Posted in: Disc Reviews by Archive Authors on June 1st, 2006
The Chronicles of Riddick takes place about five years after the events of Pitch Black. Richard B. Riddick (Vin Diesel) continues to fight for his life on Crematoria (what a name), a planet whose sun, apparently, is so blazingly hot that every 15 minutes it blankets everything beneath it basically vaporizing it. But that doesn’t really matter all that much now does it. For Riddick, who is one of the few surviving members of the Furions, has been captured by the Necromongers and now must find a way to po...er his way out like only Vin Diesel can. Apparently these Necromongers want every person to become a Necromonger. They line up behind their Lord Marshal who has visited a planet called Underverse and returned half alive and half something else. Then we meet a character named a character named Aereon (Judi Dench) who can materialize out of thin air and then disappear. This is the perfect idea for a majority of characters in this film. They appear, spend a few minutes of the screen, and then disappear for us to never see them again.
That is the first main problem with this film. We meet countless other characters including a little girl named Ziza who wants Riddick to fight these monsters for her. We hope that sometime during the film a big battle will occur where Riddick must defeat these aforementioned monsters and save the little girl, but such a scene never arrives. Why on earth would you hint at the scene then? I suppose this is because, as we can basically figure out from a few key scenes in the film, that a sequel is inevitable (maybe the sequel is the cartoon that recently came out).
Posted in: Disc Reviews by Archive Authors on May 28th, 2006
The 2005 Version of Assault on Precinct 13 is an obvious remake of John Carpenter’s 1976 classic. Precinct, for Carpenter, was one of his first films made before his ultra famous Halloween. But if anyone has seen the 1976 version, you can easily know what will come from the 2005 version. Instead of making a possible change to the 2005 version, Director Jean-Francois Richet decided to use the similar theme of a police station being abandoned that Carpenter did. Instead though, Richet focuses on the corru...t possibilities of the police. What Richet brings to the table is a few impressive action scenes, a lot of gorgeous snow (especially so in HD), and a few great actors. All this is very impressive considering the low $20 million dollar budget the film had.
In this version of Precinct, the jail is scheduled to close forever at midnight. Burnt-out desk sergeant Jake Fornick (Training Day’s Ethan Hawke) still traumatized by the death of two partners, is on the graveyard shift with old-timer Jasper O'Shea (TV’s The West Wing) announces he will soon retire. Jake just tends to sit around popping bottles of pills trying to overcome his this pain in his life. That is until some terror arrives. Bishop (The Matrix Trilogy’s Laurence Fishburne) has been arrested and is being transported along with Beck (Empire’s John Leguizamo) and a few others including a character played by rapper Ja Rule. Everything seems to be going fine until a big accident blocks the highway to the jail. So, to get these criminals off their backs, the guards decide to dump Bishop and the select others off at Precinct 13. Unfortunately, the guards didn’t know that Bishop’s men are determined to set him free.
Posted in: Disc Reviews by Archive Authors on May 18th, 2006
Synopsis
Adam Sandler plays Robbie Hart, wedding singer in 1985, making a living covering other people’s songs, but happy with his life, until he is dumped at the altar. Total professional meltdown then ensues (in the big money scene that everyone saw in the trailers). Hope for romance still exists, however, in the person of Drew Barrymore, a waitress about to be married to a total jerk.
Posted in: Disc Reviews by Archive Authors on April 22nd, 2006
A critically acclaimed Adam Sandler film? I’d never would I have thought I’d see the day. I guess if The Truman Show is one of Jim Carrey’s dramatic stabs, then the star of Big Daddy can give a romantic comedy a try. Written and directed by Paul Thomas Anderson (Magnolia), using a story from the “Strange But True” category, combined with adding a touching tenderness to his characters, wrapped up with Sandler, playing a quiet, soft spoken man prone to fits of blind rage.
Sander is Barry ...gan, a novelty toilet plunger salesman with 7 sisters, who don’t hesitate in bullying him at every opportunity. Barry has times where he has periods of anger that cause him to destroy things, such as a sliding glass door at one of his sister’s houses. One morning, while at work, Barry discovers a harmonium that is left abandoned outside of the warehouse where he works. The harmonium becomes a metaphor for Barry’s pursuit to reclaim his life, as he periodically tries to play it through the film. Barry soon meets Lena (Emily Watson, Breaking the Waves) who drops her car off at the mechanic next to Barry’s office, but her intent is to meet him. Barry is attracted to Lena, and his awkwardness around her is cute to see, as if he’s a 13 year old trying to figure out what to do and say. Barry’s conflict in the movie is when he calls a phone sex company. He’s very awkward, and even confused, when talking with the girl on the other line. She decides to extort money from him, and enlists the help of Dean (Philip Seymour Hoffman, Capote), the owner of the company, and 3 crazed brothers.Through this, Barry is inspired by Lena, and when he finds out about a business trip she has to take to Hawaii, he takes advantage of a loophole in a Healthy Choice Promotional Campaign, which allows him to collect over 1 million frequent flyer miles from pudding purchases. He’s unable to redeem the miles in time, but he goes to meet her anyway.
Posted in: Disc Reviews by Archive Authors on March 24th, 2006
After the transformation of the Harry Potter and The Lord of the Rings books into hugely successful films, it was only a matter of time before someone decided to tackle C.S. Lewis’s famous novels The Chronicles of Narnia. Both of the aforementioned books into movies were excellent because, even though they didn’t include every little detail presented in the novels, fans still embraced the films for what they were. They brought a majority of the presented themes and ideas in the books and showed u... them in a live action manner via the film. Similar to the seven part Harry Potter series, would it be possible for the classic seven part Narnia series to have a successful transformation into film?
Both C.S. Lewis, author of the famed Narnia books, and J.R.R. Tolkien, famed author of the Rings books, were said to have been friends who taught at Oxford at exactly the same time. They both enjoyed smoking pipe, drinking in the same pub, taking Christianity seriously, and writing. Lewis loved Tolkein’s style of writing and the universe he created for the Rings books, but Tolkein never seemed to return the same affection to Lewis’s Narnia books. Many say this is because Tolkein actually created a vast universe for his novels, while Lewis just used his native country as the setting.
Posted in: Disc Reviews by Archive Authors on February 25th, 2006
Synopsis
I think that by revisiting Unbreakable, and looking at it outside of M. Night Shyamalan’s other films (The Sixth Sense and Signs), there’s actually a pretty good movie going on there. I mean, a movie that grossed $95 million domestically can’t be considered a failure, right? It did, however, do amazing overall numbers, the international totals brought the film up to a near $250 million gross. However, I guess when you put them up against Signs ($227 million domestic, $40... million worldwide) and The Sixth Sense ($293 million domestic, $672 fricken’ million worldwide), maybe it can be considered disappointing, but the film itself is pretty good.
Posted in: Disc Reviews by Archive Authors on February 23rd, 2006
Synopsis
What bothers me about music, aside from the sanitized, overmarketing of a band or artist, is the way that those who play it for its enjoyment are cast aside so rudely and without thought. In Frank Zappa’s outstanding “The Real Frank Zappa Book”, he talks about appearing at a jazz festival with his group the Mothers of Invention, and witnessing the legendary Duke Ellington pleading for a $10 advance on his appearance fee. Quoting Zappa’s response; "We’d been together in one configuration or another ...or about five years at that point, and suddenly EVERYTHING looked utterly hopeless to me. If Duke Ellington had to beg some assistant backstage for ten bucks, what the fuck was I doing with a ten-piece band, trying to play rock and roll - or something that was almost rock and roll?"
Posted in: Disc Reviews by Archive Authors on February 19th, 2006
Riding on the coattails of the successful and acclaimed film Ray comes the life story of Johnny Cash. Walk the Line, adapted from the novel The Man in Black, places Joaquin Phoenix in the role of the legendary country singer. Similarly to Ray, Walk the Line has garnished critical acclaim for both the film (which was a surprise omission in the Best Picture category at the Oscars) and the lead roles of Phoenix and Witherspoon (both of whom won best actor/actress and the Golden Globe..., and are nominated at the Oscars).
More then the music, this film focuses on the downward spiraling emotional state of Cash, and his addiction to drugs to try to constrain his inner demons. The story starts with a glimpse into Cash’s childhood where we see a strong bond with his brother and meet his emotionally abusive father. After his brothers accidental death, and the emotional scaring his father puts him through, we fast forward to Johnny’s moving away from home.
Posted in: Disc Reviews by Archive Authors on February 6th, 2006
Synopsis
For awhile, Jim Carrey looked to be taking the career path that Michael Keaton had previously established. Start off with strong, hilarious comedic performances, attempt to get into dramatic roles with some critical success, and fade into the sunset, with the occasional bad script choice. While Carrey hasn’t dipped into the Jack Frost period yet, with The Truman Show and Man on the Moon, Carrey had established the fact that he could pull off carrying a dramatic movie, and do it...fairly well, with consecutive Golden Globe awards to boot. Then, after playing a cop with multiple personalities (Me, Myself and Irene) and the Grinch and The Majestic came along, and it was hammered; no one went to see it. Enter Tom Shadyac, Carrey’s old reliable, and collaborator on Liar Liar and Ace Ventura: Pet Detective. With Bruce Almighty, Carrey goes back to the goofball comedy well that helped to propel him to the $20 million paychecks you hear about now.
Posted in: Disc Reviews by Archive Authors on January 27th, 2006
Synopsis
Based on the novel by Helen Cross, and adapted for the screen and directed by Pawel Pawlikowski, My Summer of Love is an interesting story about two girls in Ireland (or England) who find friendship in each other’s company among a sea of desolation.