Disc Audio

Posted in Disc Reviews by Joshua Noyes

Two guys who were used to drinking beer for fun suddenly become fierce competitors in the “Beer Drinking Olympics” in Germany. Todd Wolfhouse (Erik Stolhanske) and his brother Jan (Paul Soter) are from a German-American family but have never visited the Old Country until their grandfather dies and they fly to Germany to scatter his ashes. Todd and Jan arrive during the annual Oktoberfest celebration and accidentally discover a secret competition, "Beerfest," in which the world's leading beer guzzlers determine who ca...

In the continuing need for media mogul Russell Simmons to produce an HBO show and put the word "Def" in front of it, musician Mos Def approached Simmons with the opportunity to present a weekly show for urban spoken word artists to show off their wares. And surprisingly, not only has the show survived, but has thrived into a fourth season that has come out on DVD, with ten episodes in all, split over two discs.

The layout of the show is pretty straightforward, as Mos Def introduces the beginning and end of the shows and the acts in between.

As a relatively topical fan of the James Bond franchise (though not so topical that I'd buy all of the films on DVD), I had a cursory knowledge of the actors who played Bond and the times that they had been cast. Little did I know however that by the time Roger Moore had signed onto the role in Live and Let Die that this was the third attempt to bring him aboard, and that maybe producers Harry Saltzman and Albert Broccoli were hoping that the third attempt brought the proverbial charm. Moore had been approached for the role as early as the Dr. No days, but was in the midst of doing The Saint television show, and Connery was chosen.

I don't mean for this to be a joke, but when Paul Mooney recently said that he was glad that Hispanics got their (and I'm paraphrasing here) "African-American wake up call" in the midst of the illegal immigration debate of 2006, the problem wasn't whether or not the Hispanics were being treated fairly or not. The problem was that this discussion has been going on in some manner or fashion for almost four decades now without a large-scale epiphany that required action. However back in 1968, there was some action (which led to the coordinated efforts of students to walk out of their classes in Los Angeles High schools as a protest of the conditions there), and Walkout helps to tell the tale.

A small town is being terrorized by a gang of thugs who use extortion and violence to buy up all the businesses. The only person who tries to stand up to the gang is the sheriff, but then he meets a violent end. His son (Kevin Sorbo), who, one gathers from vague references, has military training, shucks his apathy, dons his father’s badge, and sets out to clean up the town.

The cover art is hilariously misleading, in that it shows what appears to be Sorbo leading his posse for the titular payback.

The return of the historical epic hit Hollywood hard in 2005/2006. Troy, Kingdom of Heaven, King Arthur and the two Colin Farrell vehicles, The New World and Alexander, all hit theaters pretty close to each other... and all flopped. The basic complaint was the same about all these films; they were too long, the pace was too slow and they were hard to follow. As much as these huge pictures cost, the studios quickly looked to the DVD cash cow to try to recoup some of the production co...

If you've seen any of Terry Gilliam's other films, you can probably guess that this one is pretty bizarre. Based on the novel of the same name by Mitch Cullen, Tideland is an eccentric, grotesque and imaginative tale of a child's resilience.

I'm going to say right off the top, I wanted to like Tideland, and for two reasons. One, Gilliam has made some incredible films in his career, from Monty Python and the Holy Grail to Twelve Monkeys and Fear and Loathing in Las Vegas.

The Prestige surprised me like no other film has since The Usual Suspects. The entire film plays out like a good bit of misdirection, slight of hand and illusion, with some pseudo-science thrown in for good measure.

Robert Angier (Hugh Jackman, X-Men) and Alfred Borden (Christian Bale, Batman Begins) are rival magicians, both inspiring to be the best the world has ever seen. They began as partners, working together as assistants to an established magician, but when a trick goes terribly wrong, their relationship is forever changed.

As I right this review, the date is February 24th, 2007 one day before the Annual Academy Award Ceremony, which is a show that this film is nominated in the Best Picture category for. Numerous other reviewers, whether they're critical or simply just internet journalists like myself, have labeled this one as this year's Crash. A statement like that made me worry going into this one because simply put Crash isn't Best Picture material nor is it even close to Best Picture material. While I haven't seen every other Best Picture nominee, I wouldn't completely mind if the Academy did award Babel with the Oscar.

For the sake of full disclosure, I wrote this review while I was sitting in a meeting. For the sake of having a challenge, I wanted to start every sentence in this review with the name of the movie, for no discernible reason whatsoever. Feel free to call shenanigans on me at any time, as it helped me get through my meeting and to a larger extent, the film.

Crossover is a film that at least as of this writing, has no positive reviews on Rotten Tomatoes for some sort of reason, and I think that's because of the razor sharp casting that was employed.