Posted in: Disc Reviews by David Annandale on November 2nd, 2009
John Krasinski and Maya Rudolph are a pair of 30-somethings who are expecting their first child. They have been counting on Krasinski's parents to step in and help, but when these two suddenly announce that they're moving to Belgium, our “heroic” couple embarks on a road trip to find the perfect place to settle down and have their baby. Numerous encounters with eccentric characters is the order of the day.
Posted in: Disc Reviews by William O'Donnell on November 1st, 2009
Google this title now while you can, before Robert Rodriguez completes his Predator sequel "Predators" forever consuming your search results.
This DVD is a mashing of three different Animal Planet programs, After the Attack, Up Close, and Dangerous and Wild Discovery, together to make a compilation that is dedicated to the world's most dangerous animals (perhaps in an attempt to steal some of Shark Weeks thunder).
Posted in: Disc Reviews by David Annandale on November 1st, 2009
Decades after their moment in the sun in 1984, Canadian heavy metal band Anvil plugs along, playing bars and releasing CDs that barely sell, still hoping for that break that bypassed them while landing on their festival cohorts Whitesnake, Bon Jovi and the Scorpions. The documentary charts their new European tour that starts off promisingly but disintegrates into a disaster of Spinal Tap proportions, their struggle to produce and promote another new album, and a climactic return to the site of their past glory. While the opening minutes might engage laughter as one expects a real-life version of This Is Spinal Tap, the laughter is choked off almost immediately and replace by sympathy and real hope that these guys catch a break. They are not clowns – they have real talent – and the beyond-all-measure optimism of lead singer “Lips” is heartbreaking. A rock documentary to rank with the best of them, and one that proves that the absence of fame can be as compelling as its presence.
Posted in: Disc Reviews by Michael Durr on October 30th, 2009
It is true, I’m not a big fan of lawyer shows. A long time ago when I was about twelve years old, my future vocation wish was to become a lawyer. I visited lawyers, I talked to them for what seemed like hours. Except it wasn’t hours at all, it was more like thirty minutes. My realization then was that I wasn’t cut out for the business and went into what I do now. However, after watching Ally McBeal for a season of episodes, I come to the realization that I’m so very glad that I didn’t stick around.
Ally McBeal (played by Calista Flockhart) has just lost her job at her law firm. It seems that a co-worker decided to touch her rear in an unprofessional manner. The co-worker decided to say it was OCD and unfortunately Ally found herself on the streets. She is immediately picked up by an old colleague of hers named Richard Fish (played by Greg Germann) and invited to work at his firm.
Posted in: Disc Reviews by Gino Sassani on October 29th, 2009
“Man lives in the sunlit world of what he believes to be reality. But, there is, unseen by most, an underworld, a place that is just as real but not so brightly lit, a darkside.”
I have been waiting a long time for this release. Tales From The Darkside. Not since the likes of Rod Serling’s Twilight Zone or The Outer Limits has there been a really good sci-fi/horror anthology until 1984’s Tales. Not to say that each episode was a winner. In fact, most were pretty weak and relatively lame, but when this show was good, it was very good. These tales weren’t any ordinary specter spectaculars, but were told by spectacular story writers, directors, and producers. Look at just this first season and you’ll find some of the top names in the field involved in one way or another. You’ll see the likes of: Stephen King, Tom Savini, George Romero, Robert Bloch, Frank De Palma, and Harlan Ellison. The tales often came with a twist or at least a big finale in the end. Much like a train’s headlight in a long tunnel; you might have seen it coming from a mile away, but it’s hard to avoid the impact.
Posted in: Disc Reviews by Gino Sassani on October 29th, 2009
As a child growing up in the 1970’s I remember quite vividly the Saturday morning cartoon experience. It’s what we all lived for. We’d wake up early and pour out a bowl of sugar and milk, reaching for some cheap toy that was buried in the cereal box like Blackbeard’s own chest of gold. Then we would entertain ourselves with zany characters, superheroes, and action filled adventures until the noon news programs would begin and it was time to take our playtime outside. It was a far more innocent age, and we didn’t have video games to play. These were our video games. If they appear simple and at times crude, perhaps they were. But these were something of our very own. Watching them today, they don’t hold the same kind of magic they did then. That doesn’t mean it isn’t fun to revisit those days from time to time. It wasn’t the cartoons that were always special. But, Saturday morning … man, that was something special.
These cartoons are mostly Hanna Barbera shows which dominated the Warner archive from that era. No question this group contains some of the most recognizable characters from my childhood. Certainly, there some of the very well known titles from Bugs to The Roadrunner. I’m glad to see a few other characters added here like El Kabong and Atom Ant. It’s a very eclectic collection, to be sure, so you should find a little something for everyone.
Posted in: Disc Reviews by Gino Sassani on October 28th, 2009
This time it’s a quad of whitewater rafters looking for some high adrenalin action. It doesn’t take long before they’re introduced to our favorite clan of cannibals and their arrows. This one doesn’t waste any time with a setup. You know what that title represents, and the filmmakers decide to give you what you want with no delay. Okay. Actually the raft trip IS the setup here. As the rafters escape into the woods, we just know they’re going to run into those snares and traps. And there you won’t be disappointed. This time a guy gets sectioned into three parts. As Kimberly Caldwell was beside herself in two sections for the second film, I can’t wait to see the setup by the time they get to entries 7 or 8.
The real meat, pun intended, of the film begins in a West Virginia prison compound. There’s about to be a high profile prisoner transferred to another facility. Because they fear his “boys” on the outside, they decide to do the transfer a week early with a U.S. Marshall undercover as one of the moved prisoners. You and I already knew that it’s not the mob guys they needed to concern themselves with. It’s no big spoiler to reveal that the bus doesn’t make it to the next stop. The Clan crashes the bus, and before you can say Deliverance, it’s the cons versus the cannibals with a couple of the good guys in the middle. Sounds like a perfect Wrong Turn sandwich, doesn’t it?
Posted in: Disc Reviews by Gino Sassani on October 28th, 2009
By 1978 the television detective model had been nearly complete and possibly already a cliché. Dan Tanna might have well been the complete model as far as the formula goes. It was almost as if you could go down a checklist and, like Dr. Frankenstein creating a monster, you would check off the necessary elements. The scripts could then almost write themselves, and you let the show fly on autopilot for three seasons or so until someone decides to look behind the curtain.
So let’s go down that checklist, shall we?
Posted in: Disc Reviews by David Annandale on October 28th, 2009
Only the most foolhardy of mortals would attempt a plot summary of this film, and I'm not quite that crazy. This is Tinto Brass's 1969 effort, coming between 1967's Deadly Sweet and 1970's The Howl. The former is a mad, pop-culture collage of noir elements, while the latter is a hallucinatory picaresque. This one is the most plot-free of the the lot. The original title is Nerosubianco, an untranslatable pun that combines “black on white” with the word “eros” (Attraction – note the word contains “action” – is an honorable attempt, and better than the theatrical title of “The Artful Penetration of Barbara,” which is what appears on the screen here, with the new name showing up as a subtitle), and that's about as much as can be summarized: this is an interracial romance. Beyond that, we have an exercise in pure formalism, an eye-popping collection of images and incidents as abstract as they are psychedelic.
Posted in: Disc Reviews by David Annandale on October 28th, 2009
No one who knows me will find it terribly surprising to hear me admit that I know very little about the fashion industry, nor do I have a particular interest in it. Having said that, I was, to my pleasant surprise, gripped by this documentary. It tracks the final year of legendary designer Valentino's career as he prepares his new line and the big celebration of his 45 years in the business. But there are clouds on the horizon, too. He and his partner Giancarlo Giammetti are no longer the owners of the Valentino company, and the pressures of the new corporate world are bearing down. The films is thus a fascinating look behind the scenes of numerous facets of the Valentino's world: his life, how he works, his explosive temper, and the sad fact that the world of design is changing in ways that are forcing individual creative artists to the margins. Well worth watching.
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