Posted in: Disc Reviews by Gino Sassani on November 11th, 2009
“The future is bright at Monsters Incorporated. We power your car. We warm your home. We light your city. Carefuly matching every child to their ideal monster to produce superior scream. Refined into clean, dependable energy. Every time you turn something on, Monsters Incorporated is there. We know the challenge. The window of innocence is shrinking. Human kids are harder to scare. Of course, Monsters Incorporated is prepared for the future. With the top scarers, the best refineries, and research into new energy technologies. We’re working for a better tomorrow, today. We’re Monster’s Incorporated. We scare because we care.”
When you do this job you get asked the same question a lot.You get it from friends, family and people who just met you. They all ask the same thing. “What is your favorite movie of all time?”
Posted in: Disc Reviews by Gino Sassani on November 11th, 2009
“The perpetrator is an expert marksman. He’s an expert in explosives and tactics. Gentlemen, play this one by the numbers. Maintain your fields of fire… We’re blind and he’s seeing in 20/20… We have not contained him. He’s contained himself.”
“He” is Samuel L Jackson in the 1998 action thriller The Negotiator. Jackson stars as Danny Roman. He’s a Chicago Metro hostage negotiator. As the film opens we get to see him in action saving a little girl from a tight hostage situation. He’s obviously good at his job and he has the respect and admiration of his fellow officers and commanders.
Posted in: Disc Reviews by Archive Authors on November 10th, 2009
The names of the characters are hardly consequential, as they are used to further storylines more than develop character. But Pacino plays a cop who is tracking a group of robbers, among them Val Kilmer (Wonderland) and Tom Sizemore (Saving Private Ryan), a group headed by DeNiro. The group receives offers for work from Jon Voight (Runaway Train), and they rob anything from gold, to coins, to bearer bonds. They are all ex-cons, and know all the ropes. They are a highly professional crew, which you see in the opening moments of the movie, despite the addition of a new man to the crew.
Posted in: Disc Reviews by Gino Sassani on November 10th, 2009
Finally, this show has really gotten to me. I don’t know what it is about this 8th season, but I was far more interested in the show than I had ever been. Maybe I’ve spent so long with these characters that they started to come alive for me. Maybe I was resistant to a slightly different way of telling stories. Maybe it was that the stories became less about who was with who that I was finally able to enjoy the great courtroom drama and investigation elements of the series. Whatever it was, I am finally a fan.
Posted in: Disc Reviews by Gino Sassani on November 10th, 2009
It’s been some years since I had seen an episode of Nash Bridges. I had almost forgotten everything about the show except for two things. I remembered how great Johnson and Marin were together and, of course, that ugly-colored Cuda. I watched these episodes and found that my perspective hadn’t changed. Who cares what the story is about? Who remembers any of the cases? I remember the characters and the car, and 10 years later it feels exactly the same way. In many ways Nash Bridges was the last of its kind. The cycle of buddy cop and car chases was pretty much over. What started with James Rockford
Posted in: Disc Reviews by Gino Sassani on November 10th, 2009
I was entirely too young to remember even the syndicated run that my mother was watching in the late 1960’s. Under more normal circumstances that would not matter as I could introduce myself to this world with the DVD release. That was before 1987, and the release of Brian De Palma’s classic film. Honestly, I simply can’t watch these episodes without thinking of that movie. For an entire generation that film has defined these characters and that time. It’s unfortunate, really, because this 1960 series had a lot going for it
Posted in: Disc Reviews by Gino Sassani on November 6th, 2009
This new version of The Taking Of Pelham 123 falls under the category of unnecessary remakes, reimaginings, reboots, or retellings. That’s not to say that it’s a bad movie. In fact, it’s a pretty good movie. I guess my big problem is that this latest trend to redo so many things that have come before suggests a lack of originality in today’s artists. I don’t believe there is a lack of creativity in this generation. I do, however, think there is a laziness that pervades almost every aspect of our society, and this endless chain of copies is a symptom of that disease. Don’t get me wrong here. I’m not one of these critics who believes that films and television shows can’t or should not occasionally be redone.
Posted in: Disc Reviews by Gino Sassani on November 5th, 2009
“For the Egyptians, life was eternal. They searched the globe for ingredients to preserve their bodies and their immortality. With knowledge gained from centuries of practice, their priests have created the finnest mummies the world has ever known.”
Ever since Howard Carter first entered the tomb of the legendary King Tut, most of the world has had an incredible fascination with the mummies of ancient Egypt. Hollywood has done its best over the ages to create fear by making monsters of these preserved corpses. Universal and Boris Karloff started the ball rolling,
Posted in: Disc Reviews by Gino Sassani on November 5th, 2009
Sam Fuller lived quite a life before he ever even thought about working in the film industry. He was a crime beat reporter at 17 years old. He served in the infantry in World War II, turning down a cushy press corps assignment. Both of these experiences would shape the man, writer, and filmmaker he was to become. His newspaper experience gave him access to a lifetime of stories, an understanding of the newspaper business, and a honed writing skill. That ability would serve him most. Fuller was a writer more than a filmmaker, and it was with his typewriter that he most excelled.
Posted in: Disc Reviews by Gino Sassani on November 4th, 2009
It sure seems like Pixar has a lock on the computer animated film industry these days. Their films appear to always hit just the right amount of adult and children content to win with both audiences. We may not all be laughing at the same jokes, but we do laugh. When we’re not laughing, we appear to be captivated by endearing characters that immediately feel like we’ve known them our whole lives. We are instantly concerned about the things that happen to them. All of this happens without a single live entertainer on the screen to guide us into these emotions. That’s because Pixar also happens to be the most state of the art studio out there churning out these kinds of films.
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