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It was inevitable that the tragic events of 9/11 would spawn television and film dramatizations. The catastrophe quickly influenced almost everything produced immediately afterwards. Homeland Security is a failed NBC pilot. Unlike most discarded pilots Paramount decided to release this one as a direct-to-video feature. I’m not sure what the thinking behind this move was, but it was well thought out. The very things that made this a poor subject for a series make it an even worse feature release. There have been, and here will continue to be, dramas based on the attacks.

Synopsis

In the rural south of the 1930s, a black man is charged with the rape and beating of a white woman. Defending him is Atticus Finch (Gregory Peck), and the events surrounding the case are seen through the eyes of Finch’s two children. The film is thus just as much about children’s fears (embodied by Boo Rradley [Robert Duvall], the boogeyman next door) and perceptions of the world as it is about race and unequal justice.

In Finch, Peck incarnates what may well be the supreme portrai...

Synopsis

Robert Redford is a small-time con man who swindles a runner working for big-time gangster Robert Shaw. When Redford’s partner is killed in retribution, Redford swears revenge, and hooks up with Paul Newman, a veteran at the con game who has fallen on hard times. They put together a veritable army of operators, determined to bring Shaw to his knees in the ultimate con.

A delight when it was first released in 1973, the film is no less a delight now. To call it a masterpiece may be a...

Synopsis

A young boy murders his mother’s abusive lover while his little sister watches the act in a mirror. Years later, the siblings are grown up. The brother is mute, and the sister (Susanna Love) is haunted by nightmares of that night. Seeking to purge the past, she revisits her old home, and sees the lover in the mirror. In terror, she smashes the mirror, thus unleashing the evil contained therein. Wherever fragments of the mirror show up, terrible deaths occur.

Or at least as terrible...

Synopsis

Gene Tierney plays the kleptomaniac wife of respected psychiatrist Richard Conte. When she is caught shoplifting a pin, she is rescued from embarrassment by con artist and hypnotist Jose Ferrer, who wins her confidence, and then sets her up for a murder wrap. His alibi is airtight, and the evidence all points to her guilt.

Tierney, as ever, excels at being beautiful and unstable, though here she is sympathetic, as opposed to the monsters she plays in Leave Her to Heaven and ...

Synopsis

John Hodiak plays a soldier who wakes up after being wounded with no memory. All he knows is what he is told: that his name is George Taylor. He makes his way to LA, and before long is looking for one Larry Cravat, a man who is apparently his friend. But lots of other people are looking for Cravat too, both hoodlums and cops, and our hero is quickly up to his neck in danger, without even knowing why.

An early storyline centred around amnesia, Somehwere in the Night’s twists ...

Synopsis

As the US enters the conflict of WWII, a ring of Nazi spies works to uncover American research into the atomic bomb. The are based out of a dress shop at the house of the title, and they are infiltrated by double agent William Eythe. Will he uncover the traitor in the nuclear program before the Nazis uncover the traitor in their own midst?

This isn’t, properly speaking, a noir, something that the commentary itself points out, adding that this is, rather, the first of the pseudo-doc...

Synopsis

When Glynis Johns’ car breaks down, she seeks help at the mansion run by Dr. Caligari (Dan O’Herlihy), who promptly makes her prisoner. He won’t let her leave, he says, until she tells him everything about her most intimate life. All of the other guests at the house won’t help her, and everyone has a tendency to speak in riddles. Our heroine descends deeper and deeper into a nightmarish psychological trap.

Not a remakes, as such, of The Cabinet of Dr. Caligari, this does owe...

This is not your father’s Sinbad. The emphasis is on the Bad, very bad. Seek and ye shall find no Ray Harryhausen magic to carry you away to distant lands and grand adventure. Lou Ferrigno was much better as The Hulk than as Sinbad. His much too modern use of slang coupled with a wise-guy barrage of one-liners makes this a difficult film to watch. Trust me. This film is really bad. Most disturbing is the total lack of respect the producers of this mess show for the grand traditions of previous Sinbad films. There is no majesty and mystery.

Synopsis

Art Carney is a spirited senior (the Harry of the title) who is evicted from his home (the building is going to be torn down to make way for a parking lot). He sets out with his cat Tonto on a cross-country journey that sees him bouncing off family members and strangers on their own journeys.

Some of these encounters are less believable than others (the Hooker With The Heart of Gold, for example), but the tone of the film is a gentle, wry, observational humour. Carney is excellent,...