Posted in: Disc Reviews by Gino Sassani on November 4th, 2009
Simon Baker is riding high these days. Last year his new series, The Mentalist, was the highest ranked new drama of the year. That accomplishment got the show paired with CSI in that enviable Thursday night time slot. I’m amazed when I hear folks tell me how the actor appeared to come out of nowhere. A few film roles and he’s Mr. Television. Well, count me in with the small group that isn’t so surprised and saw him coming as far away as 2001 with a sleeper CBS series called The Guardian.
Posted in: Disc Reviews by David Annandale on November 4th, 2009
Liam O'Leary (Brendan Gleeson) has done very well in the booming Irish economy. A successful developer, he is in the process of trying to get a massive project approved, one that the future of his firm is riding on. So things are actually rather tough for him right now at work. At home, meanwhile, he and his wife (Kim Cattrall) have reached a rather chilly stage of their marriage, and his son (Briain Gleeson, and yes, Brendan's actual son) is feeling quite alienated, not to mention disgusted with the capitalist excesses that surround him. Stressful as all of this is, things are about to get much worse, as he starts seeing his double (Gleeson again). Is he hallucinating? Is it a supernatural visitation? The answer is both more earth-bound and wild, and before he knows it, his entire existence is turned upside down.
Posted in: Disc Reviews by Gino Sassani on November 3rd, 2009
I’ve often spent a lot of time talking about how Pixar has dominated the computer animation, at least as far as full length features go. With few exceptions there isn’t anything out there that even comes close. Most films rely on toilet humor and crude innuendo to get a few laughs. A lot of the kids and adults might suck that stuff up, but they can’t hold a candle to Pixar. There are, as I’ve mentioned, some quite notable exceptions. The Fox Blue Sky Studios has had enormous success with their Ice Age films. And when you take a look at the third and latest entry in that franchise, you’ll understand why.
Posted in: Disc Reviews by Gino Sassani on November 3rd, 2009
“A changing of the seasons brings wonder to the world. For ages has the magic of the fairies been unfurled. But nature’s greatest changes come beneath the Autumn sky and mysteries reveal themselves as harvest time draws nigh. This year a shimmering blue moon will rise before the frost. Perhaps its rays can light the way to find what has been lost.”
After giving us Tinker Bell’s origin story in the first film of this franchise, we get a chance to look even more deeply into this wonderland of fairies and magic. Ever wonder where that magical pixie dust comes from that allows fairies to fly?
Posted in: Disc Reviews by Archive Authors on November 3rd, 2009
Written by Adrienne Ambush
If you were to take the movie Kill Bill, mix it with the Karate Kid, and then put it into animation form, the end result would be Chop Socky Chooks.
Featuring 13 of the most wackiest adventures and martial arts mayhem that one has ever seen, volume one of Chop Socky Chooks shows three chickens Chick P, KO Joe and Chuckie Chan “battling virtual villains, karaoke crazies, rogue robots, prehistoric predators and even fast-food fiends” all in hopes to save Wasabi World from the powers that be.
Posted in: Disc Reviews by Gino Sassani on November 2nd, 2009
There have been a couple of releases of Stargate. Mostly it’s been reissues of the same transfer. This time it really is an improvement. The Blu-ray contains a director’s cut which is about 16 minutes longer than the original. If you like the original better, you get that one as well. This was Devlin and Emmerich’s first real blockbuster. I found Independence Day and The Patriot to be better films, but Stargate has its moments. It’s a little hard for me to accept Kurt Russell as Jack O’Neal after 7 years of Richard Dean Anderson. I did gain a new appreciation for how closely James Spader and Michael Shanks portray the pivotal character of Daniel Jackson.
Posted in: Disc Reviews by Gino Sassani on November 2nd, 2009
With so many cast changes, it didn’t really come as too much of a surprise to fans that the series was winding down. Only one more season would follow, and this year never clicked in quite the same way previous seasons had. By now the team was so significantly different that there was little of the cast chemistry that made this one such a winner. With its glory years behind and only one more struggling year to come, we reach the end of our journey with the IM Force.
Posted in: Disc Reviews by David Annandale on November 2nd, 2009
John Krasinski and Maya Rudolph are a pair of 30-somethings who are expecting their first child. They have been counting on Krasinski's parents to step in and help, but when these two suddenly announce that they're moving to Belgium, our “heroic” couple embarks on a road trip to find the perfect place to settle down and have their baby. Numerous encounters with eccentric characters is the order of the day.
Posted in: Disc Reviews by William O'Donnell on November 1st, 2009
Google this title now while you can, before Robert Rodriguez completes his Predator sequel "Predators" forever consuming your search results.
This DVD is a mashing of three different Animal Planet programs, After the Attack, Up Close, and Dangerous and Wild Discovery, together to make a compilation that is dedicated to the world's most dangerous animals (perhaps in an attempt to steal some of Shark Weeks thunder).
Posted in: Disc Reviews by David Annandale on November 1st, 2009
Decades after their moment in the sun in 1984, Canadian heavy metal band Anvil plugs along, playing bars and releasing CDs that barely sell, still hoping for that break that bypassed them while landing on their festival cohorts Whitesnake, Bon Jovi and the Scorpions. The documentary charts their new European tour that starts off promisingly but disintegrates into a disaster of Spinal Tap proportions, their struggle to produce and promote another new album, and a climactic return to the site of their past glory. While the opening minutes might engage laughter as one expects a real-life version of This Is Spinal Tap, the laughter is choked off almost immediately and replace by sympathy and real hope that these guys catch a break. They are not clowns – they have real talent – and the beyond-all-measure optimism of lead singer “Lips” is heartbreaking. A rock documentary to rank with the best of them, and one that proves that the absence of fame can be as compelling as its presence.
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