Posted in: Disc Reviews by Gino Sassani on April 9th, 2008
He might not have been “shootin’ at some food” but for Daniel Plainville it’s all about that “bubblin’ crude. Oil that is. Black Gold.
Posted in: Disc Reviews by Archive Authors on April 3rd, 2008
Will Smith finds himself in a bit of a career quandary if you ask me. Sure, one of the good sides to being as as he is is that he’s quite the popular guy that nobody wants to see get killed. But the popularity has seemed to stymie him a little bit. When he does dramatic work, it’s clear that the push is for him to win an Oscar, like in Ali and The Pursuit of Happyness. So when people look past that intent, even when he might want to do dramatic work, he’s forced to take on slightly darker roles in action films, which I guess serves as his happy medium of branching out while still pleasing the people. I Am Legend is another one of those examples, very similar to another Smith sci-fi film named I, Robot.
I Am Legend is based on the Richard Matheson novel and is loosely inspired by Charlton Heston’s 1971 film The Omega Man. This version is adapted by Akiva Goldsman, who won a Screenplay Oscar for A Beautiful Mind, and directed by Francis Lawrence, whose first feature effort was the supernatural comic book film Constantine. But in case you don’t know much about the film or really had a concern to go see the Smith film, he plays Robert Neville, an Army virologist. Robert was responding to an effort of a virus that ironically was supposed to be a cure for cancer. But instead of ridding the body of cancer, it became a bug that infected humans, turning them into psychopathic, ultraviolent zombies, out to kill any members of the living. Neville continues to work on a cure for the virus, even after it has decimated the world’s population.
Posted in: Disc Reviews by Archive Authors on April 3rd, 2008
So what did we all learn with the Joel and Ethan Coen’s latest opus, an adaptation of the Cormac McCarthy novel No Country For Old Men? Well, suffice to say, along with the creative resurgence of the brothers, we get a film that’s part modern-day Western, part action, part comedy and even perhaps part-horror, but in the adoration and adulation, to want to pin the film down as something is to forget that above all else, the film is a tale about changing times, told by someone who’s seen better days and is nostalgic for them. It’s that story that seems to be ignored to a certain degree by people, which oddly enough is ironic considering the title of the film.
The story that’s pushed along by the film surrounds a drug deal where all the concerned parties were killed in cold blood. The bodies were found by Llewelyn Moss (Josh Brolin, Planet Terror), who also managed to find several million dollars in the vicinity. But as is the case in both movies and real life, that kind of money is not going to not be missed for long. So enter Anton Chigurh (Javier Bardem, Before Night Falls), a man with a mysterious past. But there are a few certainties we know about him: first, he’s hired by someone to recover the money. By whom is immaterial, though through other recollections, he’s made out to be an killer with ice-cold veins, and we find this out within the film’s first several minutes, when he kills a police deputy in a gruesome fashion at a police station. So Chigurh is after the money and, inevitably, after Moss. The crimes occur in a sleepy west Texas town whose sheriff is Ed Tom Bell (Tommy Lee Jones, The Fugitive), and all three men find themselves near the border in 1980, on the cusp of a serious influx of drugs to the U.S..
Posted in: Disc Reviews by Gino Sassani on April 2nd, 2008
In 1973 Elton John had his best selling album to that time in the double release
Posted in: Disc Reviews by Gino Sassani on April 1st, 2008
Tim Burton, Johnny Depp, Helena Bohnam Carter, and a 1970’s Broadway musical by Stephen Sondheim about a barber with a penchant for truly close, and rather bloody, shaves. With these kinds of ingredients you have a can’t miss recipe for Sweeney Todd, The Demon Barber Of Fleet Street. The finished product is a wickedly clever and most unusual movie experience. Tim Burton’s style blends so seamlessly with the dark humor of the original production. If I had any reservations going into the film it was the casting of
Posted in: Disc Reviews by Michael Durr on April 1st, 2008
Aqua Teen Hunger Force has hit mainstream, well for the most part. The Tv Show has been on Cartoon Network's Adult Swim for a few seasons now and they even released a theatrical film. The film entitled Aqua Teen Hunger Force Colon Movie Film wasn't exactly a run away success. The film only made 5.5 million dollars nationwide. However, this was also about 7 times the budget which made the film a profitable success. So with the movie behind them, would the fame of past efforts fill their minds and make the creators' (Dave Willis & Matt Maiellaro) heads swell with pride? Let's turn into Volume 5 (Season 4) and find out.
For those new to the game (then why are you starting out with the fifth dvd set?), Aqua Teen Hunger Force is the story of three characters who look like they came from a Happy Meal; well a Happy Meal from a place that serves meatballs. Master Shake, Frylock & Meatwad return for 13 episodes (one is a 2-parter) to fight crime, bad advertising & just make sure that nobody gets Carl's favorite appendage if you know what I mean. Who's Carl? Ahh, that would be their next door neighbor who spends a lot of his time listening to classic rock, eating hot wings and getting raped by artificially created dogs. It's in episode 4, you'll have to see it for yourself.
Posted in: Disc Reviews by Gino Sassani on March 30th, 2008
Stargate Atlantis went into its third season with a lot to prove. Its companion and older series SG-1 was winding down and preparing to take its show to the longer direct to video path. Atlantis rose to the challenge and had what was arguably its best season to date. The best decision the show runners could have made was the one to concentrate on their core characters and give us episodes that were obviously intended to help us learn more about them. We meet McKay’s sister and Ronon’s wife and family along the way. We get to witness Sheppard in his alluded to battle in
Posted in: Disc Reviews by Archive Authors on March 29th, 2008
In The Mist, Frank Darabont returns to familiar territory, directing another movie based on a short story by Stephen King. Darabont struck gold in 1994 with The Shawshank Redemption and then came close to, but did not equal, that magic with 1999's The Green Mile.
Is the third time a charm for Darabont working with King material? The answer is a resounding "yes".
Posted in: Disc Reviews by David Annandale on March 28th, 2008
Three female friends are there for each other’s personal storms. One is a coke-addled sensation addict, one aspires to be an artist (and does her share of powder too) and the third is taking refuge from an unhappy marriage and questioning her sexual identity. Many scenes of heightened emotion are the order of the day.
The title (translated as “On the Edge”) recalls Women on the Verge of a Nervous Breakdown, but Teresa Suarez isn’t quite in Pedro Almodovar’s league. The film has some fine comic moments (I’m thinking of one dream sequence in particular), and plenty of energy, but some of that is second-hand: a coke-frenzied drive early in the film more than slightly recalls Ray Liotta’s paranoid excursion in GoodFellas. Further, despite the universally vile male characters in the film, many of the protagonists’ problems are so obviously of their own making that they are hard to care for.
Posted in: Disc Reviews by Archive Authors on March 28th, 2008
Tyler Perry burst on the scene in 2005 with Diary of a Mad Black Woman. It was one of the worst reviewed movies of the year, but when it raked in over $50 million dollars at the box office, Tyler Perry silenced critics and became a force to be reckoned with in Hollywood.
Before his movie-making career, Perry was already a huge success in the African-American community, having written several Christian and family oriented plays upon which many of his movies are based.
