Posted in: Disc Reviews by Archive Authors on January 12th, 2008
When Close Encounters of the Third Kind came out in 1977, a young Steven Spielberg was coming off of the unexpectedly phenomenal success of Jaws. This was the director's chance to solidify his career as a well-respected filmmaker, and build a lifelong career. While most directors would have either gone the route of making Jaws II or picking up a no-brainer script from a proven scriptwriter, Spielberg wagered his success on the odd tale of a possibly mentally deranged individual's belief in extra-terrestrial life. What he came away with was a film that won an Academy Award for Best Cinematography, was nominated for four Golden Globes (including Best Picture and Best Director), and has become synonymous with the legacy of the famed director.
Normally I would take this opportunity to go over the basic plot of the film, but this is a classic. Most film buffs are already well versed in the plot of this film, and those who are not should be ashamed of themselves. The real story here is not the fact that this film has been released yet again. The story is the manner in which it has been released. In addition to Spielberg's original version of the film, he also re-cut the film into a Special Edition in 1980. In 1998, the film was re-cut yet again, in a version that the Director considers to be his definitive cut. All three versions are included on this three-disc set, so there is plenty here to warrant a purchase for any Close Encounters fan. All versions have been completely remastered, and the set is packaged in a box that reminds one of the excellent packaging of The Soprano's sets.
Posted in: Disc Reviews by David Annandale on December 1st, 2007
Who says horror can’t be the cinema of personal expression? Director Tim Sullivan follows up his comic horror 2001 Maniacs with this heartfelt ghost story. Raviv Ullman plays David, a teenager whose depression and death-fixation following the demise of his older brother prompts his desperate parents to ship him off to an “Attitude Adjustment Camp.” Basically a brutal cross between boot camp and prison, this is a private institution (inspired by actual places) designed to transform any insipient Columbine-copycats. Once there, David must contend not only with the sadistic Captain Kennedy (Diamond Dallas Page) who runs the place, but also with visions of a ghost who clearly wants a buried truth revealed.
There’s more than a touch of The Devil’s Backbone here, what with the ghost-story-in-an-institution premise and the emphatic socio-political overtones. Sullivan isn’t quite Guillermo Del Toro yet – the spookiness is workmanlike but hardly heart-pounding, and many of the adult performances are pitched far too broadly – but there is a seriousness of purpose here that is admirable, a refreshing (and justified) anger, and the teen members of the cast are believably natural.
Posted in: Disc Reviews by Archive Authors on September 6th, 2007
(You’re going to have to forgive me, I’m pulling ample portions of this review from my earlier Divimax review of Dawn, with some exceptions of course.)
Anchor Bay, holding all (or most) of the keys in George Romero’s zombie film trilogy put out a copy of this film now before overloading us we on the remake, done in grainy, handheld 28 Days Later style by director Zack Snyder of 300 lore. A stopgap one disc version was released, followed by this huge-arse four disc version that we’re viewing now.
Posted in: Disc Reviews by Archive Authors on July 21st, 2007
Synopsis
Honestly, the only thing that I remembered from watching For Your Eyes Only was that Sheena Easton sang the title song (qualifying her as probably the most attractive Scotsperson out there) and that there was a sprawling chase scene involving Roger Moore on skis that was cool. But that’s it. And now that I’m wrapping up this long winding once over for all the James Bond Ultimate Edition DVDs and I get a chance to see everything again, it turns out that this film is a pretty good one.
Posted in: Disc Reviews by Archive Authors on July 15th, 2007
Synopsis
I’ve gotta say that when the first Die Hard was released, I was in a position where I hated, absolutely despised Bruce Willis. In my opinion, the world honestly didn’t need another loudmouthed movie star who was from New Jersey and didn’t hesitate to say so, and that whole schtick about him and the Bruno persona would allow him to release music albums reeking of self-promotion and another money grab. And when he hooked up with Demi Moore, my initial reaction was “good, they’ll have mongoloid...babies and divorce after a couple years”. And since 1985 or so, there’s only one part of my opinion that held true for the most part.
Posted in: Disc Reviews by Archive Authors on July 1st, 2007
Synopsis
Timothy Dalton might have endured a bit of grief for his short tenure as James Bond, enduring comments equating him to Connery and Moore plagued his two film run, with this one being the last. However, this one was quite the doozy, and almost in the area of “forgotten gem” status.
Posted in: Disc Reviews by Archive Authors on June 27th, 2007
Synopsis
In slowly but surely wrapping up my reviews of each and every Ultimate Edition James Bond title on DVD, coming to Thunderball, a sect of people say that this is the quintessential film for the man who quintessentially personified James Bond. So in his fourth outing as the man who likes martinis, cars and women, he encounters a large swath of them all over two hours.
Posted in: Disc Reviews by Gino Sassani on June 19th, 2007
Marvel Comics has certainly enjoyed a renaissance of late. There can be no question that this entire run of comic heroes on screen began with Spider-Man. Even the recent DC reimaginings might not have gotten this second chance without everyone’s favorite web slinger, or at least the gobs of money that franchise has pulled in. While none of these recent comic films have come close to the success of Spider-Man, the studios are determined to keep the trend alive and well. That translates to great news for us. The most...recent development of this success is that lesser known comic heroes are starting to emerge on film. Ghost Rider is not quite as known around the world but is not without its loyal following. Nicholas Cage happens to be among the Ghost Rider faithful. We’re talking about a guy so into the comic scene that he named his son Jor-El (Superman). Cage, it appears, has wanted to do Ghost Rider for almost as long as he’s been acting. This unusually high level of passion for a character plays to the film’s advantage. He believes in the role and thus becomes Ghost Rider with an uncanny ease.
The Ghost Rider character has evolved more over the years than perhaps any other comic icon. The story and the character himself have gone through many significant changes. The film pays homage to a ton of this history by including elements of many of those comic runs. The writers combined some of the best elements from the whole to create a world and character that is unique, yet quite true to the spirit of the Ghost Rider. The basic story remains relatively faithful to some aspect of the story’s varied history while allowing the film to have its own distinct look and tale. Here a young Johnny Blaze discovers that his father is dying of lung cancer. Together father and son have a motorbike daredevil show. He is approached by an ominous stranger who offers to heal his father’s ailment in return for, you guessed it, his soul. I know what you’re thinking. “Boy have we seen that one a thousand times before. Believe it or not this story has a remarkable twist to the old story. Of course, the deal’s a rip-off and Johnny gets exactly what he wants but not really what he wants. It’s that old fine print stuff again. The twist is that our old devilish friend has a more complicated fate in store for Johnny. When called upon he must ride his bike as the flaming skulled Ghost Rider to do the Devil’s bid. In this film the spectral rider is called upon to collect a powerful contract , which is also goal of some rather nasty elemental bad guys. It’s a royal battle to control Hell, and Blaze is right in the middle of it.
Posted in: Disc Reviews by Michael Durr on June 10th, 2007
Synopsis
One of my favorite movies of all time is Rocky Horror Picture Show. My favorite character of that movie is Dr. Frank-N-Furter who is just a sweet transvestite transexual from Transylvania. So when I got Priscilla Queen of the Desert to review which had two cross dressers and a trannie and a grand helping of humor to boot, I was hoping it would become one of my favorite movies as well. The story behind Priscilla is that Tick Belrose (drag name: Mitzi) ...(played by Hugo Weaving) got a contract to perform a show way out in the Australian desert. He convinces an old trannie named Bernadette (male name: Ralph) (played by Terence Stamp) and a rather flamboyant newcomer named Adam (drag name: Felicia) (played by Guy Pearce) to come along to be part of the act. From there, they take a faboulous journey across the desert with many hilarious stops along the way.
Posted in: Disc Reviews by Archive Authors on June 4th, 2007
With the release of Fantastic 4: Rise of the Silver Surfer just around the corner, it’s no surprise to see the studio rolling out a double-dip of the first film. Fantastic 4 – Extended Edition revisits the film with an extra 20 minutes of footage, and a second disc full of special features. But is it a worthy acquisition for your collection?
First, a bit about the film for the uninitiated. This is the Fantastic Four’s origin story, including how they came to have their super powers, and who Dr... Doom, their first super-villain nemesis, was. And that’s enough about that.
