Dolby Digital 5.1 (Spanish)

Rango (Johnny Depp) is a chameleon with an enormous imagination. In his terrarium, he has developed a social network with inanimate objects that would be the envy of Castaway’s Tom Hanks. He essentially lives inside his head, but then reality (perhaps – the film maintains a certain ambiguity here) suddenly intervenes and he finds himself cast from his safe, hermetic world. Marooned in the desert, he arrives in the town of Dirt, where his inclination for the dramatic has him claiming to be a sharp-shooting, quick-drawing hero.

The setting is a comfortably large house in the English countryside. Kin and friends have gathered for the funeral of the family patriarch bringing with them their foibles, eccentricities, and disasters waiting to happen. At the centre are the two brothers, Daniel and Troy (Matthew MacFayden and Rupert Graves). The former struggles under the shadow of his famous brother’s success as a writer, his plight encapsulated by the fact that everyone in attendance is disappointed that Troy will not be giving the eulogy. But his problems are about to become much, much greater, as the funeral descends into a chaos of unwelcome revelations, blackmail, drug freak-outs.

A pair of serial “gawkers” are getting into awkward spots in their marriages until their wives offer them a 6-day “Hall Pass” that grants them freedom to act as single men for that time. As each couple go their separate ways, each do battle with the temptation to act on their freedom, versus learn some sort of lesson about the virtues of domestic monogamy.

Capadocia: Un Lugar Sin Perdon is an HBO Latin America Original that showcases both the political and social angles of an experimental penitentiary in Mexico City. The penitentiary exploits the inmates as a form of cheap labor for the government. A riot begins that uncovers the violent truths behind the experimental prison and viewers are thrust into the lives of these female inmates. This series depicts the complexities of prison life as well as the political posturing that takes place. There is plenty of emotion in this series and it is executed at a very high
level.

I never had a big momma growing up. My mother and each of my grandmothers were never what I would call big. My mom and her mom barely cleared 5 feet tall and my grandma on my dad’s side while pretty tall was very wiry and thin. So I never had the huge momma experience and it was probably for the best. However, I am not foreign to the concept of Martin Lawrence playing a Big Momma as I saw the first movie. Two movies later, does it still have its magic?

One of the most commonly asked what if questions, is the question about superpowers. If you were a superhero, what would be your superpower? My initial reaction is X-Ray vision because I am after all a dirty old man. After some thoughtful moments, I do however come up with the ability to instantly adapt. There are many moments where I might feel out of place or unable to help. But with that power, I could change that. Or maybe I will just wear a green amulet and fight bad guys like Callan in the film: Cross.

It is that time again boys and girls for the movie of the week. This week, we visit a genre that is staler than your grandmother Edna’s cookies: the romantic comedy. *boo* *hiss*. Okay, okay before you start throwing those almond cookies, I think I need to let you know that there is a $5 bill in it for each of you. *whisper from editor* “Do we have that in our budget?” “No silly, just go with it.”. Audience – “What was that?” Why, our movie today is the Adam Sandler and Jennifer Aniston picture: Just Go With It. Roll the film!

The story of Romeo and Juliet is a story that is retold at least once every generation. It can be retold using a different time period or with alien races or perhaps even in a thirty second commercial. It is a fairly easy story and parts can be tweaked given the audience and intention. So begins the story of Gnomeo and Juliet. Take one part animation, one part garden gnomes and a dose of laughter that could be just what the classic play needs. Or it could become a tragedy of the highest order.

When I was a kid, I always wished and hoped I had super powers. Frankly, I did not even think my parents were my parents, rather hosts for somebody who would eventually change the world. Somewhere along the way, I grew up (kinda) but always wondered what would happen if things were different. I Am Number Four explores the story of a teenager who could change the world with his powers if he can simply stay alive long enough. By the way, I still don’t think my parents were my parents.

Recently, I saw the brand new live-action film of Thor in 3d on a giant IMAX screen with some close friends (watch for the Hawkeye cameo!). All of us thought the movie was pretty good (though we really didn’t see the point of 3d, big shock). As to be expected, I knew (and hoped) an animated feature of Thor with his big hammer was right around the corner. However, when I received said feature, Thor was right on it, but he was holding a sword? This requires some further analysis.