Posted in: Disc Reviews by Gino Sassani on April 26th, 2024
"Good to be back. We knew all along that everyone back home from the President on down was behind us 100%. It was God and faith in our families that kept us going. Speaking for myself, I'd like to say that the whole experience has made a better man, a better officer, and a better American out of me. Thank you very much."
It started in the 1970's just as the long and costly war in Vietnam was finally coming to a close. The conscience of the American people shifted from trying to stop the war to the soldiers who were now coming home and mourning the ones who didn't. There was also this group that fell somewhere in between. It took a long time to get the North Vietnamese to even acknowledge the number of POW's still held in captivity and the push was to bring them home. Suddenly Hollywood was on the bandwagon, and there appeared the war sub-genre that focused on these returnees, particularly those held prisoner. Films Like Missing In Action brought the subject to the front of moviegoers' attention, and other films like The Deer Hunter gave us a look at the psychological damage many returned to be haunted by. One writer who had already reached into that dark place of the mind was Paul Schrader, who penned Taxi Driver. His followup, which was actually intended to link to Taxi Driver, was Rolling Thunder, and while not the same level of classic cinema, it's an important film that Shout Factory has allowed us a detailed look at with the release of Rolling Thunder on UHD Blu-ray in 4K.
Posted in: Disc Reviews by Archive Authors on April 25th, 2024
by Joshua Nuances
"I don't want to be a product of my environment. I want my environment to be a product of me. Years ago we had the church. That was only a way of saying - we had each other. The Knights of Columbus were real head-breakers; true guineas. They took over their piece of the city. Twenty years after an Irishman couldn't get a f$#@&% job, we had the presidency. May he rest in peace. If I got one thing against the black chappies, it's this - no one gives it to you. You have to take it."
Posted in: Disc Reviews by Gino Sassani on March 14th, 2024
"You know your weapons. It's a lever-action breech-loader. Usual barrel length's thirty inches. This one has an extra four. It's converted to use a special forty-five caliber, hundred-and-ten-grain metal cartridge, with a five-hundred-forty-grain paper patch bullet. It's fitted with double-set triggers, and a Vernier sight, marked up to twelve-hundred yards. This one shoots a mite further."
It almost happened again. Lightning almost hit Tom Selleck for a second time, and I don't mean in a good way. Tom Selleck was having fun and a tremendous amount of success playing Magnum P.I. on television. It was a character he got on the strength of a recurring character on The Rockford Files, and it was a huge hit. But in 1981 it didn't seem so much like a blessing. Casting calls went out, and he was approached to play an archaeologist trying to beat the Nazis to some kind of a McGuffin or another. The Magnum commitment kept him from taking the role, and it went to Harrison Ford, who turned it iconic. But Selleck still had Magnum. Then a few years later he was approached to play an American sharpshooter in the Aussie Outback but once again had to turn the role down. That was 1984, and Warner Brothers was working on a John Hill script called Quigley Down Under. There were some delays, and the film ended up leaving Warner Brothers for MGM and losing director Lewis Gilbert for Simon Wincer. With that kind of turnaround issues, the film took until nearly 1990 to go into production. By then Magnum was off the air, and he checked in on that film again to find it had a new staff and new life, and yes, it was still available. Selleck finally got his swashbuckling part, but it's really more Pale Rider (Eastwood) than Indiana Jones, and the new director would later know more than a little bit about Indiana Jones when he went on to direct several episodes of The Young Indiana Jones Chronicles. He would also return to the outback with the last Crocodile Dundee film, so this ended up being one heck of a circle. And in 1990 we got to check out Quigley Down Under.
Posted in: Disc Reviews by Jeremy Butler on March 13th, 2024
"They say everybody's good at something. Me? I talk to fish. That's how I met my friend, Storm. He's always there when I need a lift. Some people think that makes me a joke, But I don't care. You know why? 'Cause I'm also good at something else: breaking heads ... I'm Aquaman."
This film release marks the end of the DCEU as we know it (also known as the Snyder-verse). The DCEU has been an interesting ride to say the least, full of ups and downs. And while it never truly challenged Marvel with their multi-phased game plan, it did provide unique opportunities that gave some deserving talents a platform to showcase their abilities. Momoa was one of them. For me, his casting was among the most unique and triumphant. When he was first announced, I had to take a hard look at that decision, as it went against the grain as far as traditional casting for Arthur Curry went. However, it is difficult for me to imagine anyone else who could have brought the same kind of life to the character. Momoa gave the character an exotic and wild-man energy that made for a very entertaining interpretation. Granted this at times made the character seem dimwitted, making his path to the throne seem all the more unlikely. On the other hand, the character was intended to struggle and chafe under the pressure of the crown, thus making Momoa’s performance believable.
Posted in: Disc Reviews by John Delia on March 1st, 2024
When Contagion was released in 2011, it was considered a horror film, more a flight of fancy than anything else. It wasn't a great box office winner. But in 2019 all of that changed as we lived through the pandemic that was mere science fiction before then. Looking back at the film, it becomes a game of what they eerily got right and what was far off the mark. Much of the world disaster element, thankfully, never came through, but in hindsight it is quite surreal the things the film did get right. The idea of a therapy drug possibly being downplayed by the government and an internet guy trying to drive those discords. The fear of a quickly-created vax also looks very much like what is still playing out in the world today. The film depicted a nasal vax that I wish had been true. The film avoided much of the political fallout, but you really must see this film in a post-COVID world.
Slick, compelling, and gripping, Contagion uses the fright brought on by past outbreaks of deadly virus attacks around the world to punch home a ‘what if’ plot that succeeds in scaring the pants off accepting moviegoers. The recognizable actors save the plot from being hard to follow as it jumps from country to country in this thriller that ‘could actually happen’.
Posted in: Disc Reviews by Michael Durr on January 31st, 2024
While times may have changed a bit, many countries, especially in the 1970's up until the turn of the century looked down in disgust at those from the United States, from the way they looked, to way they acted, right down to the language they spoke. However, one of the things they most feared was that the US was going to take over their companies and do things the "American" way. Today, we take a look at a film called Mille Milliards de Dollars. In this film, we are introduced to the GTI, the Garson Texas International company, who are secretly taking over France Electronics, one of the biggest companies in Paris. It's quite the scandal and should be a very interesting film. Let's take a look.
We start the film with a call to the La Tribune switchboard. They are looking for Mr. Paul Kerjean (played by Patrick Dewaere), and it appears to be a personal call. Seems like the right time to put this person on hold and cue up the credits with some opening music. Kerjean seems preoccupied for a little while (or simply a clever way to play more credits) and finally answers the phone to hear a mysterious voice. The voice does not want to give his name, but wants to meet at a nearby parking garage to provide some very important information.
Posted in: Disc Reviews by Michael Durr on January 24th, 2024
On November 22nd, 1963; President John F. Kennedy was assassinated in Dallas, TX at approximately 12:30pm. Quite possibly everything else about the event can be disputed in such a manner, and I won't even attempt to confirm one theory or disapprove another. We have had movie after movie about this assassination, taking it in about every angle imaginable. Those movies are not regulated to the United States, either, as other countries have also dabbled in the storytelling of this infamous event. Many times these foreign productions treat it as a fictionalized event set in their own country, but the similarities are often so obvious that it cannot be disputed. Today's film is I ... For Icarus, a French film that explores the controversy behind the assassination of President Marc Jarry, who was killed by Karl Eric Daslow. Attorney General Henri Volney disputes the lone gunman theory, and this is the story of that investigation. That sounds awfully familiar; let's take a look.
The movie starts out with a simple phrase that essentially reads that this story is true as a I have imagined it from beginning to end. Ennio Morricone's score is queued up as we launch into the credits. Before I go further, I found it odd that they listed all of the people involved in the making of the film in alphabetical order before the movie even started. That alone runs for several minutes before the movie even starts. Anyway, on with the show.
Posted in: Disc Reviews by Gino Sassani on January 19th, 2024
"You are now the property of Erewhon Prison. A citizen of nowhere. The Geneva Convention is void here; Amnesty International doesn't know we exist. When I say your ass belongs to me, I mean exactly that."
I am a huge John Woo fan, especially his earlier classics like Hard Boiled. I’ll admit it’s been several years since I last seen Face/Off, but I don’t have a reason why, as I remember really liking this movie then. At either rate now I have a copy of the movie to call my own, and a special two disc release at that. Let’s just hope that it is what I remember, but as a big fan of Nick Cage I don’t think I’ll be let down. In order to catch him, he must become him. I couldn’t put it any better myself, Face/Off tells quite the eccentric story of revenge, devotion, and of course crime. Sean Archer (John Travolta, Wild Hogs) is an extremely devoted FBI agent, obsessed with catching terrorist Castor Troy (Nicholas Cage, Ghost Rider). Several years earlier Troy killed Archer’s son, since then it’s been his goal in life to put Troy to justice. He gets the opportunity one day when Troy ends up in a coma after boasting about a massive terrorist attack he has planned on Los Angeles.
Posted in: Disc Reviews by Michael Durr on January 18th, 2024
Sequels are a funny thing. Most of the time in modern Hollywood, they come within a breath of the first film, usually after a large box office in order to capitalize on its earnings. Sometimes, they can take years, even decades to make. Blade Runner: 2049 came out in 2017, 35 years after the original film. In addition, many times when a sequel takes so long to materialize, the intended audience has flown the coop, and it has dismal results. See Basic Instinct 2 or The Two Jakes. Other times, it inspires new waves of fans to flock to the theaters, such as Tron: Legacy or The Incredibles 2. Today, we are taking a look at Ernest & Celestine: A Trip to Gibberitia, a sequel to the original Ernest & Celestine movie which was nominated for an Academy Award and took home many other film awards. It's been a decade since the original film; can the sequel keep the spirit of the original and produce a quality film? I'm happy to say, yes, it certainly did. Let's take a look.
Since the film does not provide a quick recap from the original, I'll go ahead and provide this. Ernest and Celestine had each won their freedom from their respective imprisonment. Their only wish was to live together as best friends and have exciting adventures ... after Ernest gets some sleep.
Posted in: Disc Reviews by Michael Durr on January 18th, 2024
Sequels are a funny thing. Most of the time in modern Hollywood, they come within a breath of the first film, usually after a large box office in order to capitalize on its earnings. Sometimes, they can take years, even decades to make. Blade Runner: 2049 came out in 2017, 35 years after the original film. In addition, many times when a sequel takes so long to materialize, the intended audience has flown the coop, and it has dismal results. See Basic Instinct 2 or The Two Jakes. Other times, it inspires new waves of fans to flock to the theaters, such as Tron: Legacy or The Incredibles 2. Today, we are taking a look at Ernest & Celestine: A Trip to Gibberitia, a sequel to the original Ernest & Celestine movie which was nominated for an Academy Award and took home many other film awards. It's been a decade since the original film; can the sequel keep the spirit of the original and produce a quality film? I'm happy to say, yes, it certainly did. Let's take a look.
Since the film does not provide a quick recap from the original, I'll go ahead and provide this. Ernest and Celestine had each won their freedom from their respective imprisonment. Their only wish was to live together as best friends and have exciting adventures ... after Ernest gets some sleep.
