Posted in: Disc Reviews by Gino Sassani on November 2nd, 2011
"You lose. You die."
In 2005 Russian-born writer director Gela Babluani had a bit of an Eastern Europe success with his film 13 Tzameti. The film took the Grand Prize Jury at Sundance and a few other film festivals, winning also in places like Venice and Transylvania. The film made quite a splash, and it wasn't long before it attracted the attention of American distributors. An English-language version was inevitable at this point. Thankfully Babluani was able to work out a deal where he got to direct his own remake. Babluani has received more than a little heat for essentially remaking the exact same film with only a few changes to cater to the American audience. I never saw the original film, but now I have seen his remake. It would become his first American film and what a film it has turned out to be.
Posted in: Disc Reviews by Michael Durr on October 20th, 2011
There are some things in life I will never be able to relate to. Famous sports athlete, sorry missed out on that boat when I walked off the baseball team in high school. President of the United States, I need more than the votes of my wife and parents. But there are other things on a smaller scale I can’t relate to either. Like children. I will never how it is to have my own children. While I have certainly accepted this fact and I am okay with it, sometimes movies come along with themes that are foreign to me. Enter Beautiful Boy.
We open up to some home videos at the beach. A family can be seen in what would be their last vacation together before the son would eventually go off to college. We slowly pan in to Sam (played by Kyle Gallner) who is reading his essay to a very disinterested class. Dejected, Sam finishes and sits back down. Life is difficult at the new college and Sam is finding it hard to adapt.
Posted in: Disc Reviews by Gino Sassani on October 19th, 2011
Just look at the title, A Horrible Way To Die, and I'll bet you pretty much know what you're in for. You could very well be expecting a gore-fest that borders on the torture-porn genre, and you might be preparing yourself for some imaginative and bloody kills. Looking at the title you'd have every reason to believe that's what you were going to get. You might expect it, but that's not really what you're going to get. The title is quite misleading, in fact. Yes, it's a horror tale about a brutal serial killer. No, it's not the kind of film that lingers on mutilated victims or covers the surroundings in blood and guts. Instead, this is a surprisingly good tension boiler with tons of atmosphere and a few clever twists and turns. Your disappointment could turn into a rather pleasant surprise if you give this one a chance.
There are two stories going on here that are heading toward a climactic collision. The first involves incarcerated serial killer Garrick Turrell (Bowen). He's about to be released for bad behavior. Okay, so "released" isn't quite the word I was looking for. He kills a few guards and manages to escape. He attempts to change his appearance, but he can't quite shake the habit of killing people. Habit is exactly the word I'm looking for here. Garrick doesn't appear to kill in some passionate rage. He's actually quite polite and even-tempered, for the most part, except for the ....you know... killing part. He's working his way back home and leaving bodies along the way.
Posted in: Disc Reviews by Gino Sassani on October 6th, 2011
"I guess if this is the first you're hearing about it, I know how this must all sound."
Unless you've been in a coma like the lead character of The Walking Dead, you've been hearing a lot about this AMC television series of late. It's no wonder. I'm amazed that it's taken so long to see a zombie television series. The show has incredible visuals. There's a courtyard scene at the beginning of the pilot that is as impressive as anything you've seen in a movie. And when a character has to shoot a 6-year-old girl in the head, you understand instantly that this is going to be something unique.
Posted in: Disc Reviews by David Annandale on September 27th, 2011
In the wake of the financially successful but critically drubbed Transformers: Revenge of the Fallen, Michael Bay and company return to the fray with this considerably more coherent exercise. Given that this movie committed to advancing the cause of 3D like no other film since Avatar, the question arises as to how well its visual splendour and over-the-top technological extravagance will translate to home video. The answer is: pretty damn well.
Following the events of Transformers: Revenge of the Fallen, the Autobots are working hand-in-mechanical-glove with human authorities (in other words, the apparently all-powerful CIA), keeping close watch for Deception activity, but also helping out in human-on-human conflicts. Meanwhile, Shia LaBeouf has traded in improbably hot girlfriend Megan Fox for the equally improbable Rosie Huntington-Whiteley (an improbability that the script does have some fun with). He is also out of work and dismayed at not being given due consideration as a saviour of the planet.
Posted in: Disc Reviews by Michael Durr on September 21st, 2011
If left to my own devices, I would probably have dismissed Jeff Dunham as nothing more than a novelty act. He’s a ventriloquist and most of their profession relies on the fact that they can throw their voice and perform various parlor tricks with their dummies. However, my wife and others have turned me on to the fact that Jeff is more than a novelty act. He’s a comedian and a darn good one at that. He just happens to employ characters (certainly not dummies) to help him.
Jeff Dunham was born in Dallas, Texas in the early 60’s. Early on, actually as early as eight years old he was already looking into ventriloquism. Influences included legendary performer, Edgar Bergen. At a young age, he was already attending conventions and competitions. He did so well that eventually organizers of the Vent Haven ConVENTion actually declared him a retired champion since other performers were afraid to compete against him.
Posted in: Disc Reviews by M. W. Phillips on August 26th, 2011
“The windows around here are not big enough for you?”
Writer/Director Keith Bearden’s debut film, Meet Monica Velour, seduces you like raunchy 70s porn star, but finishes you off with a happy ending like a cheap masseuse in a roadside massage parlor. Not that this is a sex comedy, nor are the stars particularly sexy (except for Jamie Tisdale who plays young Monica Velour who is very, very hot), but the theme is about sexual illusions. Illusions from a time long past, when pornos tried to be movies instead of a series of masturbation loops and there was an ironic air of innocence to the whole smutty affair.
Posted in: Disc Reviews by Gino Sassani on August 26th, 2011
Dexter Morgan (Hall) is a forensic lab rat for the Miami-Dade Police. He really knows blood splatter. He should, because he moonlights as a killer. It seems that poor old Dex just can’t help himself. His parents were criminals, and he witnessed his mother’s brutal slashing by a chainsaw gang when he was just a young boy. He was adopted by Harry Morgan (Remar), a police officer. Harry saw the killer instinct in Dexter and taught him how to channel the urges for the sake of good. Dexter adopted Harry’s Code, which means he only kills others that he’s able to prove were killers themselves. His father continues to guide him through his own mind, meaning we get to see Pop even though he's gone. Working for the police with his officer sister, Debra (Carpenter), Dexter is constantly just on the verge of getting caught. He has to adapt and evolve to avoid capture.
“Most actors toil in obscurity, never stepping into the spotlight. But if you hone your craft, work diligently, you might just find yourself cast in the role of a lifetime.”
Posted in: Disc Reviews by M. W. Phillips on August 10th, 2011
“The key to faking out the parents is the clammy hands. It's a good non-specific symptom; I'm a big believer in it. A lot of people will tell you that a good phony fever is a dead lock, but, uh... you get a nervous mother, you could wind up in a doctor's office. That's worse than school. You fake a stomach cramp, and when you're bent over, moaning and wailing, you lick your palms. It's a little childish and stupid, but then, so is high school.”
John Hughes was enjoying a creative peak in the 80s. He owned the teen coming-of-age genre with movies like Sixteen Candles, The Breakfast Club, Weird Science, Planes, Trains and Automobiles, and Uncle Buck. Hughes wrote Ferris Bueller’s Day Off in less than a week to avoid a writers’ strike. The film was shot for a budget of $6 million as a love letter to Chicago. It is arguably his finest movie.
Posted in: Disc Reviews by Gino Sassani on August 8th, 2011
Isn't technology grand? We live in a communication age that is unprecedented in human history. We carry devices, or at least most of us do, that provide the world at our fingertips on machines no larger than our palms. The internet allows us to have a world of information at those same fingertips. We do business over the net. You are reading a movie review over the net. But technology does have its problems. Cell phones mean distracted drivers and more accidents. Teen chat rooms mean that we can no longer guard our homes from the invasion of evil. Trust takes an intense look at just such an invasion and reminds parents just how powerless they are to protect their children. It's a sobering story that isn't presented here to entertain. Consider it fair warning.
Annie (Liberato) has just turned 16 and in all outside appearances she's a very typical 16-year-old girl. She has loving and engaged parents. Will (Owen), her father, is a big-time executive at an advertisement firm. Lynn (Keener), her mother, is a real estate seller. She has a brother Peter (Curnutt) who is about to leave for college. For her 16th birthday her parents bought her a new tricked-out laptop. This is her portal to the outside world and her chat friend Charley (Coffey). Charlie is a high school junior who gives her some great advice on making the volleyball team and on life in general. He seems to be the only one in the world we really understands her. So she's taken a little off-guard when he finally admits to being 20. Of course, the age begins to get older until they finally meet in secret at the mall. Now he's clearly in his mid-thirties but manages to convince her that he's still the same Charlie with whom she's shared so much. While she's a bit nervous, he wins her over and eventually up to a hotel room to model some sexy lingerie he's bought for her. It doesn't take a rocket scientist to figure out what's really going on here. Annie is in over her head, and Charlie takes full advantage of the situation.
![13 [Blu-ray] dvd cover art](https://upcomingdiscs.com/ecs_covers/13-blu-ray-large.jpg)
![Beautiful Boy [Blu-ray] dvd cover art](https://upcomingdiscs.com/ecs_covers/beautiful-boy-blu-ray-large.jpg)
![A Horrible Way to Die [Blu-ray] dvd cover art](https://upcomingdiscs.com/ecs_covers/a-horrible-way-to-die-blu-ray-large.jpg)
![The Walking Dead: The Complete First Season (3-Disc Special Edition) [Blu-ray] dvd cover art](https://upcomingdiscs.com/ecs_covers/the-walking-dead-the-complete-firs-large.jpg)
![Jeff Dunham: Controlled Chaos [Blu-ray] dvd cover art](https://upcomingdiscs.com/ecs_covers/jeff-dunham-controlled-chaos-blu--large.jpg)
![Meet Monica Velour [Blu-ray] dvd cover art](https://upcomingdiscs.com/ecs_covers/meet-monica-velour-blu-ray-large.jpg)
![Dexter: The Fifth Season [Blu-ray] dvd cover art](https://upcomingdiscs.com/ecs_covers/dexter-the-fifth-season-blu-ray-large.jpg)
![Ferris Bueller's Day Off (Bueller... Bueller... Edition) [Blu-ray] dvd cover art](https://upcomingdiscs.com/ecs_covers/ferris-buellers-day-off-bueller-large.jpg)
![Trust [Blu-ray] dvd cover art](https://upcomingdiscs.com/ecs_covers/trust-blu-ray-large.jpg)
