Posted in: Disc Reviews by Gino Sassani on October 26th, 2010
"A boy comes running up, and he asks: 'what exactly is the ocean?' 'What is the sea?' You could hit him with a lot of statistics and Latin names. But the answer isn't something you'll find in a book. To really know what the ocean is, you have to see it for yourself. You have to hear it. And taste it. You have to feel its power. To really know the ocean, you have to live it."
And live it you will with Disney Nature's latest entry into their award-winning series of natural documentaries. Walt Disney Studios is no stranger to the world of nature. While the brand is more quickly identified for its animation and other family fare, the tradition of nature specials goes back to the very roots of the company itself. For decades Disney provided some of the most exotic television documentaries on its many outlets that included The Wonderful World Of Disney. The studio was one of the first to take experienced camera crews and equipment out into some of the most remote places on Earth. And, while Disney had appeared to fall behind in the field for some decades, that all turned around with their groundbreaking Earth series. Suddenly Disney Nature was back in the forefront of frontier footage. The tradition is honored here with one of the latest entries in the family: Oceans.
Posted in: Disc Reviews by Archive Authors on October 26th, 2010
Written by Diane Tillis
I will admit, the moment I saw the cover of the DVD I was already convinced this was going to be one of the worst films I have ever seen or a close second. The cover has a dark figure cloaked in a blue throw blanket and is holding a leaf blower as a weapon… a leaf blower?! Four Boxes turned out to be one of those independent thriller films that should have been left on the cutting room floor.
Posted in: Disc Reviews by Gino Sassani on October 26th, 2010
A&E and History have combined for some of the best educational as well as entertaining programs over the years. Many of those shows have taken close looks at the various civilizations and empires throughout world history. Most of these shows take a look at these civilizations from the inside outward. We're not talking the litany of facts and accomplishments that we've seen on hundreds of documentaries as well as our old high school textbooks. These programs look at the day-to-day life of these cultures and peoples. The accomplishments here are the ones that affected everyday life within these empires. These are the kinds of things we tend to take for granted in our modern lives. Things like sanitation, architecture, and basic metro services didn't just appear out of nowhere. These shows give us a rare look into the evolution of the things that have identified human evolution over the millennia. It's said that we are separated from animals by our ability to shape and change our environment. With this massive 14 disc set, you can explore the ways that we have shaped our planet in our quest for civilization.
The disc includes the following series and episodes:
Posted in: Disc Reviews by David Annandale on October 24th, 2010
Former pirate radio DJ Mike Raven plays Victor Clare (a case where the actor has a scarier name than the character he plays), reclusive artist who, one strongly suspects, has the unpleasant House-of-Wax-y propensity to pour molten metal on his models in order to bronze them. A group of characters with varying agendas gather at his Cornwall abode: his senile wife; his sexually ambivalent model; his weak, alcoholic son (Ronald Lacey, a long way from the menacing Nazi he would later play in Raiders of the Lost Ark) and impatient daughter-in-law; a neophyte art dealer and his girlfriend, Millie (Mary Maude). Victor becomes obsessed with Millie, determined make her his artistic muse. Meanwhile, the cast is being gruesomely bumped off one after the other.
Raven comes across very much as a poor man's Christopher Lee. He has the height (more or less), he has a deep voice, and he even looks not unlike Lee. But he has none of the master's screen presence, and isn't as frightening as he clearly should be. Most of the film is a rather dull plod, with characters wandering about, flirting or sniping at each other, and repeating conversations ad nauseum. The murders come along every so often to spice things up, but given Victor's obvious villainy, one might well wonder why the film is being so coy about the killings, and refusing to show us the killer.
Posted in: Disc Reviews by Archive Authors on October 22nd, 2010
Wow, someone took Dolan’s Cadillac, one of my favourite Stephen King short stories, and made it into a movie! Awesome! Cool, not a bad cast either. Christian Slater and Wes Bentley. Good actors. A little bit of edge to them. This might be alright. What’s that? It’s a straight to DVD release? Well that’s not promising. Hmm? It was made in Saskatchewan? By a Canadian sit-com director? Okay, now you’re just messing with me…
As it turns out, it’s all true. King’s sun-scorched tale of madness and revenge has indeed been brought to the screen, even if that screen is the one hooked up to your DVD player.
Posted in: Disc Reviews by Gino Sassani on October 21st, 2010
“Mentalist: Someone who uses mental acuity, hypnosis, and/or suggestion. A master manipulator of thoughts and behavior.”
I remember fondly Simon Baker’s last television series, The Guardian. It wasn’t exactly a great or groundbreaking show, but it chugged on somewhat quietly for five seasons. It didn’t seem like anyone was really noticing this quality show. So as much as I like this new series, I think what pleases me most is that The Guardian has made it to DVD. I’m not sure it would have happened if The Mentalist hadn’t broken out as the number one new series last year. And as much as I’d love to tell you more about that earlier series, I’m going to get that chance next month, so stay tuned.
Posted in: Disc Reviews by Gino Sassani on October 21st, 2010
Perry Mason did it for lawyers. Marcus Welby did it for doctors. From 1969 to 1976 and beyond, Robert Young was the face of the television doctor. The actor was so identified with his part that he dealt with fans and their medical questions his entire life following his portrayal of Marcus Welby. In those days there wasn't a medical doctor on the planet, real or fictional, who was more recognizable than Welby. The show pretty much wrote the book on the television medical drama. It doesn't matter if your a fan of House, ER, Grey's Anatomy, or any of a hundred other medical dramas that have come and gone since that time, each of those shows owes more than a little of its existence to Marcus Welby, MD.
In the 1950's Robert Young was that model parent in Father Knows Best. It's likely that audiences first fell in love with his wise and caring style. There was something about both the character and in the man himself that just caused America to trust him. It was no surprise that when the Marcus Welby creators were looking for a doctor that could, above all, exhibit those same qualities that Robert Young would get the call. And it didn't matter that Young considered himself retired from show business for the last 6 years. Marcus Welby was a role he just couldn't turn down. It was another gentle character with wisdom and common sense beyond his years. The Doc was a general practitioner in California. To him his patients were people. He would treat the individual as well as whatever ailment was proving to be the problem. He took the tough cases, often seeing some slight symptom that others would miss. That's because he paid attention to his patients, and they couldn't help but trust him with their lives. More times than not, that trust was rewarded with a full recovery. But, even when Welby couldn't beat a disease or injury, he always added something to the patient’s life. It might be helping them to come to terms with their own mortality. He might heal a family rift. Sometimes he just offered a kind word at just the right time.
Posted in: Disc Reviews by Gino Sassani on October 21st, 2010
Bo Burnham is one of those very young up-and-coming comedians that will either turn you completely off or make you very happy that you made his acquaintance. I think I'm one of those rare folks who finds himself in the middle after watching this hour-long performance.
There is no question at all that Burnham processes incredible talent. He is one of the most clever comedians I've seen in ages. He has an understanding of the English language that we haven't seen since the likes of George Carlin. There is a sophisticated intelligence at work here that is, unfortunately, easy to miss, if you don't pay particular attention. Burnham is manic in his delivery. He changes subjects and speeds with a suddenness that is liable to leave you with whiplash. Before you can really think about what he's said, he's already three subjects down the road flipping you the finger for not keeping up. And while I appreciate comics who push the limits of political correctness, there are moments that Burnham pushes the taboos much farther than he should. His 9/11 joke fell flat for the live audience. He uses Hitler and the holocaust a bit too much. It's almost as if he's hoping you'll tire of the routine. And then there's his age. Some of the more risqué sexual stuff just seems wrong from a guy who looks like he's a freshman in high school. He does a routine about Charlie Brown being molested. Way too far, dude.
Posted in: Disc Reviews by Archive Authors on October 21st, 2010
This is the final seasons, so we are well into the series. Its groundbreaking nature (an unmarried professional woman as a central character) has obviously long since ceased to be a novelty, and the show is, by this point in its existence, what one might call a fixture. This is merely by way of observation, and not a criticism, because the writing remains as strong as ever, and the show has stood up well to the test of time. Not every joke is a winner, of course, and there are plenty of situations whose outcomes are visible a mile off. So name the sitcom for which this isn’t true. But it was the characters more than anything else that won audiences over, and the terrific chemistry of eccentricity and camaraderie is very much in evidence here. Humanity over ratings is typical of the show’s philosophy and spirit.
The Mary Tyler Moore Show is classic TV comedy at its best. This show is legendary, and still ranks amongst the top comedy sitcoms of all time.
Posted in: Disc Reviews by Michael Durr on October 20th, 2010
The album, Holy Diver was released on May 25th, 1983. It was Dio’s best work featuring two singles that would hit the American top 40. It would actually take a full year for the album to hit Gold and almost 6 years to reach Platinum status. However, Dio remains popular today and is still listened to around the world. With that said, it is my pleasure to bring you the last recorded concert of one Ronnie James Dio as he plays the Astoria Theatre in London, England.
October 22nd, 2005. It is the final stop of an 11 date British Tour and Dio has hit the Astoria Theatre in London along Charing Cross Road. However, despite the band playing there a multitude of times, this one was a little different. Earlier in the year, Rock Candy Records had re-released the epic Holy Diver and the band had to figure out a way to best promote the re-release. They came up with the idea of playing the entire album, front to back in order.
![Dio: Holy Diver - Live [Blu-ray] dvd cover art](https://upcomingdiscs.com/ecs_covers/dio-holy-diver-live-blu-ray-large.jpg)
