Dolby Digital Mono (French)

Willis O’Brien, the f/x magician behind King Kong and The Lost World, had always wanted to do a cowboys and dinosaurs film. It is no surprise that his prodigy Ray Harryhausen would accomplish the task. Using some of O’Brien’s design ideas, Harryhausen credibly put these two film icons together with mixed results. The script is certainly not the best Harryhausen had to work with. More Bronco Billy than Jurassic Park, this is more an entertaining film than anything to be taken seriously. James Franciscus does a fine job of playing to the f/x.

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Soylent Green is an… interesting movie. Its one of the seventies movies that’s funny to look back on and recognize that people in the seventies thought that people in the year 2020 would still be dressing like… people in the seventies. Soylent Green steps beyond the traditional seventies sci-fi flick and into the boundaries of social activism, however, adding a further layer of irony to the film: as an apocalyptic tale its interesting to see how we haven’t traveled down the frightening route envisioned in Soylent Gre...n, and alarming to see how we still could. Not to suggest that in the next 17 years we’ll breed ourselves into oblivion and poison all of the farmland – but the points that the movie makes about resource use and pollution are valid, no matter how exaggerated. What isn’t particularly valid are the movie’s population – at least not in North America. Soylent Green’s out-of-control population visions might be more valid if the film was set in Mexico City or Calcutta perhaps. A more realistic vision of 2020 New York might be of a smaller and grayer populace than today – in any case, I’m rambling, but the point is Soylent Green is entertaining to watch from historical, social, political, and ecological standpoint.

As for the film itself, there’s some great cinematography and some sketchy acting. Check out the opening sequence photo montage – awesome, very well done. Similarly, the movie works well within the filmmaking technology constraints of the time to create a believable 2020 New York. Directory Fleischman has some interesting comments on this in his commentary. Acting is dominated by Charlton Heston, who personally I find to look wooden and contrived most of the time on screen. He does have one of his famous lines though – “Soylent Green is made of People!! Its people!!” My god, it must be in his contracts that he get one ridiculous line per film. His supporting cast is fine – no standout performances to my eye, but all solid.



Synopsis