Dolby Digital TrueHD 5.1 (English)

Everybody who is old enough remembers Mutual of Omaha’s Wild Kingdom. It was once one of the highest rated shows on television. On NBC it ran from 1963 until 1971. It would continue to run in syndication for decades. An elder Marlin Perkins would host the show, while a young Jim Fowler would be out in the field. Every week they would show us animals in the wild from all over the world. Long before there was a Crocodile Hunter or Nigel, there was Wild Kingdom. Strange Wilderness attempts to urinate all over our fond memories,

Raise your hand if you’re sick and tired of Lindsay Lohan. Fortunately I can type with one hand. Honestly. How did this girl get to be so big? Why is she dominating our entertainment news cycles? Are there more than a handful of folks out there who think she has any talent at all? She’s nothing close to hot. It’s that wonderful modern phenomenon of being famous for being famous. It really does tend to color one’s opinions when you watch her in a film. She’s so overexposed, in more ways than one, that it’s impossible to watch her play any character without seeing the spoiled bratty whiner she has become so perfect at.

“I found out that if you wanna know the purpose of a thing, you can’t ask the thing to tell you. A car doesn’t know why it’s a car; only the manufacturer knows what it was meant to do. And I guess that’s the same way it is with God.”

Not Easily Broken was written by a minister, Bishop T.D. Jakes. So you should expect a very spiritual message when you watch this movie. If that’s not your cup of tea, as they say, this really isn’t going to be the film for you.

For first time screen writer Allen Loeb, Things We Lost In The Fire is quite an ambitious script. It relies almost completely on the writing and the performances that can be gotten from the acting leads. There’s really no place to hide in this story for anybody. And while I certainly found several elements of the story forced or contrived, there was an underlining emotion to the whole thing that carried through strong enough for the actors to find some very solid grounding. With that grounding Halle Berry and Benicio Del Toro delivered what should have been award winning performances.

On January 23, 2002 Daniel Pearl, a reporter for the Wall Street Journal, was kidnapped and eventually killed by terrorists while working in Pakistan. A Mighty Heart is based on this true story. The narrative comes from the book by his wife Marianne Pearl. While this is certainly the tragic tale of a murdered reporter, this film is more the story of Marianne and her struggle to locate Pearl in the 10 days from his capture until a video tape surfaced depicting his beheading.

I was very eager to revisit this film now that it has come our way on Blu-ray and high definition. There are issues that I struggled with in my own viewing that I will discuss later in this review. In high definition this film becomes a case study in contradiction. It’s amazing how pretty a thing can be when it really isn’t very pretty at all. We are witness to bad things, but the director chooses to present these things amid a flurry of beauty. It’s a rather striking contrast, made more so on Blu-ray. It actually made for a much more effective experience, even if most of my initial feelings about the film remain unchanged.

Actor Edward Norton first came to my attention in the heist film, The Score. I hadn’t heard a lot about the bright young actor, but I remember that he impressed me quite a bit. When you consider he was playing along with the likes of Marlon Brando and Al Pacino, that’s no small achievement. Somewhere along the way I missed the 1996 release of Primal Fear. Based on the William Diehl novel, the film would be the first major feature to star Norton. It was a breakout character and a breakout performance. He deservedly was nominated for an Academy Award for the role, one he likely should have received.

The highpoint of I’ve Loved You So Long is a rather brilliant performance by Kristen Scott Thomas. She is able to inhabit a character in ways I’ve rarely seen. You’ll be hard pressed to find any identifiable boundaries between the actor and the character. Now, usually, that’s the foundation for a solid film. The problem is that her character just isn’t that interesting of a person after a while. Of course, there are nuances to observe, and Thomas serves them up well, but after a short time we’ve really come to know this character pretty well. We just don’t find her all that interesting.

What a great time it was to be a teen in the late 1970’s. No, I’m not referring to disco music. It was a great time to go to the movies. It was the culmination of the perfect date, and Hollywood was riding the beginning of a trend that remains alive and healthy today. I’m talking, of course, about the slasher film. You could argue that Hitchcock started the ball rolling in 1961 with Psycho, but it would be decades before that film would find its true audience and plethora of imitators. Although The Texas Chainsaw Massacre and Halloween came before Friday The 13th, can it be argued that any horror film franchise is as widely known?

There’s something I hate about election season. No, it’s not all of those negative ads. No, it’s not the wall to wall coverage on the news networks, It isn’t even the campaigning that closes streets and makes you late for work. It’s the fact that every studio decides to dust off any title they think is even remotely political in nature and put it out, hoping to cash in on the perceived political craze.