Dolby Digital 5.1 (French)

I've long held the belief that the folks at Pixar are really just children who have refused to grow up. That doesn't mean that they don't have to deal with the realities that adulthood thrust upon each of us. I'm sure they have families and are responsible citizens and parents. They consistently make movies, that while there is certainly appeal for children, are obviously intended for adults, adults like them, who have decided to never grow up. If you ever required proof of that concept, The Incredibles should prove the point quite nicely.

"So far every person I've met in this strange place suffers from the most florid delusions, chasing green mists and looking for lost lords. I can only assume that this is the result of poor diet, or they're all just barking mad."

C.S. Lewis created an incredibly imaginative world when he wrote his Chronicles Of Narnia. The stories were an escape, of sorts, from a war-torn Europe. They integrated elements of Christianity in an effort to provide a semblance of hope in the form of a children’s fairy tale.

"We all know the story. Virginal girl, pure and sweet, trapped in the body of a swan. She desires freedom, but only true love can break the spell. Her wish is nearly granted in the form of a prince, but before he can declare his love, her lustful twin, the Black Swan, tricks and seduces him. Devastated, the White Swan leaps off a cliff, killing herself, and in death finds freedom."

Darren Aronofsky made a huge name for himself with The Wrestler.

All eyes are on Angelina Jolie; okay, so that's not much of a surprise, is it? But, I'm talking about the opening scenes of Jolie's partnership with Johnny Depp in the remake of the French spy thriller Anthony Zimmer, retitled for the American audience, The Tourist. Her character Elise is attracting a lot of attention from men hidden away in vans with surveillance equipment trained on her every move and from every angle. No, it's not the paparazzi this time. Elise is being followed because the intelligence community believes she will lead them to their real target, an elusive master criminal named Alex.

The cover of this DVD is, depending on which signals you pick up on, either misleading or perfectly accurate. If all you see is George Clooney running with a gun, and you therefore come to the conclusion that this is going to be some action-packed thriller, and that is what you're hoping for, then you're going to be disappointed. If, on the other hand, the orange colour and the rather retro look to Cloney's image, not to mention the rather uninformative title, makes you think of the 1970s, then you're on the right track.

A Wild West overlord is plotting to shrink the world's population. This evil plot is running along smoothly until a shrunken Texas ranger escapes in a whiskey bottle and finds himself saved by a plucky sibling duo named Luke and Lucy, along with their gaggle of wacky friends. The group become honourary rangers and set out to battle evil.

It's funny how the zeitgeist works, in that it is hardly unusual for two films with very similar high concepts to hit the screens at close to the same time. Dante's Peak and Volcano. Deep Impact and Armageddon. Hell, The Towering Inferno came about as a result of Fox and Warner cooperating in order to avoid making identical films. And this year, two animated features with super-villains as their protagonists: Despicable Me and our current subject: Megamind.

A Chicago man has a strange genetic disorder that makes him involuntarily travel through time. This film follows the unimaginably complicated romance he has with a woman who he has known since she was a little girl and they never get to age chronologically together, and sometimes share different memories of the past (which might be the future for the other...I know...I told you its complicated).

Leon Bronstein (Jay Baruchel, in a knockout performance) is convinced that he is the reincarnation of Leon Trotsky, and is determined to live out his life in the same way, right down to getting himself assassinated (“hopefully somewhere warm” his note appends). He also has only three years left to find Lenin, but in the meantime, his attempts to kick-start the revolution are meeting with little success. His struggle to unionize his father's factory manages only to embarrass and anger his father, who retaliates by removing him from private school and packing him off to a public one run by the tyrannical Colm Feore.

"If I had a world of my own, everything would be nonsense. Nothing would be what it is because everything would be what it isn't. And contrariwise what it is, it wouldn't be. And what it wouldn't be, it would be, you see?"

To be perfectly honest with you, I have never read either of the two Lewis Carroll books on which this film has been based. Under ordinary circumstances, that would put me at a decided disadvantage in both watching the film and certainly in providing an insightful review of the movie.