Dolby Digital 5.1 (Korean)

Korean horror has picked up in the last twenty years tenfold.  From films like Bedevilled and Thirst, they took on the revenge and vampire themes that a lot of classic horror films are built upon.  But honestly, I've been most impressed with films like The Wailing and Train to Busan.  The latter bred new life into the very tired zombie genre and made a darn watchable film, while The Wailing knew exactly what buttons to push when it comes to religion but then used that to make an interesting and thought-provoking film.  That's why when I saw that we had a copy of Seire, I knew I had to review it, even though I probably would be too scared to write about it for a few days.  I'm so glad I did.

Much to the dismay of probably most of my family and friends, I like to watch lots of weird films. Films directed by David Lynch, Planet of the Apes movies, and Johnny Mnemonic (I freaking love that movie) among many others I have watched over and over again. This is even more true with animation as I love to find clever styles that goes beyond convention and still produce a wonderful and thrilling story. So today, I review Satellite Girl and Milk Cow, a Korean animation film that is sure to test the boundaries of my fondness for weirdness. Is it too much for this critic or is it right in my sweet spot? Let's find out.

Much to the dismay of probably most of my family and friends, I like to watch lots of weird films. Films directed by David Lynch, Planet of the Apes movies, and Johnny Mnemonic (I freaking love that movie) among many others I have watched over and over again. This is even more true with animation as I love to find clever styles that goes beyond convention and still produce a wonderful and thrilling story. So today, I review Satellite Girl and Milk Cow, a Korean animation film that is sure to test the boundaries of my fondness for weirdness. Is it too much for this critic or is it right in my sweet spot? Let's find out.

Manchuria, the 1930s. The Japanese army has just acquired a treasure map, and are transporting it across the desert wastes by train. But the man who sold the map wants it back, and engages a snappily dressed killer (Byung-hun Lee) to steal it back. He is, of course, the Bad. He stages a spectacular (and spectacularly violent) train robbery. As fate would have it, at precisely the same moment, the Weird (Kang-ho Song) is also robbing the train, and the Good, in the form of a bounty hunter (Woo-sung Jung) is on board, too. The Weird makes off with the map, and what follows is a series of chases as the various factions scramble to get that map.

I’ve always been fascinated by ocean life much more than space. Sure, planets and stars are cool, but growing up I was reading books about sharks, not supernovas. That interest in the wonders of the sea has never really faded, so you can imagine that I was pretty stoked to watch IMAX: Deep Sea.

Unfortunately, I missed this one in theatres when it was IMAX: Deep Sea 3D. The only thing three-dimensional about this DVD release is the sweet lenticular slipcover. If you stare at the cover while you turn it slowly, a shark appears to swim up to have you for lunch. Nice.

Synopsis

Mu-ju is trying to adjust to life again after surviving a terrible accident. Life is still hard, as her eldest daughter suffers from something like autism, and she is having trouble landing a permanent position as a teacher at a music school (plus, a former student has it in for her). The aforementioned eldest daughter becomes obsessed with a cello, and a mute housekeeper moves in, and terrible things begin to happen.

But those terrible things wait far too long to happen. A third o...

Synopsis

Private Kang (Jan Dong-kun) is a coast guard – i.e. a soldier tasked with watching the South Korean coast for spies from North Korea. He is obsessed with shooting one, even though it is extremely unlikely that he will encounter any. One night, he sees movement and opens fire, killing not a spy, but a teenager having a tryst with his girlfriend. The boy isn’t just shot – he’s riddled with bullets and then blown to pieces with a grenade. No surprise, then, that the girl is traumatized to the p...

Synopsis

Tae-suk is a young man who breaks into people's home while they are away. He lives there in their absence, but doesn't steal anything, and fixes odds and ends while he's there. During one such break-in, it turns out that owner's wife is there, and a love affair begins between the two. When the abusive husband returns, Tae-suk winds up killing him with the title instrument, and the lovers flee.

Director Kim Ki-duk (Spring, Summer, Fall, Winter... And Spring) is a storyteller ...

Let’s face it. Hollywood isn’t taking enough chances these days. In the era of film franchises, sequels and remakes, Hollywood has become too predictable, leading to mediocre reviews for most big releases and even worse box office returns. Many film goers have looked to independent and foreign films to challenge them, and for good reason. Foreign films march to the beat of their own drum, use complex themes and imagery to tell their story, and they usually keep you guessing until the very end. The same can be said f...

Phone director Byeong-ki Ahn admits he wanted to take the premise of Ringu and incorporate cell phones as the primary transmitter of terror instead of VHS tapes. (Just when these vengeful spirits will make the jump to DVD is uncertain -- and when they do, will it be Blu-Ray or… oh, I’ll save it for another time.) Anyway, he puts together an impressive-looking package with this horror tale, but unfortunately, the film itself falls flat on the wings of derivative, copycat storytelling.

Ji-Won H...