Posted in: Disc Reviews by Archive Authors on November 21st, 2005
Synopsis
During the crippling drought of the 1930s, con man Burt Lancaster arrives in a small town, promising to make it rain (for, of course, a small remuneration). Present here too is Katharine Hepburn, apparently doomed to spinsterhood. She will blossom under the care of Lancaster’s charming rogue.
Posted in: Disc Reviews by Archive Authors on November 19th, 2005
Dear Chris Farley, we har'ley knew ye.
What is it with SNL and untimely death? I am pretty surprised that I have never seen a "conspiracy theory" written out about this, like the Wheaties curse or the curse of the Sports Illustrated cover. Jim Belushi, Phil Hartman, Gilda Radner and even the lovable Chris Farley died way before their time.
Posted in: Disc Reviews by Archive Authors on November 18th, 2005
The next time you’re at the neighborhood Best Buy, find the packaging for The Grudge. Then, seek out an obscure new release of an old catalog favorite named The House Where Evil Dwells, and line up the boxes. You’ll be struck by how eerily similar the packaging is. Struck enough to turn them over and compare synopses. After doing so, you will notice not only is the packaging similar, but also the plotlines themselves.
Add to the mix the fact House is an early eighties horror film, and...you just might think you’ve discovered yet another rare gem ripped off by today’s horror surge… you could not be more wrong.
Posted in: Disc Reviews by Archive Authors on November 14th, 2005
Synopsis
And Now for Something Completely Different (1971) was Monty Python’s first theatrical release, and consists of remounted, often more elaborately staged versions of many of their most beloved TV skits. You want your Dead Parrot, it’s here. So is the Lumberjack Song, How Not to Be Seen, and so on. As a one-stop intro to Python, it’s hard to beat.
Posted in: Disc Reviews by Archive Authors on November 13th, 2005
Synopsis
Lee Van Cleef, often a villain, incarnates a sneering hero in Sabata (1969). He uncovers skullduggery at the highest levels in a small town, and proceeds to blackmail the crooked, sadistic, and rather effeminate Colonel at the head of the criminal racket. Plenty of gadgety gun battles are involved.
Posted in: Disc Reviews by Archive Authors on November 10th, 2005
Synopsis
Frustrated by vicissitudes of Depression-era life, Dorothy wishes she were somewhere else. She gets her wish in ways she couldn’t have imagined, as a tornado drops her into the magical world of Oz. Accompanied by the brain-free Scarecrows, heartless Tin Man and cowardly Lion, she sets out on a quest to return home. In order to be granted that wish by the all-powerful Wizard, she must first defeat the Wicked Witch of the West.
Posted in: Disc Reviews by Archive Authors on November 7th, 2005
I actually picked this title up several months ago on DVD, so I was already aware of how funny this disc is. For some reason, Saturday Night Live is one of those shows that nobody finds funny until several years later, at which time its charm is rediscovered. I'm sure this has to do with the fact that the reruns and compilations cut out the majority of the filler and leave only the best bits, but I am, still surprised that the shows gets such little notariety during their initial run. Regardless, I have always been a big fan of this show, as it is one of the finest examples of the power of pure acting talent. It is simply amazing to see the level of skill that these performers bring to the table when the pressure is on and the broadcast goes live.
For my money, Will Ferrell is one of the top SNL performers of all time. There are few comedic actors that have been able to place as many characters and phrases into the everyday lexicon as Ferrell. One of the most wonderful things about watching him perform is that it is often times clear when he has intentionally strayed from the script to attempt to catch his fellow players off guard, a task that he usually succeeds at with hilarious results. Skits and characters such as Celebrity Jeopardy, the Spartan Cheerleaders, the Night at the Roxbury brothers and James Lipton are all here, and in the perfect format for the PSP. It is a cinch to watch one skit here and there throughout your day, and I guarantee that if you do, your whole day will be just that much brighter for it.
Posted in: Disc Reviews by Archive Authors on November 7th, 2005
Synopsis
Things don’t get much more anodyne than this storyline, showcasing an impossibly idealized family and their trials of love and prize pigs as they travel to the eponymous event. This is strictly for the nostalgic and pure fans of Rodgers and Hammerstein (the songs generally are not as culturally engrained as those of Oklahoma!). There are two versions of the film here, and the 1945 take is easily the better of the two. The 1962 remake (and the third film by this name, a non-musical ver...ion having appeared in 1933) has Pat Boone in the lead (never a good sign) and is even more plastic. This version does, however, have Ann-Margaret pulling a bit of a show-stopper with her dance number.
Posted in: Disc Reviews by David Annandale on October 28th, 2005
Audrey Hepburn and Albert Finney are a couple whose marriage appears to be reaching its end. They travel through France, which was the scene of so many other memories, and they (and we) experience, through interlocking flashbacks, the history of their relationship.From the moment the animated credit sequence and Henry Mancini score begin, one is clearly watching a Stanley Donen film from the peak of his career (the presence of Hepburn is yet another reminder of Charade from just a couple of years prior). The flashbacks-within-flashbacks structure might initially seem daunting, but the film is light on its feet, and is never confusing. Finney's character is sufficiently cranky even in the early stages of the relationship that one might be forgiven for wondering what Hepburn ever saw in him, but the scenery is pretty and the dialogue zings.
Audio
Posted in: Disc Reviews by David Annandale on October 27th, 2005
George Montgomery plays the lead trumpet for the "Gene Morrison Band" (the Glen Miller Band). As they set out on tour, he falls in love with, and marries, audience member and big fan Ann Rutherford, much to the displeasure of Lynn Bari. The film then uses the tensions between the various significant others during the tour to cobble together a plot that connects the various musical numbers.From the point of view of plot and character, this is nothing to write home about. But as a record of one of the greats of the Big Band era in action, it is a valuable document, and certainly manages to entertain, if not much else.
Audio
