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There’s obviously nothing funny about the atrocities committed by some of history’s most notorious tyrants. So why have these men proven to be such a surprisingly fertile source of comedy? Whether it’s (Puppet) Kim Jong-il crooning forlornly about being lonely (actually “ronery”) in Team America: World Police or Adolf Hitler being saluted by a chorus line of high-stepping stormtroopers in The Producers, there’s certainly a precedent for mocking these reviled figures. With The Dictator, Sacha Baron Cohen appears to be taking his patented inappropriateness to a new level.

Cohen — the English actor, comedian and professional provocateur — stars as Admiral General Haffaz Aladeen, ruler of the oil-rich and fictitious Republic of Wadiya. (Muammar Gaddafi and Saddam Hussein are clearly major influences.) The trick to making this sort of (potentially-abhorrent) comedy seems to be focusing on the outrageous personalities of these tyrants, rather than all the horrible things they’ve done. As a result, Aladeen is racist, sexist and too many other negative “-ists” to list, but the movie portrays him as a bearded buffoon who isn’t even remotely dangerous. (Though try telling that to the dozens of people Aladeen orders to be executed over trivial offenses.) When he is summoned by the United Nations to address concerns about his country’s nuclear program, Aladeen travels to New York, where he embarks on a life-changing journey involving a boyish feminist (Anna Faris), a severed head and a few celebrity cameos.

There are a ton of parallels between the Chris Farley/David Spade comedy team and that of John Belushi/Dan Aykroyd. Both teams began in the Saturday Night Live arena. It was that physical big/little guy combination that has its roots with Laurel and Hardy, and Abbott and Costello. Both teams were at the height of their careers when a drug overdose would claim the wilder member of the team. Both of the deceased comedians left behind at least one successful brother to carry on the name in show business. Tommy Boy was by far the best of the films this duo made before Farley’s tragic overdose in 1997.

Tommy Boy Callahan has been a screwup since he was a kid. It wasn’t looking much better as he matured into adulthood. After 7 years Tommy finally graduated college with a celebrated D+ grade. Now his father, Big Tom (Dennehy) wants Tommy Boy to come and take his place as the heir apparent in their auto parts manufacturing plant. Tommy’s best friend since childhood is Richard (Spade) who has been Big Tom’s right hand man all along. He feels cheated but is tasked with getting Tommy Boy ready to eventually run the company. Big Tom is also getting ready to marry a hot babe 20 years his junior, Beverly (Derek). At the wedding Big Tom suddenly dies, and now a group of con artists are trying to take control of his plant so that they can sell it to their biggest rival, Zalinksky (Aykroyd). Now it’s up to Tommy Boy and Richard to hit the road and sell a half million worth of brake pads to keep the company from defaulting to the bank, and falling into the hands of the con artists, who are working to place roadblocks in their way. Can they save the plant?