Posted in: Disc Reviews by Gino Sassani on August 5th, 2009
Imagine waking up one morning to find a newspaper on your front porch. Here in Tampa, the fact that the paper is actually on your front porch is miracle enough. Imagine further that this ordinary looking paper isn’t today’s paper at all, but rather tomorrow’s edition. If you could trust that what you held was the genuine article, so to speak, just think of the possibilities. For most of us our thoughts turn to the myriad ways in which we could enrich ourselves: sports scores, lottery numbers, even stock tips. If, however, you’re less selfish, there is an equally endless number of ways in which you could help your fellow man, or woman as the case may be. You would have advance knowledge of tragic accidents, crimes, and other unfortunate events about to befall your fellow human travelers. That’s the essence of Early Edition.
Gary Hobson (Chandler) is having some bad luck. His wife kicks him out of the house, on their wedding anniversary, no less. He ends up forced to live in a cheap hotel room. One morning he discovers that a mysterious orange tabby has left a gift by his door. Instead of the usual rodent surprise, Gary finds a copy of the local newspaper. This paper happens to be dated tomorrow. At first Gary doesn’t even notice the odd date as he attempts to go about his busy stockbroker life. It isn’t until Gary’s attempt to follow the price of wheat that he is finally alerted to his special edition of the paper. His buddy Chuck (Stevens) wants to use the paper to check out a few sports results. Gary avoids the temptation and refuses to allow his friend to have the paper. Instead he uses the information to assist another friend, Marissa (Davis – Williams), who’s in desperate need of a windfall. Together they become a team. As the event repeats itself, the three work to find ways to help others with their advance knowledge. There’s a little comedic tension, as Chuck is always trying to get his own taste out of the information. Marissa, grateful for the help she received, is far more keen on passing the good deed along.
Posted in: Disc Reviews by Gino Sassani on August 5th, 2009
As a kid, I was a huge Lost In Space fan. We loved Dr. Smith in particular and would go around our neighborhoods moaning, “The pain, oh the pain” in some mock imitation of the deliciously bad character. I think I finally know what he was talking about. I’m a man, and so I won’t even begin to pretend that I can understand what labor pains feel like. I believe it when I’m told there’s no worse suffering in the human experience, except for one. Yes, my gentle female readers, no matter how much torture childbirth might be for you, I bet it can’t compare to the mental anguish of having to sit through Labor Pains. Since this film was written and directed by women, I suspect it just might actually be some female plot to get guys like me to appreciate true suffering.
In the first place, we have Lindsay Lohan. I mean seriously. Is there anyone out there who actually thinks she’s a gifted actress? Is she really on anyone’s dream cast? Name one good movie she’s been involved in. I hear someone in the back screaming out Mean Girls. Forget about it. She has a reputation of showing up whenever she feels like it, arguing or downright fighting with cast and crew. She’s been known to “accidentally” walk off with stuff that doesn’t belong to her, and she’s pretty much a temper tantrum throwing brat when she doesn’t get her way. I’m tired of the press hanging on each and every emotion implosion like it was actually important. Do you really care how many times she splits up and gets back together with her lesbian DJ friend? How many pictures do we need of her crying on the lady’s front porch beggin’ for another chance, only to be dropping F bombs in anger a day later? The woman’s a train wreck. Is it any surprise at all that her films are crap? I can honestly say knowing all of these gross intimate details has not improved the quality of my life. What would help my job as a reviewer is if she’d stop trying to make movies. In a nice piece of irony, a character asks Thea if she wants people to see her as a “wayward skank”. Well…Lindsay?
Posted in: Disc Reviews by Gino Sassani on August 3rd, 2009
“What is Echelon? It’s NSA’s central computer. It filters all global communications. Echelon’s a juggernaut. It can access any security system on the planet… Echelon’s been compromised.”
In 1948 British author George Orwell delivered a sobering science fiction novel about a future society where the State has become a parent figure to its people. It watches over everything that you say or do like a …big brother. That term originated with the novel 1984. The work has added such words as “big brother” and “Orwellian” to our lexicon. It was intended as warning against intrusions that weren’t yet possible. Today we’ve moved beyond 1984 both in linear time and in Orwellian technology. You’re not paranoid. Someone is pretty much always watching you. From ATM’s to supermarkets, you are on camera pretty much anytime you’re out in public.
Posted in: Disc Reviews by Gino Sassani on August 3rd, 2009
It just wouldn’t be summer without The Discovery Channel’s Shark Week extravaganza. What started back in 1988 as a themed week of specials has turned into the longest running annual series of programming on cable. Every year The Discovery Channel gives up its normal collection of educational shows to concentrate on that feared predator of the deep. Man’s always had a rather natural, and healthy, fear of sharks, but it was perhaps the 1975 film Jaws that brought all of those primordial fears bubbling to the surface of our pop culture. Since then sharks have taken an almost mythic position in our culture. They invade our fears, but more importantly they fascinate the heck out of us. Young or old, it doesn’t matter. Sharks are the new dinosaurs, and they aren’t going anywhere anytime soon. As Discovery plans out yet another annual invasion of these perfect killing machines, you get to have an encounter of the high definition kind. Come face to face with some of the most dangerous creatures on the planet, with a level of clarity and detail that was once reserved only for those who shared their waters.
It’s quite nice to have a collection of these shows on Blu-ray and in high definition. There are some downsides, however. The shows aren’t necessarily the best I’ve seen on the series. Most of them are pretty recent. I suspect many of the classics aren’t going to be as easily available in HD. The second problem is redundancy. I’ve always been a big critic of editing shows for home release. Here I think it might have been a good idea. Many of these shows do rather extensive recaps each time they come back from an anticipated break. Of course, here there are no breaks, so we have to watch some material several times in the same 40 minute segment. The point really gets driven home. I have to ask myself if it is really that necessary to recap so often. Are the breaks so long that we can so easily forget what we were watching? I’d suggest that Discovery give a little more credit to their viewer’s intelligence.
Posted in: Disc Reviews by Gino Sassani on August 3rd, 2009
“Corporations… They have all the money. They have all the power and they use it to make people like you go away. Right now you’re suffering under an enormous weight. We provide the Leverage.”
I remember seeing like a million ads for this show toward the end of the last football season. If memory serves it was heavily promoted during the Super Bowl. In any case, I had made a mental note to catch it, but it was still several weeks away and I ended up forgetting about it by then. Fortunately, the release of the first season on DVD has given me a second chance for a first look at this intriguing series.
Posted in: Disc Reviews by David Annandale on August 1st, 2009
Running for a single season in 2008, this ABC Family production is a humorous pastiche of superheroics and Avengers-style adventure. Natalie Morales plays Wendy Watson, a struggling artist making ends meet as a temp. When she demonstrates incredible unflappability when a monster is unleashed at her current job, straight-arrow superhero the Middleman (Matt Keeslar) recruits her to join him in the fight against all sorts of bizarre menaces. A sampling of titles gives the flavour of the series: “The Boy-Band Superfan Interrogation,” “The Palindrome Reversal Palindrome,” “The Flying Fish Zombification.”
Posted in: Disc Reviews by David Annandale on August 1st, 2009
In 2007, the Pang Brothers, whose The Eye was one of the spookiest ghost stories of recent memory, made their North American debut with The Messengers, a disappointingly ordinary tale of a haunted farm. Nobody asked for a sequel, to my knowledge, but here it is, apparently closer to writer Todd Farmer's original story than the first film.
Posted in: Disc Reviews by David Annandale on July 29th, 2009
This was Lucille Ball's follow-up to I Love Lucy, and the first season is, apparently, the most highly regarded one. Here Ball is a widowed mother of two, sharing her home with best friend Vivian Vance, who is a divorced mother of one. All the other members of household are, of course, faced with the disasters triggered by Lucy. I screened this set immediately after viewing its close contemporary, Petticoat Junction, and the difference between the two was instructive. There are plenty of hoary gags and situations on The Lucy Show, but there is an enormous difference between the shows thanks to the comic genius of Lucille Ball. Her energy fills each episode, her timing is spot-on, but there is also her commitment to a type of physical comedy that to this day remains pretty much the exclusive domain of male performers. Not only does she make this style her own, she grounds it in a female reality. There is a reason she was so beloved a performer, and why her work still stands up today.
Though the image is a bit soft, with features losing definition in long shots, the picture is still looking remarkably good for television from 1962-63. The black-and-white tones are very warm, and the grain, though present, is minor. There is no edge enhancement to deal with. It is, frankly, very unlikely that these episodes have ever looked better.
Posted in: Disc Reviews by David Annandale on July 28th, 2009
Once upon a time, there was an age of TV where hit shows where women in their 20s played high school students, and an entire episode could revolve around the burning crisis of whether the dog that followed one daughter home could stay. It is from this era that Petticoat Junction hails. This series about a widowed mother and her three daughters tending the Shady Rest Hotel ran for seven years, and begat both Green Acres and The Beverly Hillbillies, in that characters from all three series would interact with each other.
So our principle cast here consists of mother Kate Bradley (Bea Benaderet), daughters Billie Jo (the flirt, played by Jeannine Riley), Bobbie Jo (the bookworm, played by Pat Woodell, who would leave after this season), and Betty Jo (the tomboy, played by Linda Kaye Henning, daughter of series creator Paul Henning). Throwing in his two bits is lazy Uncle Joe (Edgar Buchanan). Joining the cast this season is Higgins the dog, who would subsequently star as Benji, and thus eclipse his human co-stars.
Posted in: Disc Reviews by Michael Durr on July 28th, 2009
The Green Lantern character has always been one of my favorite DC comic book heroes, right after the likes of Batman and the Flash. As far as Earth-born GL’s, Hal Jordan has always been first in my heart and even though the John Stewart was shown predominantly in the cartoon series: Justice League Unlimited, it was hard wrapping my head around him as the Green Lantern. I was excited to see that due to recent success with other characters, the people at DC decided to release a direct to disc release for the Green Lantern sub-titled: First Flight.
Hal Jordan is a test pilot for the military. He’s testing one of the newest planes when suddenly his ship is enveloped in a green energy beam to a crash site. There he finds a dying Abin Sur, the current Green Lantern of sector 2814. Before he dies, he bequeaths his ring to Hal Jordan, proclaiming him the new Green Lantern. Moments later after the passing of Abin Sur, several current members of the Green Lantern corps arrive and take Hal Jordan to the headquarters where the Lanterns and Guardians of the Universe meet.
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