Posted in: Disc Reviews by David Annandale on September 11th, 2002
Synopsis
I'll confess, I saw Maiden myself, lo these many years ago on their Powerslave tour, so I was sort of partial to this disc. The big favourites ("Number of the Beast" and "Run to the Hills" among them) are present and correct. As with all concert films, there are only so many ways of filming largely motionless people and making them look interesting, but the main point is the sound, when you get down to it.
Posted in: Disc Reviews by David Annandale on September 4th, 2002
Synopsis
The film is basically about the four manic days of a Punjabi wedding. We have a plethora of characters, all involved in different kinds of relationships. At the centre we have the reluctant bride (still carrying on an affair with a married man). Sharp, clever, warm, this one's a keeper.
Posted in: Disc Reviews by David Annandale on August 31st, 2002
Pam Grier, in a superb performance that sadly did not revitalize her career to the same degree as happened with co-star Robert Forster (and with John Travolta in Pulp Fiction), plays a flight attendant who is being used as a pawn by both bad guy Samuel L. Jackson and FBI guy Michael Keaton. Grier, with the help of bail bondsman Forster, sets up an elaborate counterattack. While Jackie Brown lacks the propulsive intensity of Reservoir Dogs, and Tarantino's reliance on 70s-dominated soundtracks is getting annoying, the...writing is still very strong, Tarantino gets ace performances out of his cast, and the climax is a rather striking piece of bravura filmmaking.
Audio
Posted in: Disc Reviews by Archive Authors on August 28th, 2002
Film
Bruce Willis, Samual L. Jackson, Ving Rhames, John Travolta, Uma Thurman, Harvey Keitel, Tim Roth... and the list goes on. Never has one singular film launched the careers of so many actors as Quentin Tarantino's Pulp Fiction. This film brought John Travolta back from actor's purgatory, and gave almost every other actor a jump-start to their careers. This film is genius - from the plot, the style, and the acting. Tarantino is very unique, and he out-did himself with this film.
Posted in: Disc Reviews by Gino Sassani on July 26th, 2002
There have been so many “buddy cop” films that it has become its own genre of sorts. Still, no pairing has yet matched the chemistry of Danny Glover and Mel Gibson in the Lethal Weapon franchise. Even with four films now under their belts, the duo is capable of delivering a relationship that is worn and comfortable while still remaining fresh and exciting. Some of the franchise’s running gags begin in this first film, like Riggs and his dislocated shoulder and Murtaugh’s familiar “I’m getting to old for this shit.” If you are more used to the later films, this one will strike you as a bit grittier and certainly darker.
Synopsis
Posted in: Disc Reviews by Gino Sassani on July 26th, 2002
H. G. Wells is often considered the father of science fiction. Tales like The Invisible Man, War of the Worlds, and, of course, The Time Machine, have become classics both in literature and cinematography. The latest version of The Time Machine attempts to satisfy both fans of the George Pal film and readers of the original novel. Having Simon Wells, grandson of the writer, direct the film was no accident. What you end up with is a pretty nice film, but one that might not satisfy fans of the earlier works. The device itself is certainly in homage to the Pal machine. Enough liberties are taken with the story to warrant criticism from the novel’s fans. I rather enjoyed this film for what it was: simply a wonderful time travel story.
Synopsis
Posted in: Disc Reviews by Gino Sassani on June 28th, 2002
Film
Criterion has done it again! Along with Buena Vista, Criterion has transformed this flawlessly executed film into a masterpiece on DVD. For you Rushmore fans out there, you will absolutely love this film… I actually liked this film more then Rushmore. If you have not seen any works by Wes Anderson (director), you should really check this film out.
Posted in: Disc Reviews by Gino Sassani on June 24th, 2002
Film
It has been a few years since I last saw Speed... but it is still as enjoyable as ever. Sure, Keanu Reeves is a bland actor, but other then his role in The Matrix… this is some of his best work. The action is hot, and the story is solid. For those who have not seen this film (what rock have you been hidden under?), this synopsis is for you:
Posted in: Disc Reviews by Gino Sassani on June 19th, 2002
Film
If one thing can be said about Michael Bay films, it would be that they are beautifully shot. I cannot think of many directors’ that have such a unique cinematographic feel to their films… and Pearl Harbor is no exception. This film contains some of the best fighting sequences ever put onto film. Unfortunately, this fabulous action is tainted by a sub-par love story that is interwoven into the story. With the elimination of this love story, Pearl Harbor would have been an amazing action film...with a reasonable length of 120 minute (rather then its 180+ minute running time). This Director’s cut of Pearl Harbor showcases an extra 1.5 minutes of footage… mostly extra gore and graphic war sequences. If you are looking for a noticeable amount of extra footage, you may be disappointed. Enough for my ramblings… here is a bit about the story:
Posted in: Disc Reviews by Gino Sassani on June 3rd, 2002
Welcome to Oliver Stone’s history 101, where Vietnam looked a lot like Florida, and JFK was killed by a conspiracy so large it included the mafia, FBI, CIA, the Teamsters, and two bag ladies on Pennsylvania Avenue. Hollywood has always tinkered with history, but Oliver Stone performs reconstructive surgery. Nixon is no exception to this rule. It is much easier to view the film more as a character study than an historical piece. The film has you believe that Nixon used the F word more times than Richard Pryor on a roll, hated most of his advisors, and also had a hand in the JFK ordeal. The film also sports more artsy camera angles than a season of Batman. The true life-blood of the film is without any doubt Anthony Hopkins. Hopkins nailed Nixon like no actor before. From his stooped stance to his shuffled walk, he becomes ol’ Tricky Dick.
This Edition of Nixon includes the Director’s Cut of the film… with 28 minutes of additional footage not seen in the theatrical or original DVD release. If you can handle sitting through this 212 minute version, you will enjoy the extra footage.
