Posted in: Disc Reviews by David Annandale on May 16th, 2004
Synopsis
Welcome to the French Riviera, 1962. The youth are beautiful, aimless, and amoral.Searching for meaning in his life, whiny mope Olivier meets the sweet Barbara. These two mighthave something together, but Olivier must take a wide detour on the way to true love, as he firstfalls in with a pack led by Philippe and Elke (played be, you guessed it, Elke Sommer).
All sorts of hilarious stabs at decadence ensue, as imagined by director/co-scripter MaxPécas, a very conserv...
Posted in: Disc Reviews by David Annandale on May 9th, 2004
Synopsis
The crew of jaded Robert Mitchum’s destroyer is bored. Their craving to see some action,any kind of action, is answered when they encounter a U-Boat captained by the disillusioned CurtJurgens. From this point on, the entire film consists of the battle between the two brilliantcaptains, each one anticipating the other’s moves.
The fact that Jurgens, thoroughly sick of the war and the Nazis, is so sympathetic has an oddeffect on the film’s suspense. On the one hand, t...
Posted in: Disc Reviews by David Annandale on May 7th, 2004
Synopsis
In 1957, the British studio Hammer, having already produced a number of classic SFthrillers, turned to gothic horror, which had been effectively dead since 1946, and brought it backwith a vengeance. Their revolutionary entry was The Curse of Frankenstein (****1/2),which introduced colour, gore and sex to the classic horror formula, and made Peter Cushing (asFrankenstein) and Christopher Lee (as the Creature) into stars. Unlike the Universal Frankensteinfilms of the 3...
Posted in: Disc Reviews by Archive Authors on May 5th, 2004
As a music lover, the phrase, “written by Paul McCartney” almost always signifies excellence in the performance to come. For a movie lover, this is not necessarily the case. Sure, A Hard Day’s Night is a great film, Help! is better than average, and Yellow Submarine is a fun departure from mainstream animation. Heck, even Magical Mystery Tour has a campy sort of charm to it.
Apparently, the same rule that applies to music also applies to cinema; without the rest of The Beatles, P...
Posted in: Disc Reviews by David Annandale on April 30th, 2004
Synopsis
The film spirals around and around the last half-hour or so at a high school before twoheavily armed students arrive to slaughter their classmates. Again and again, we go over the sametime segment, but Gus Van Sant’s constantly moving camera takes a different POV each time,and interactions that were fleeting background at one moment become central on the next goaround. Anyone who has survived high school (one of society’s most successful attempts tocreate Hell on Earth) wil...
Posted in: Disc Reviews by David Annandale on April 11th, 2004
Synopsis
Paul (Paul Gegauff) and Esther (Danielle Gegauff) have, on the surface, a fine marriage. Thesurface cracks open for us almost immediately, however, as we see that the reason why thismarriage is “fine” is that Esther submits completely to Paul, and becomes whatever he desires.When he suggests that they sleep with other people, she complies, and begins to forge an identityof her own, one that Paul disapproves of. He reacts first with sarcasm, then with every-increasingmental ...
Posted in: Disc Reviews by Archive Authors on March 28th, 2004
Often, the success of one film in theaters will bring on a wave of classics on DVD with a similar theme. In this case, the new films are Pirates of the Caribbean and Master and Commander. These modern box office successes have prompted 20th Century Fox to release some classic films about the high seas onto DVD. One such film is A High Wind in Jamaica.
There are quite a few problems with this film, but most of them lie within the narrative. The technical aspects are all handled well, wit...
Posted in: Disc Reviews by David Annandale on March 22nd, 2004
Synopsis
Though not Blake Edwards’ best films, these are the movies with which he is most stronglyidentified, and the role of Inspector Clouseau was a career-defining move for Peter Sellers. Attheir best, the movies are fine exemplars of inspired slapstick.
The Pink Panther started it all off, and no one knew what a phenomenon Clouseauwas going to turn out to be. Edwards and Sellers (the trivia track informs us) rewrote the partlate in the game to turn the character i...
Posted in: Disc Reviews by David Annandale on February 26th, 2004
Synopsis
We are in a magnificent art deco hotel in Berlin. Here we come to know a disparate groupof characters: the world-weary ballerina (Garbo), the gentleman thief (John Barrymore), thedying man on a last spending binge (Lionel Barrymore), the scheming stenographer (JoanCrawford), and the unsavoury tycoon (Wallace Beery). These characters’ lives intersect andcollide over the course of a momentous night.
This is not the best-written Hollywood production. The plot is implau...
Posted in: Disc Reviews by David Annandale on February 24th, 2004
Synopsis
Jean-Louis Trintignant is Nicolas, a quiet, put-upon bank teller. On impulse one day, he seesa pretty young woman (Jane Birkin) and puts a very unsubtle move on her. It works. Thistransforms Trintignant’s life, especially once he confides to his crippled writer friend (Jean-Pierre Cassel). The latter begins to live vicariously through Trintignant, directing his every move.Our hero is soon sleeping with one woman after another, and through them making theconnections that see...
