Posted in: Disc Reviews by Gino Sassani on June 2nd, 2006
ALF is back, and just as funny as ever in this third season of mayhem. Unfortunately, we are again treated to syndicated cut versions of the show. Still, this appears to be all we’re going to get. Not sure if I mentioned it before, but having the episode titles has pointed out that each ALF episode uses a song title as the production name. This season songs like Stop In The Name Of Love, Funeral For A Friend, and Stairway To Heaven are represented. There are quite a few more “fantasy” episodes here. ALF is shown what life in the Tanner household would be without him. He dreams of hosting The Tonight Show. The laughs are still in high gear.
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Posted in: Disc Reviews by Gino Sassani on June 2nd, 2006
Monte Hellman filmed Back Door To Hell back to back with his better known Flight To Fury. This early Jack Nicholson film plays out very much like the throwaway it seems to have been. It’s certainly a brief affair, clocking in at just 69 minutes. Low budget films can often be impressive masterpieces. I have never seen a war film where that’s been true. After watching Back Door To Hell, nothing’s changed. The location and supporting cast make this at times feel more like Mexico than the Philippines. The settings are strictly back lot looking affairs, even when they are not. Cinematography is very limited and completely unimaginative. There is an odd, cold calmness to everything. Actors deliver their lines mostly in even soft tones. I found these portrayals more than a little unnerving. None of Nicholson’s future brilliance is on display here. I found my attention constantly straying during this film. One thing a war film should never be? Good or bad, it simply can’t afford to be boring.
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Posted in: Disc Reviews by Archive Authors on June 1st, 2006
Follow Doogal and friends as they try to save their lush green world from the clutches of the evil jack-in-the-box Zeebad (Jon Stewart) in this CGI family film that completely misses the mark. Though G-Rated - and obviously of inferior intellect - the film tries to be witty and smart with a ton of stale pop culture references its target audience will not come close to grasping. Sure, the adults will get them, but once they do, the question becomes, what do we do with them? Another "Can't Touch This" MC Hammer referen...e? "Wax-on, wax-off" - Karate Kid anyone? "My name is Neo" - did we need another reference to a trilogy where only one of the films was even remotely worth watching? This tripe is the kind of family fare that makes adults cringe in their boots at the thought of having to sit even 77 torturous minutes with these bloated celebrities trying to be funny under the guise of silly looking animals that aren't even that cute.
If I had to find a strong point, I would say Judi Dench's narration is about all the film has going for it. Back to the bad - Kevin Smith's moose character hardly says anything throughout the course of the film, but he does offer up the number of expected fart jokes with his overenthusiastic gastro-intestinal behavior. While Doogal, the long-haired puppy dog intent on saving his master Florence (Kylie Monogue) from the ice block prison created by Zeebad, is a cute little creation, the child star providing his vocals completely ruins any endearing qualities by the mere movement of his lips. This film is truly abysmal. I can't imagine anyone liking it for two reasons: 1) It tries to outsmart its target audience. 2) It does so by antiquated pop culture references, which will completely turn off the only demographic it has left to please. Avoid at all costs.
Posted in: Disc Reviews by Gino Sassani on June 1st, 2006
This film’s slogan was “Sometimes murder is just a way to pass the time.” A better way to fill up those empty minutes would be to watch this film. The film is based on a highly publicized real life case out of Chicago. A play was produced in the 1920’s. A book would also be written by Meyer Levin, which is the source material for this film. The story would not end there. It would be made at least twice more, including Hitchcock’s first color film, Rope. The case was perhaps made famous as much for the presence of Clarence Darrow as the defense attorney than for the senseless act of violence it represented.
A college classroom philosophical discussion opens the film and sets the stage for the crime. Judd Steiner (Stockwell) and Artie Strauss (Dillman) are intrigued by the Nietzchean concept of a superman. We’re not talking Clark Kent here. The idea is that a man of superior intellect could, and perhaps should, move through the world acting without the constraints of remorse or common law. These two guys see themselves in this role and commit a brutal murder as a sort of experiment. There really isn’t much of a whodunit. The prosecution soon stumbles upon a pair of eyeglasses that ultimately bring the two men down. Enter world renowned lawyer Wilk (Welles). He quickly finds he can’t argue innocence, so he diverts his attention to keep the young boys away from the gallows. It is in the trial version of the film that interest mounts. Welles delivers one of his best and yet most subtle performances here. The role is akin to Marlon Brando’s in A Dry White Season. His passionate closing statement is likely one of the cinema’s longest monologues.
Posted in: Disc Reviews by Archive Authors on June 1st, 2006
The Chronicles of Riddick takes place about five years after the events of Pitch Black. Richard B. Riddick (Vin Diesel) continues to fight for his life on Crematoria (what a name), a planet whose sun, apparently, is so blazingly hot that every 15 minutes it blankets everything beneath it basically vaporizing it. But that doesn’t really matter all that much now does it. For Riddick, who is one of the few surviving members of the Furions, has been captured by the Necromongers and now must find a way to po...er his way out like only Vin Diesel can. Apparently these Necromongers want every person to become a Necromonger. They line up behind their Lord Marshal who has visited a planet called Underverse and returned half alive and half something else. Then we meet a character named a character named Aereon (Judi Dench) who can materialize out of thin air and then disappear. This is the perfect idea for a majority of characters in this film. They appear, spend a few minutes of the screen, and then disappear for us to never see them again.
That is the first main problem with this film. We meet countless other characters including a little girl named Ziza who wants Riddick to fight these monsters for her. We hope that sometime during the film a big battle will occur where Riddick must defeat these aforementioned monsters and save the little girl, but such a scene never arrives. Why on earth would you hint at the scene then? I suppose this is because, as we can basically figure out from a few key scenes in the film, that a sequel is inevitable (maybe the sequel is the cartoon that recently came out).
Posted in: Disc Reviews by Gino Sassani on May 31st, 2006
Yellow Sky is one of those near classic Westerns from 1949. For decades the film has flown under the mainstream radar, only to finally be rediscovered on DVD. Gregory Peck is an unlikely choice to play the lead role. Stretch heads a band of thieves that strike from town to town hitting usually banks. The film wastes very little time getting started. We see the gang set up, and soon pull off, one of these heists in the first five minutes. The gang is quickly chased out into the unforgiving desert sun of the Western badlands. It seems the band is done for in true western poetic justice until fortune once again smiles upon them. Fortune in this case is the ghost town of Yellow Sky. Here only an old prospector (Barton) and his young granddaughter (Baxter) reside. It seems the old man’s been hording some gold in the hopes of bringing Yellow Sky back to her glory days. Of course, Stretch’s gang has other plans. The remainder of the film slows down as the gang attempts to pry the gold from the old timer. Stretch has a change of heart, and this redeemed Stretch is less of a stretch for Peck. Here he begins to fit the part. Including the obligatory romance, the film becomes all too predictable. Harry Morgan, billed as Henry Morgan, makes a nice addition to the gang of outlaws. The film was remade in 1967 as The Jackals with the action moved to Africa.
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Posted in: Disc Reviews by Archive Authors on May 31st, 2006
You won’t ever know the excitement I felt when I heard a sequel was being made to the film Underworld. While I didn’t see the big to due about the first film, I was actually hoping that the film would take the route some sequels have taken by making the film far superior to its predecessor. I guess Director Len Wiseman was trying to go out and make the sequel to Underworld even worse than its predecessor as he has completely succeeded in doing so.
As Underworld Evolution opens up, we g...t a small prologue that flashes us back to 1202 AD. The prologue tells us of the war between the vampires and the Lycans. We learn how the war began with two brothers, both the immortal sons of Alexander Corvinus. The first brother, Markus, was bitten by a bat and hence became the blood leader of the vampies. The second brother, Willian, was bitten by a wolf and hence became the first and most powerful Lycan. Sounds like a nice family feud huh? After this prologue, we pick up right where Underworld left off as Selene (Kate Beckinsale) and her super boyfriend have finally extinguished any and all foes and finally seem like they may have some time for themselves. Oh lord, there is another foe to fight? Turns out that Markus has been woken up by some force or person and isn’t all too excited to see that his family is completely dead.
Posted in: Disc Reviews by Archive Authors on May 30th, 2006
Everybody Loves Raymond - The Complete Sixth Season comes to DVD in an impressive 5-disc edition. As a newbie to this fine series, I was surprised - and thrilled - to see the widescreen presentation. It is a nicety not often given to TV shows, and it looks spectacular, but I'm getting a little ahead of myself here. The show, as a lot of you know, is about sports writer Ray Barone, and his nut-job parents, who live directly across the street. One must either appreciate Ray Romano's humor, or experience the same...family woes, to truly appreciate this series - and if you do, then you're in for a real treat. Included in this set, is the number two fan favorite episode "Marie's Sculpture," which centers around an abstract that isn't so abstract, made by Ray's mom in her sculpting class. While this episode is very funny, I think the show is at its best when Ray's wife Debra (Patricia Heaton) and his mother Marie (Doris Roberts) are going at it Romano-y-Romano. The show never resorts to stale mother-in-law jokes, opting instead to pull its laughs from the characters and their interactions with one another.
Of course, no serious talk of Everybody Loves Raymond can be complete without mentioning the terrific jobs Brad Garrett and the always reliable Peter Boyle do with their brother and father characters, respectively. The two are dichotomies of one another. Robert is the ever insecure older brother, who is always left out of even the most mundane family activities. He's the kind of guy, who has to fight for every ounce of attention - and affection - his mother gives him, and his large, staggering frame only serves to drain a little more humor from the tank. Frank (Boyle), on the other hand, is so self-confident he just doesn't give a damn about others' opinions - and why should he? Father knows best, at least in his eyes. Taking a back seat to all the goings-on is Ray Barone (Romano). Romano subscribes to the Seinfeld school of sitcoms here by letting the stellar supporting cast do all the hard work for him. His character is like Frank - and why shouldn't he be, everyone loves the guy - but he doesn't have to resort to the same over-the-top performance because he understands Boyle is already doing it so well. These five individuals will make you believe they're related, and they will do such a good job of it that, if you give the show a chance, you will notice comments, events, and subtleties, that exist in your own family. It's very possible you won't like this show the first time you try to sit through it. But stay married long enough, and you'll really start to appreciate it.
Posted in: Disc Reviews by Archive Authors on May 30th, 2006
Wolfgang Petersen is obviously a director who seems to love using boats or making films that have tons of boats. We had his masterpiece Das Boot about submarines, this film, his film Troy about the Trojan War, and his most recent remake Poseidon about another doomed ship. Unlike the most recent two films, The Perfect Storm is a pure sensation rollercoaster ride from beginning to end. The film doesn’t even attempt to tell a long drawn out story, but rather a very simplistic story about the ...vents surrounding this ‘perfect storm’ and how it deeply affected everyone around the town of Gloucester, regardless is you lost someone due to the storm.
Wolfgang Petersen’s 2000 vision of The Perfect Storm is based on the best-selling book by Sebastian Junger. The book and the film tells of the fishing ship named the Andrea Gail who, in 1991, in Gloucester, MA ran into the middle of a massive storm when three big storms collided in the middle of the Atlantic. The film tells us all about the economic pressures that the town goes through due to its sword-fishing industry. Instead of Petersen presenting the film about the men and their families, he decides to focus the entire film on this ship, and the oncoming storm. To add even more suspense to an already suspenseful card, Wolfgang decided to include the story about the family whose luxury boat was in distress.
Posted in: Disc Reviews by Archive Authors on May 30th, 2006
Sometimes, I get a bit of an impulse buying urge. And a while back, I went and got a spiffy Philips 727 DVD player (which I've since replaced with a Toshiba upconverting unit). Sure, it's not a higher end player or anything, but for $80 and a hack using the remote control, it's now become a decent multi-region player. So after testing out a friends borrowed Region 2 disc to see if the hack worked, I picked up a couple of movies from eBay and Amazon.UK, so I'll do the occasional Region 2 review.
For whatever reason, there are instances where the US gets yanked by the shorthairs with the occasional DVD release. If you were going to buy this movie, would you want the release that just has an anamorphic transfer and 5.1 soundtrack? Or would you want the one that has the anamorphic transfer and 5.1, along with two commentaries, as well as a 2nd disc of short films, deleted scenes and documentaries? So that's what I did. And my wife, bless her heart, is patient with me through all of this. She even watched this with me over the weekend and liked it. I've still got the bruises on my arm from where she squeezed hard.
![The Chronicles of Riddick [HD DVD] dvd cover art](https://upcomingdiscs.com/ecs_covers/the-chronicles-of-riddick-hd-dvd-large.jpg)
