Posted in: Disc Reviews by Michael Durr on August 13th, 2019
It is hard to not like a well done baseball movie. From Bad News Bears to The Natural to The Pride of the Yankees, there have been a slew of movies on America's favorite pastime. Today's review of Major League in its thirty years after release is another fine baseball movie which does well with great characters and easy to root for story-line of the plucky underdogs. Let us take a look at this re-issue of a fine blu-ray with a snazzy new cover and see what it has going for it.

Posted in: Disc Reviews by William O'Donnell on March 25th, 2013
Biblical strongman Samson accomplishes many amazing feats and makes many a powerful enemy along the way. None are able to defeat this champion until his action catch the eye of Delilah, and he becomes the target of her affections. Unbenounced to Samson, Delilah has been tasked to discover the source of his supernatural strength. God granted Samson amazing physical strength, but his heart and mind are weak to the machinations of this sly, deceitful woman and it is only a matter of time before she learns his greatest secret.
Hedey Lamarr's Delilah is a character that we love to hate. Her scheming is fused perfectly into her seductive charms. Meanwhile, Victor Mature is rugged as this Hebrew He-Man. Both play well off of each other although many a time they seem to be treading water with melodramatic dialogue that rallies back and forth and only seems to accomplish extending the run time of the film instead of advancing the plot efficiently.
Posted in: Disc Reviews by Michael Durr on September 14th, 2011
Ever watch one of those movies that you don’t quite get or understand the first time around? You are certain that the movie is decent and the plot moves along well. But the problem is there are plot holes and the viewer is sure of them. Until they watch the movie a second time. Then either the viewer realizes the movie is brilliant or still full of plot holes. Well, today I encounter one of those films, Dressed to Kill and I think this one has filled out nicely.
It is another morning. Mike Miller (played by Fred Weber) shaves his face with a straight razor and we pan to the very nude Kate Miller (played by Angie Dickinson) taking a shower. She watches him intently and then starts to touch herself (this is unrated kids, we get to see a whole lot of Angie). As she becomes more aroused and more into herself, she doesn’t notice that there is now a man behind her. He takes her aggressively and she cries out in pleasure as we fade to black.
Posted in: Disc Reviews by David Annandale on September 20th, 2010
A nunsploitation box set was always an inevitability, and here the good people at Cult Epics chime in with just such a collection, one limited to 2500 copies. There are only two films here, but they are two good ones, the works of strong directors. One is a distinctively idiosyncratic work, showing the unmistakable hand of its filmmaker. The other will quite simply knock you out the back wall.
Behind Convent Walls is Walerian Borowczyk's contribution to the subgenre. A repressive abbess rules her convent with an iron fist (not to mention the blade concealed in her cane), but the sexuality of the nuns will not be repressed, and it will make its presence known, whether through rebellion or madness. The film defies any linear summary, given that it is almost impossible to tell the nuns apart, and the various incidents are not only disconnected, they take place with very little motivation or logic. Instead, we have a strikingly beautiful exercise in pure cinema. The Aurum Film Encyclopedia: Horror, on the subject of Borowczyk's Docteur Jekyll et les Femmes, notes, “Borowczyk's imagery, here fed by his fetishistic fascination with all things antiquarian, is often stunning and the film becomes a sort of still life in which familiar yet alien objects … seem imbued with a secret significance all their own.” Exactly the same is true for Behind Convent Walls. While nowhere near as powerful a film as The Beast, it is nonetheless well worth one's full attention.
Posted in: Disc Reviews by Gino Sassani on January 14th, 2010
"Fighting soldiers from the sky. Fearless men who jump and die. Men who mean just what they say, the brave men of the Green Beret. Silver wings upon their chest. These are men, America's best. One hundred men will test today. But only three win the Green Beret."
The Ballad Of The Green Beret has become one of America's most famous marching songs. It has been heavily parodied. The words were written by Staff Sergeant Barry Sadler while he was in the hospital recuperating from a leg wound he received in Vietnam. The music was composed by Robin Moore, who went on to pen the book The Green Berets, on which this film was based.
Posted in: Disc Reviews by Archive Authors on February 12th, 2009
Top Secret comes to DVD in a new "I Love the '80s" edition. The film continues the legacy of David and Jerry Zucker and Jim Abrahams as kings of sight gags and the ludicrously unexpected. Made in 1984, the film stars a young Val Kilmer as rocker Nick Rivers, an artist so clearly modeled after Elvis that he even sings potential lover Hillary Flammond a spoof version of "Are You Lonesome Tonight".
Posted in: Disc Reviews by David Annandale on October 30th, 2007
Ron Howard’s move from sitcom star to director began with playing the lead in this Roger Corman-produced car chase flick, after which he would move to behind the camera to direct Grand Theft Auto. Here he plays the son of the local sheriff. In an effort to impress the girl of his dreams (Christopher Norris, and yes, that’s a woman’s name), he steals a stock car, and he and his friends then lead the authorities on a merry chase. As is typical of Corman productions, this works hard at delivering, on a stringent budget, exactly what its audience wants. Writer/director Charles B. Griffith was responsible for some of the better scripts to come out of the Corman stable (It Conquered the World, Little Shop of Horrors, Death Race 2000), and some of his trademark wit is on display here, but without the snap of the better films. It feels much more forced and laboured. The film clips along just fine, but today is little more than a curiosity.
Audio
Posted in: Disc Reviews by Archive Authors on September 14th, 2006
Synopsis
While Some Kind of Wonderful may not feature the same kind of young spirit that Pretty in Pink may have had or the kind of older type of intelligence that Say Anything might have had, it’s still a cute, charming little romantic comedy with some recognizable faces penned by ‘80s icon John Hughes, responsible for such teen films as The Breakfast Club and Weird Science, to name a paltry few.
Posted in: Disc Reviews by Archive Authors on June 7th, 2006
The Culpepper Cattle Company was a surprise for me, and one that I looked forward to immensely. I love a good western, and I'm particularly fond of anything post-Leone. A western doesn't have to be spaghetti, however, for me to like it. I just feel that, for all Sergio's overblown proportions, he did instill an accurate degree of nastiness in his films, which I'm sure was prevalent in that time of American history. Once Sergio came, westerns grew up, even if they were playing closer to the American style of fi...mmaking. Gone were the days of the fired gun, the clenched chest, and the instant kill. A similar renaissance affected the war film genre with the arrival of Saving Private Ryan, and I feel the recent war-time efforts have been much the better for it. After the glut of Saturday morning western chicanery found in John Wayne's early films and others of that period, it was a relief to see westerns on the silver screen with the right amount of intensity. But unfortunately, all good things must come to an end. And The Culpepper Cattle Company falls somewhere in that descent.
That doesn't mean the film is without merit. I enjoyed parts of it very much. It is, most of the time, an interesting coming-of-age tale, as it follows a young boy with a dream. That dream? He wants to be a cowboy. But as the film progresses, he gets a bitter taste of what it means to fulfill that dream. The boy (Gary Grimes) tags along with a gang of cut-throat cattlemen on a drive to Colorado. As they trek westward, the harsh realities of the prairie - be it man-against-man, or man-against-nature - start to set in. Unfortunately, it doesn't get any more interesting than that. One event after another occurs and forms an episodic monotony instead of a coherent storyline. Still, things do heat up for an exciting and well-arc'd conclusion. Where the character ends up from where he started out is a noble writing effort; but everything it takes to get him there is the dull part. The strongest aspect of the film is the ensemble of veteran character actors, led by Billy Green Bush and Bo Hopkins. These are cowboys from the days when all cowboys were straight, and any suggestion otherwise would get you punched in the teeth faster than you could say "Brokeback Mountain." While they don't seem like very open-minded chaps, they do represent a rugged nature that would have been essential to their way of life.