tainted by a sub-par love story that is interwoven into the story. With the elimination of this love story, Pearl Harbor would have been an amazing action film...with a reasonable length of 120 minute (rather then its 180+ minute running time). This Director’s cut of Pearl Harbor showcases an extra 1.5 minutes of footage… mostly extra gore and graphic war sequences. If you are looking for a noticeable amount of extra footage, you may be disappointed. Enough for my ramblings… here is a bit about the story:
Posted in: Disc Reviews by Gino Sassani on June 19th, 2002
Synopsis
Crowe plays John Nash, schizophrenic genius. The film follows him from his grad student days at Princeton, to his revolutionary formulation of game theory, to his later breakdown, and climaxes in his reception of the Nobel Prize in 1994. Though overlong, often burdened by an excessively emphatic score by James Horner, and following all the usual conventions of Hollywood melodrama, the film also offers stunning cinematography by Roger Deakins, uncharacteristically good dialogue by Akiva Golds...an (can this be the same man who inflicted Batman and Robin and Lost In Space on us?), and excellent performances, especially on the part of Crowe, whose evocation of Nash is spooky.
Posted in: Disc Reviews by David Annandale on May 11th, 2002
The film may take place in London, and feature English actors, and be shot in English, but this is definitely French cinema. How do we know? Because the sex scenes hit hardcore explicitness, and none of the characters are particularly happy about any of the proceedings.
Synopsis
Posted in: Disc Reviews by Gino Sassani on March 20th, 2002
Sequels can be tricky business. Expectations are usually high because it was the success of the original that warrants a follow-up. More often than not the audience leaves unsatisfied. The Mummy’s Return suffers this curse more intensely than any invoked by Imhotep or the Scorpion King. Yes, the story is contrived with holes big enough to drive a starship through. Still I rather enjoyed this film. If you’re looking for logic then what are you doing watching a Mummy film anyway? If you are looking for a thrill ride then this film delivers a rollercoaster wild ride through Egypt. When you’re finished you’ll be calling for your Mummy.
Synopsis
Posted in: Disc Reviews by David Annandale on March 20th, 2002
The second version of Cornell Woolrich’s novel “Waltz Into Darkness” (previously filmed by François Truffaut’s Mississippi Mermaid), this is a decidedly steamier version, especially here, in its unrated form.
Synopsis
Posted in: Disc Reviews by Gino Sassani on March 9th, 2002
Intro
This was a very interesting crime thriller. The acting was quite good, and the triple-crossing plot was very unique. It is too bad that a film such as this would get a bare-bones DVD release.
Posted in: Disc Reviews by Gino Sassani on February 13th, 2002
“Can you summon your talent at will?” This is a question from Satan himself in the The Devil’s Advocate. For Al Pacino I would say the answer is a resounding yes. Pacino has been making us offers we just couldn’t refuse for 30 years. Just a list of his exceptional films would require more space than I have here. You’ll find this film to be one of his more underrated gems.
Synopsis
