Posted in: Disc Reviews by David Annandale on May 19th, 2011
During the Korean War, a platoon led by Laurence Harvey and Frank Sinatra is captured and sent off to Manchuria. Here the men are brainwashed into believing that Harvey saved them all in an incredible feat of heroism (which he did not) and that he’s a loveable guy (which he isn’t).The unfortunate Harvey is programmed to become a remote-control assassin. Back in the States, Sinatra is plagued by nightmare memories of the experience, and gradually comes to believe that something … really did happen. The question is whether he and Harvey can solve the mystery and discover the target before Harvey is triggered.
The Manchurian Candidate accomplishes a spectacular balancing act. It is simultaneously one of the most intense suspense thrillers ever to emerge from Hollywood, and an absolutely corrosive satire. Said satire is all the more brilliant for savaging both the extreme right and the extreme left of the political spectrum. Also of note is Angela Lansbury’s ferocious performance as Harvey’s gorgon mother. Only 37, and but three years older than the man playing her son, she is utterly convincing, and a villain for the ages. Unquestionably, this is director John Frankenheimer’s masterpiece.
Posted in: Disc Reviews by Michael Durr on May 11th, 2011
The real world will try to teach us many things. It teaches us that only two things are certain, death and taxes. Unfortunately, one of the things that is not always certain is the wonderful mystery of love. Sometimes, it lasts for a lifetime but more often than not it can be a cruel device and become fleeting. The movie, Blue Valentine deals with this difficult subject and explores one such relationship that is clearly on the ropes.
Frankie (played by Faith Wladyka) screams for her daddy. She yells again. The girl makes her way back to the house and crawls inside using the window. She finds her dad, Dean (played by Ryan Gosling) asleep on the couch. Frankie wakes him and they go outside and we realize that their dog, Meagan is gone. They go back inside and try to wake the mother, Cindy (played by Michelle Williams). She resists but eventually stirs.
Posted in: Disc Reviews by Gino Sassani on May 11th, 2011
Of all the straight-to-video titles I didn't expect to see, Street Kings 2 would be high on the list. The original film was a predictable film with bad pacing. The box office was no better. That film pulled in about $26 million and quickly faded into obscurity. But here we are two years later and the title has been attached to a direct-to-video release from Fox. None of the original characters or actors are found here. The title merely suggests a similar story, this time in the Motor City, Detroit.
The film opens with a drug bust gone horribly wrong. Detective Marty Kingston (Liotta) is injured in the violence and spends his recovery at a desk and playing a department crime dog mascot at elementary schools. When his partner turns up shot and killed, Kingston injects himself into the investigation led by a green detective Sullivan (Hatosy). At each turn the investigation appears to paint an ugly picture of the deceased detective. He was as dirty as they come and mixed up in all sorts of seedy deals. It seems hard to believe that Kingston wasn't aware of his partner's dirt. Then other cops implicated in the corruption end up killed, and soon we understand Kingston's motives for being a part of the case.
Posted in: Disc Reviews by Gino Sassani on April 25th, 2011
Every year when the Academy Awards have been given out, I look over the winners in each category, and more often than not I scratch my head at the ultimate winners. I find myself wondering if they saw the same movie I saw. I start to ponder if there might be an alternate-universe version of these movies that somehow find themselves in the hands of the Academy jury. Sure, once in a while they get it right. Films like The Godfather, Gladiator and Unforgiven manage to fight off the competition and claim their earned statues. Most times, however, I find that a trend of political correctness enters the picture more than the quality of the films or actors themselves. It's the only way I can explain Sean Penn taking a statue over Mickey Rourke a couple years back. Films and actors are rewarded to showing the proper political philosophy. So, when I heard that The King's Speech won the award this year, I began to fear the same circumstances had once again prevailed. I hadn't seen the film, but the subject matter appeared to qualify. I considered it another undeserved Oscar given to an ambitious Hollywood crowd brown nose. Then I saw the film through this Fox Blu-ray release. It might not happen often, at least no more that a dozen times a day, but boy was I wrong about The King's Speech. This really was one of the best films not only of this last year but in quite a long time.
The Duke of York (Firth) has a serious speech impediment. He stammers, which isn't the most confidence-inspiring trait for a member of the royal family to have. In the past the problem likely would not have become an issue. But the invention of radio has made it essential for the members of the royal family to speak to the nation and the world. With the help of his extremely devoted wife Elizabeth (Carter), he has seen all manner of specialists both of sound scientific principle and the whack-job varieties. Nothing works. Elizabeth hears of an unconventional therapist who has a rather impressive track record. When she visits Lionel Logue (Rush) for the first time under an assumed name, she finds him a bit arrogant and unwilling to bend his rules, even for the Duke of York. Still, they decide to give the man a try. At first it appears as though this was merely another in a long string of failed attempts to help the Duke. He leaves as frustrated as he had ever been. It didn't help that the obstinate man insisted on calling him by the too-familiar name of Bertie, reserved only for close family. He treated the Duke like a child. The Duke exited holding a record made of an attempt to speak with blaring music in his ears. He decided he didn't need to hear the recording and suffer the usual humiliation.
Posted in: Disc Reviews by Gino Sassani on April 25th, 2011
"In the beginning was the word, and the Word was with God, and the Word was God. I am He. He was in the beginning with God. All things were made through Him, and without Him, was made nothing that has been made. In Him was life, and the life was the light of man. And the light shines on in the darkness, and the darkness grasped it not. The greatest story ever told..."
Every spring around the time of Easter you could count on several annual films to make their way to televisions across the country for special family presentations. For Easter you had The Greatest Story Ever Told and King Of Kings. For Passover there was always The Ten Commandments. And so it is an appropriate time to see all three of these films make their way unto high definition and Blu-ray for the very first time. We've already reported on the excellent release of The Ten Commandments and King Of Kings. Our review of The Greatest Story Ever Told concludes this Holy Trinity of movies to review.
Posted in: Disc Reviews by Bob Ross on April 23rd, 2011
By the early part of World War II, the Soviet Union’s ultra-harsh prison system was already an established key to Josef Stalin’s paranoid dictatorship. Hundreds of concentration camps, called gulags, kept criminals and innocents alike trapped behind barbed wire, without edible food or minimal medical care. The most miserable gulags were the notorious Siberian compounds, stuck in such hostile sub-arctic territory that an attempt to escape was considered just another form of suicide.
One such frozen hell is the starting point for The Way Back, a visually breathtaking but icily uninspiring adventure saga from director Peter Weir. Based on a best seller that was sold as non-fiction but later revealed to be largely the author’s invention, it’s long on scenery and short on suspense. That’s because we are told at the start that it’s about escapees who slogged some 4,000 miles through Siberia and Mongolia to freedom in India.
Posted in: Disc Reviews by Michael Durr on April 23rd, 2011
There are usually two schools of thought when it comes to judging sequels. One tends to be very harsh on the proceedings expecting it to surpass the original (which it hardly ever does) in all aspects of film-making. The other still expects a good film but realizes that this sort of thing is usually financially driven and just hopes for something that can favorable stand against the original. I happen to be in the later crowd. But, I certainly found myself inching towards the former when I received the blu-ray package to review Ip Man 2, Legend of the Grandmaster. Let's go inside, shall we?
Ip Man (played Donnie Yen)has escaped from Foshan and has made way with his family to the Hong Kong of the 1950's. His wife, Cheung Wing-Sing (played by Lynn Hung) is pregnant with her second child. However, the family is barely making ends meet. Cheung can't work much and Ip Man's martial arts school isn't going as well as planned. They can hardly cover rent and school fees for their son, Ip Chun (played by Li Chak).
Posted in: Disc Reviews by Gino Sassani on April 21st, 2011
I've long held the belief that the folks at Pixar are really just children who have refused to grow up. That doesn't mean that they don't have to deal with the realities that adulthood thrust upon each of us. I'm sure they have families and are responsible citizens and parents. They consistently make movies, that while there is certainly appeal for children, are obviously intended for adults, adults like them, who have decided to never grow up. If you ever required proof of that concept, The Incredibles should prove the point quite nicely. Brad Bird and his team weren't writing about superheroes. They decided to do a movie about themselves. Finally out in high-definition Blu-ray the team now calls all of us like-minded souls to join the fold. This Blu-ray serves as our membership card and absolutely grants all of the privileges of membership right from your most comfortable home theatre seat. Count me in.
Bob Parr (Nelson) has a secret identity. He's in reality Mr. Incredible. He is a superhero who has dedicated his life to fighting crime. He has super strength and other abilities. He's not the only one. There is his best friend Lucius (Jackson) better known as the cool hero Frozone. There's also Helen (Hunter) who protects the city as Elastigirl. She has the same powers that The Fantastic Four's Mr. Fantastic has to stretch her body. Bob and Helen get married and join their superpowers with two super kids. Dash (Fox) has super speed and Violet (Vowell) has the abilities of The Fantastic Four's Susan Storm. She can become invisible and create powerful force fields. Unfortunately, the world has had enough of masked heroes. Lawsuits cause the heroes to turn in their capes, and they are put into a sort of witness protection program where they must swear off crime fighting. That's been hard for Bob and Lucius who do a little rescue work on the side while their wives think they're out bowling. It's a good thing, too. A new super-villain has emerged, and now it will be up to the Parr family to save the world from Syndrome (Lee), a one-time stalker fan who has decided to get revenge on the hero who once spurned his advances to join him.
Posted in: Disc Reviews by Bob Ross on April 14th, 2011
Urine jokes. Fart jokes. Breast and penis jokes. What could be more tasteless? How about telling them all in a place where people are trying to eat? That’s the unappetizing summary of Still Waiting …, one of those unnecessary, straight-to-video sequels designed to make a quick payoff before the first film’s fans catch on.
The 2005 original Waiting . . . was, well, fairly original. Writer-director Rob McKittrick based it very loosely on his own experiences working in typical franchise restaurants – think Bennigan’s, Chili’s or TGIFridays. That ensemble comedy, set in a place named Shenaniganz, starred Ryan Reynolds and Anna Faris, who wisely avoided this tacky follow-up. Returning cast members include Rob Benedict as a horny manager and Alana Ubach as an exceptionally testy hostess. Others, including Justin Long, Chi McBride and Luis Guzman, show up in extended cameos, as do Max Kasch and Andy Milonakis as the white boys who pose as gangsta rappers.
Posted in: Disc Reviews by Archive Authors on April 12th, 2011
Adapted from the hit stage musical, Norman Jewison’s film version of Fiddler on the Roof has established itself as a classic over and over again since its release in 1971.
“He loves her. Love, it’s a new style… On the other hand, our old ways were once new, weren’t they?” I’ll hardly be the first to write it, but the reason Fiddler on the Roof, a story about Jewish people and their culture, is so popular, is that its themes have universal appeal. In fact, in a way it hardly matters that the characters are Jewish. As we learn from a famous anecdote, when the first Japanese production of the stage musical opened, the show’s creators traveled to Japan to meet the producer. He said to them, “I don’t understand, I don’t know how this piece can work so well in New York. It’s so Japanese!”