Posted in: Disc Reviews by David Annandale on September 27th, 2007
This is a second release of the film already available in Severin’s fine Black Emanuelle’s Box collection. What I said about the film in that review still holds, to whit: “Emanuelle Around the World (1977) has a bit more of a storyline, though it is still very picaresque in nature. Picturesque as well. Our heroine becomes outraged by the sex traffic of women, and so travels from location to location, exposing the evildoers. D’Amato (who also directed the previous entry) here rather unconvincingly dons a pseudo-feminist stance, but there are moments actually approaching suspense. The sex scenes of both these films are, for the most part, laughable, though occasionally well shot. Any sense of eroticism is thanks to Laura Gemser, whose ethereal beauty and grace are such that she moves through the film as an almost divine presence, above and untouched by the events around her.”
This is the “XXX European Version,” which doesn’t make a whole heck of a lot of difference. The running times are essentially identical. The only scene where I noticed any real increase in explicitness is in the creepy sequence where a captured Emanuelle is forced to watch rape by snake and dog. The scene is still, I think (and devoutly hope and keep telling myself), simulated, but most unpleasant, and makes the film’s pseudo-feminist stance even harder to buy than before.
Posted in: Disc Reviews by Archive Authors on August 18th, 2004
The folks at Criterion continue their quest to make every one of Fellini’s heirs millionaires with their release of I Vitelloni, the famed director’s second solo effort. This semi-autobiographical tale follows the lives of a group of young men who are on the verge of growing up and making something of their lives, but haven’t quite gotten there yet. Part American Pie, part About a Boy, and all Fellini, this film is an important addition to any foreign film collection.
The film garnered ...ritical acclaim upon its release, and even earned an Academy Award nomination for Best Original Screenplay. I was personally surprised about how universal and timeless the themes of the film were. Many modern films deal with the same issues of escape from a small town and becoming something grand. Especially surprising were the comparisons that can easily be drawn with modern gangster movies and television shows such as The Soprano’s. The interaction between the friends in this film is uncannily similar to scenes of Tony Soprano and his crew sitting outside Satriale’s Pork Store.
Posted in: Disc Reviews by David Annandale on April 20th, 2004
Synopsis
Posted in: Disc Reviews by David Annandale on August 8th, 2003
Synopsis
There are three movies here: Miranda, The Key and All Ladies Do It(whose Italian title, Cosi Fan Tutti sounds much less awkward). Though taking place indifferent periods (the first two are set in Fascist Italy, while the third is more modern), all threeshare some similarities in terms of plot: a dark haired-beauty has a long series of eroticencounters, but her true love belongs to one man. Handsomely mounted, with nice attention tocolour and costume, the...films have rather dull stories, and Brass has to ease up on the zoomlens.
Posted in: Disc Reviews by David Annandale on June 22nd, 2003
Synopsis