Posted in: Disc Reviews by Archive Authors on September 24th, 2003
Who would have thought that a Lego animated film would be so cool? This CGI animated feature film, Lego’s first venture into a mainstream feature-length movie, is great for all ages; it contains an interesting story line, good characters, and amazing animation. If you have not been privy to the past stories of Bionicle, you should really jump in and explore Mask Of Light…
”Discover the latest chapter in this legendary story in an all-new CGI animated movie. It's nonstop action as Jaller and his bes... friend Takua set off on their journey to find the 7th Toa, a mysterious guardian who will help protect their island home. With the guidance of the Mask of Light and the united strengths of the other six Toa, the brave companions must overcome the powerful Makuta and his menacing Rahkshi. They must prevail or the island of Mata Nui will be doomed to an eternity of darkness!” – Disney
Posted in: Disc Reviews by Archive Authors on September 3rd, 2003
Synopsis
Stitch the lovable alien of mass destruction is back with 625 of his closest relatives ready to wreak havoc on the Hawaiian Islands. Captain Gantu has kidnapped Dr. Jumba and brought him to his evil partner Dr. Hamsterviel, they want the other 625 experimental aliens of mass destruction that Dr. Jumbo created. Lilo and Stitch find them and decide that they don’t want to give them up as they are part of the family, so in order to keep them they must rescue Dr. Jumba.
Posted in: Disc Reviews by Archive Authors on August 27th, 2003
Synopsis
Roxy Hart will do anything to get famous; she cheats on her husband (John C. Riley) with a furniture salesman because he tells her that he can get her a jazz act in a club. When he admits that he was lying about his contacts at the jazz club she kills him in a fit of rage. She convinces her somewhat dim husband to lie to the police and take the blame but as he is telling his story to the police he puts one and one together and figures and tells the cops the truth. She finds herself on Chicag...’s famed murderess row with nightclub sensation Velma Kelly. Velma is in jail for murdering her husband and sister after catching the two of them together. Billy Flynn is the most famous lawyer in town and can get anyone off, he manipulates the media and is just as concerned with his own fame as he is with helping his clients.
Posted in: Disc Reviews by Archive Authors on July 29th, 2003
Once in a blue moon, though, there’s a re-make that not only takes the original to a new level of appreciation, but actually improves upon it. In musical terms, it’s Ike and Tina’s “Proud Mary.” In the cinematic forum, Martin Scorsese’s 1991 re-work of the B-movie thriller Cape Fear is another.
Max Cady (Robert DeNiro, lost the Oscar to Anthony Hopkins) is a recent parolee, fresh out of the joint after serving a fourteen year stretch for aggravated assault. During his trial, his lawyer, public...defender Samuel Bowden (Nick Nolte, the rich man’s Gary Busey) had pled the charge down from rape and aggravated sexual battery, which could have earned Cady a death sentence. Why, then, would Cady have such a vendetta toward the man who may have saved his life? In his fourteen years in prison, Cady has basically done two things: covered his body in tattoos, mostly scriptural and threatening in nature, and learned to read law books. After his conviction, he dismissed Bowden and acted as his own attorney and found something in his file that he feels Sam buried, and has since focused every fiber of his being on one final goal: to make his lawyer pay for the fourteen years he lost. As soon as he is released, Cady immediately sets about getting his long-planned revenge with an almost Ahab-ian fervor, making Bowden and his family the white whale, the perpetrator of his anguish.
Posted in: Disc Reviews by Gino Sassani on July 16th, 2003
As a film, John Carpenter’s Vampires leaves a lot to be desired. The story is average and has been done before, and the acting is questionable at best. I just cannot appreciate James Woods as a bad ass Vampire Killer. Vampires does contain a number of scenes that build tension and effectively instill some horror, but you will not be traumatized by the scariness of this film. Yes, there are a few sequences that look very good in terms of the cinematography, and there is some nice gore and violence, but you w...uld be much better off viewing a film such as Dog Soldiers if you are looking for a quality horror flick.
“Hired by the Vatican, supernatural bounty hunter Jack Crow (James Woods) meets his match in Valek, the 600 year-old leader of a band of vampires terrorizing the American Southwest. When Valke kills most of Crow's team of mercenary vampire slayers in a surprise attack, the bounty hunter turns to help from Katrina (Sheryl Lee), a beautiful prostitute with a psychic link to the deadly vampire, who leads him to Valek's lair for the final showdown.” – Columbia-Tristar
Posted in: Disc Reviews by Archive Authors on July 11th, 2003
Joyously unhinged and very inventive, O Brother Where Art Thou? is the latest film from the imaginative minds of the Coen brothers. Based very roughly (and loosely) on Homer’s “Odyssey”, it’s a Depression-era musical about three convicts who escape from a chain gang to unearth a buried treasure, get one of the men home to be reunited with his wife, become overnight musical sensations as “The Soggy Bottom Boys”, and at the same time, elude a bloodthirsty team of Mississippi lawmen. For those of you who don’t ...uite remember Homer’s tale, it doesn’t really matter too much here. However, for those interested in a quick history lesson, Homer composed “The Odyssey” around 700 B.C. as the epic poem takes place over a decade and focuses on Odysseus (aka Ulysses) and his journey home to his wife Penelope after fighting in the Trojan War.
The main character is a loquacious, debonair fellow named Ulysses Everett McGill (George Clooney) who is part of a Mississippi chain gang during the Depression. When he's not slicking back his locks with Dapper Dan hair pomade, admiring the pencil-line precision of his Smilin' Jack mustache, or squeezing nine-dollar words out of his 50-cent brain, he continually thinks he has it all figured out. Ulysses uses the lure of a bogus hidden treasure to con two of his simple-minded chain-gang buddies into escaping with him. He takes charge of this gang because, as he tells his cohorts, he “has the capacity for abstract thought”. Our other tragic heroes in this tale are Pete Hogwallop (John Turturro) and Delmar O'Donnel (Tim Blake Nelson), who make a getaway that seems far easier than the one Ulysses himself made from the ashes of Troy. Out on the lam, they encounter a series of obstacles and lucky breaks, bizarre characters and aberrations of nature.
Posted in: Disc Reviews by Archive Authors on July 6th, 2003
I could sit here and type away for hours, deconstructing the finer points (using the term loosely) of the latest Ice Cube project, All About the Benjamins, were I so inclined. I could tell you about Bucum the bounty hunter (Cube), his target-turned-partner Reggie (Mike Epps, otherwise known as “Hey, that isn’t Chris Tucker!”) losing a sixty million-dollar lottery ticket and accidentally learning about a diamond heist while being relentlessly pursued. I could tell you about Bucum’s complicated motivation for ...anting to solve the diamond heist and ensuing murders before the Miami PD (after all, it’s all about the Benjamins!). I could tell you all about the chase scenes featuring several bazookas, a ridiculous dog track sequence, or a scene lifted right out of Scarface, the last surprising no one. I believe that when a rapper hits it big, a poster of Scarface comes in the “Opulence for Beginners” kit that the producers of MTV Cribs provides, so I suppose some of them must have actually seen the movie. I could try all of that, or I could save us both the time, and boil it down to this: All About the Benjamins is basically 48 hrs + Miami Vice. If you’ve seen one buddy comedy with a tough guy and a funnyman, you’ve seen them all. To that end, you’ve seen All About The Benjamins.
Of course, it would be irresponsible of me to simply assert that “this movie sucked,” and move on. Besides the lukewarm jokes, predictably bad action sequences and some extremely annoying characters (cough MIKE EPPS cough), one aspect of the Benjamins juts out as jarringly bad: Mr. Bray’s direction of this boat wreck. Bray’s directorial roots are in music videos, and if no one ever told you, you’d STILL know it beyond a reasonable doubt. One can recognize the frenetic fast cut style from a mile off. Certain sequences are repeated several times over, even though they only actually occur once (i.e., someone throws the diamonds in the air three times), a technique that becomes annoying the second time it’s used. Of course, there are plenty of girls in bikinis, fancy cars, camera angles right out of Batman: The TV show, and finally, every single action sequence seems to be in slow motion. Ice Cube running toward the camera? Slow motion. Gun flying through the air? Slow motion. Bad guy exiting car? Slow motion. Boat speeding across the Biscayne Bay? Slow motion. Mike Epps looking in the refrigerator? You guessed it: slow motion.
Posted in: Disc Reviews by Archive Authors on July 1st, 2003
Fear and Loathing in Las Vegas can be and has been described in many ways, but one of the things that this movie isn't is a Cheech and Chong road movie about a couple of whacky buddies on a drug binge in the city of sin. There’s no going to strip clubs, no hilarious misunderstandings that make one of them have to dress in drag and be involved in a stage show, in fact, there isn’t even any gambling. This movie is more accurately described as a scalding epitaph to the counterculture of the sixties, a re...ognition that the “Peace and Love” generation’s collective ideas about changing the world had largely failed. Fear and Loathing is a disdainful look in the rear view mirror at a generation's potential unfulfilled, lying on the side of the road embarrassed and worthless, like a 52 year old groupie trying to fit in with the youngsters, doing balloon hits at a Dead concert. In a more critical sense, I can describe it in a single word: overrated.
The movie has cultivated an impressively large cult following its release in the summer of 1998, and after three viewings, I can’t really put my finger on why. By design, it doesn’t follow any real solid narrative structure. We know we’re watching a couple of totally altered guys try to stumble their way through a weekend in Vegas, but their adventures basically include getting really high on something, freaking out somewhere, then returning to their trashed room to recover. Sure, some things actually happen; Azocar meets and has sex with a minor, Duke goes to the motorcycle race, meets some strange people, quits his assignment, there’s an ironic DA convention in town. None of these events are here to prop up a story structure; they’re true events, so they just sort of happen and move on. It’s never long before he’s just getting whacked out again and the story returns to its strange “stagnant wandering” roots. Usually, I’m pretty good at connecting with the European-style, open-ended, non-traditionally structured films, but this one just left me flat.
Posted in: Disc Reviews by Archive Authors on June 23rd, 2003
In 1939 Warsaw is invaded by Nazi Germany, Wladyslaw Szpilman is performing live on a radio station as it is dive bombed by the Luftwaffe. He continues to play until he is almost killed. This opening scene sets the tone for the story of a man so driven by his passion for music even in the face of adversary. As the film continues we watch the establishment of the Warsaw ghetto and the beginning of the reign of hate towards the Jews by Nazi Germany.
The Warsaw ghetto is full of stark contrasts we watch as people die in the streets from hunger and others prosper by bribing guards and importing goods, we see Germans helping Jews escape from the ghetto and Jews who join the ghetto police in an attempt to save themselves. At one point in time the ghetto contained over 500,000 people, as the war continues Wladyslaws family and most of the residents of the ghetto are loaded onto trains and shipped off to concentration camps never to be seen again. Those who are left over are formed into work camps by the Germans and start an uprising. Threw all this Wladyslaw survives even when he comes face to face with a Nazi officer who finds him hiding in their headquarters. The officer knows that the war is almost over as the Russian army is fast approaching and brings him food in exchange for listening to him play.
Posted in: Disc Reviews by Archive Authors on June 23rd, 2003
Charlie Kaufman is a neurotic, narcissistic, self loathing writer who is hired to adapt Susan Orlean’s novel The Orchid Thief into a film. The only problem is that he is suffering from writers block, add in a twin brother who is also writing a screenplay and his inability to interact with people and hang-on for a wild ride. Charlie tries a number of different approaches to writing the script and suddenly finds himself being written into the story. What starts out as an adaptation of a book into a film turns into a completely different story all together. It turns into a tongue and cheek story about movie making in Hollywood and a person’s ability to adapt and change to fit their surroundings.
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