Posted in: Disc Reviews by Archive Authors on November 15th, 2023
By JC.
Cinematically speaking, the name Eli Roth has been synonymous with murder and mayhem. The director is best known for his work in the horror genre, bursting on the scene with 2002’s Cabin Fever and upping the ante with Hostel and Hostel: Part II a few years later. So it was a bit surprising to hear he’d be taking on a remake of Death Wish — the iconic 1974 Charles Bronson revenge flick — until I started thinking about the bloody possibilities. If the Hostel films gained notoriety as prime examples of “torture porn”, then it seems like Roth has graduated to “revenge porn” with this slick and (intentionally) silly re-imagining.
Posted in: Disc Reviews by Gino Sassani on November 14th, 2023
"Streaming services make everything suck."
South Park still hasn't completely recovered from the COVID-era issues. There still has not been a complete 10-episode season, and the slack is still being taken up by specials. Not sure if that's a good thing or not, but at least it's kept us in Cartman and the gang even as other shows have closed down. The longer form also gives Parker and Stone a chance to really let an idea play out. I think they have tended to run out of gas somewhere in the back half of the second part. When you think about it, you're really looking at four episodes in length, and Parker and Stone have a pretty spotty record when they've tried to run an idea for that long. The Streaming Wars Specials suffer from just that affliction, but that doesn't mean there's not a ton of clever South Park to be had here.
Posted in: Disc Reviews by Michael Durr on November 7th, 2023
Hopefully, most of you reading this review enjoyed my breakdown of the 1st part in this series. I honestly haven't been this vested in a two part series since Batman's Long Halloween. That one had the added sting that we had to wait a full year until we got the complete 4K version. At least in the case of Justice League and RWBY, we get the full 4K splendor from the get-go. However, as I alluded to in the first review, there was certainly room for improvement. We shall see if the creators can correct those issues now that the series shifts into the Justice League's world. Let's take a look.
Last time on Justice League X RWBY, the Justice League and RWBY teams had fought off Kilg%re and his army of superhuman Grimm. It was actually revealed that Remnant was nothing more than a simulation to eradicate the two teams, and it nearly succeeded on that front. A portal was then opened up, which returned Justice League back to Earth and RWBY back to the real Remnant. However, just because both teams are returning back to their home doesn't mean that everything is fixed the way it should be.
Posted in: Disc Reviews by Michael Durr on November 7th, 2023
Hopefully, most of you reading this review enjoyed my breakdown of the 1st part in this series. I honestly haven't been this vested in a two part series since Batman's Long Halloween. That one had the added sting that we had to wait a full year until we got the complete 4K version. At least in the case of Justice League and RWBY, we get the full 4K splendor from the get-go. However, as I alluded to in the first review, there was certainly room for improvement. We shall see if the creators can correct those issues now that the series shifts into the Justice League's world. Let's take a look.
Last time on Justice League X RWBY, the Justice League and RWBY teams had fought off Kilg%re and his army of superhuman Grimm. It was actually revealed that Remnant was nothing more than a simulation to eradicate the two teams, and it nearly succeeded on that front. A portal was then opened up, which returned Justice League back to Earth and RWBY back to the real Remnant. However, just because both teams are returning back to their home doesn't mean that everything is fixed the way it should be.
Posted in: Disc Reviews by Gino Sassani on November 7th, 2023
"It's called the Impossible Mission Force for a reason."
I imagine this is how it happened. It's January of 2019, and Tom Cruise has just popped into the bathroom to shave. He opens up that can of Barbasol just to make sure there isn't any dinosaur DNA left in the can, but as he takes off the cap, an authoritative voice begins to speak: “Good morning, Mr. Cruise. Your mission, should you decide to accept it, is to make a two part film of the Mission Impossible franchise. It won't be easy. That's why only the IMF team can be counted on to complete this task. There are agents out to stop you before you even get started. In China there is a virus code-name COVID, and this virus will spread to pandemic levels just as you're starting to get your production crew together. Elements within our own government will take measures to shut you down. Delays will cost an extra $100 million and necessitate crucial cast changes. They'll be serious injuries, and your release date will be July of 2021 ... I mean November of 2021 ... Would you believe May of 2022? ... Let's shoot for July 14, 2023. You will have to deal with nefarious crew members who will attempt to sabotage the project by standing closer than two meters apart. You may use over-the-top rants to attempt to intimidate these factions into compliance. Beware that said rants don't end up released by the press to the world. Somehow through all of these challenges you must create a Mission Impossible film that will be bigger and better than anything that came before. And remember, Tom, if your film fails to bring in a billion or more, the studio will disavow your team, and your movie will go straight to streaming ... or worse, get shelved as a tax write-off. Good luck, Tom. This message will self-destruct in 10 seconds.” There's a swoosh of fog, and Tom Cruise is sitting in his bathroom with no shaving cream to complete his original task. I figure that's how it must have gone.
Posted in: Disc Reviews by Gino Sassani on November 3rd, 2023
"Batman's a fascist!"
Let's address the elephant in the room, shall we? Hello there, big guy. How ya doing? There now, let's continue. I have to tell you, it was hard to get motivated to watch Blue Beetle. I didn't want to like it, and I wanted to try to watch it without letting myself get too involved in the whole thing. This had nothing to do with the character. I know little about him and have only read a few comics featuring the character, mostly the Ted Kord character along with his buddy Booster Gold. But none of this had anything to do with my reluctance on the part of the film. It's Warner Brothers/DC and James Gunn. All we've been hearing lately is how this new regime is going to change EVERYTHING. It all starts with the upcoming Superman film, and everything we see before then is merely filler, I guess. Yes, the Snyderverse had a ton of issues, and I'm frankly glad to see it go away. But the franchise had some solid moments and pretty strong characters and actors starting with Gal Gadot as a powerfully compelling Wonder Woman. Yeah, the second movie sucked, but that had nothing to do with the actress or the character. I should be looking forward to Jason Momoa in the next Aquaman film. I'm currently watching old Stargate: Atlantis episodes and just can't believe how far the actor has come. And I guess the final straw was the dismissal of Henry Cavill as Superman. He's the best Superman since Christopher Reeve, and Gunn is throwing the baby out with all of that bath water. So why should I care about anything Blue Beetle has to offer? Yes, he hinted the character will likely return and even with the same actor, but none of this story will likely make it to the other side. I ask again, why should I care about anything Blue Beetle has to offer? The short answer is because there's actually a lot of heart here, and I now kind of feel bad for all of these guys. So let's just pretend that Gunn isn't even here, and try to enjoy a pretty good film just for what it is.
Posted in: No Huddle Reviews by Michael Durr on October 30th, 2023
Death is unfortunately something that comes to us all. It's not something we can prevent, even if we do all that is necessary to prolong it. In the same breath, we can control to some degree what we can pass on to our family and loved ones, whether it be our spouse, children, both, or perhaps none at all. Whether it be wealth, property, movie collection (son, you have no idea), or perhaps some sentimental trinkets, a simple will and responsible caretaker should be all you need in order to pass it on. However, responsibility can sometimes be fleeting. Today, we look at a movie called Cracked, where pieces of art are passed down from a father to a daughter with frightening results. Let's take a look.
New York: a monorail train speeds by in the big city. Ruja (played by Chayanit Chansangavej) is in her apartment with her daughter, Rachel (played by Nutthatcha Padovan). Rachel is asleep, and Ruja is on the phone with an unknown party. The mother is asking for money that she desperately needs. At one point, the person on the phone obviously refuses, and we are also now aware that Rachel needs eye surgery, or else she will go blind. The conversation ends with a click, and the phone goes dead. Nearby, it appears that the daughter is awake and listening. She asks her mother if she really is going to go blind. Through the blurry child's eyes, the two embrace as the mother comforts her and tells her everything is going to be OK.
Posted in: Disc Reviews by Jeremy Butler on October 26th, 2023
“Since the beginning of time, since the first little girl ever existed, there have been dolls. But the dolls were always and forever baby dolls, until ...”
Let me preface this by saying that I am in no way the target audience for this film. That said, this film is in no way for the target audience that you may imagine it is for. Initially, I suspected the film was intended for the age bracket that actually plays with Barbies. However, after watching, I’d have to argue that the themes of the film are geared more towards the young adult / early adulthood crowd. Bearing all that in mind, it should go without saying that Barbie was a film that I endured rather than enjoyed until one key moment which I will describe later. To my mind the film was an amalgamation of films that came before it. And while I appreciate the film’s diversity in encompassing a wide range of actors to represent variations of the Barbie and Ken characters, at times it felt as though the film’s agenda was literally punching me in the face.
Posted in: No Huddle Reviews by Michael Durr on October 23rd, 2023
Full disclaimer: I tend to watch probably too much true crime television. I've watched about every episode of Homicide Hunter (Joe Kenda), Forensic Files, and plenty of other detective shows based on real cases. I find them fascinating, and my wife would seriously like to know what else is on our television. As a result, I tend to also gravitate towards real cases depicted in movies and documentaries as well. Today's film, The Night of the 12th, deals with a real case based in France. However, this one has a hook. Whereas almost every case that we tend to see on television is solved and the murderer goes away to jail, this one has a very different ending. Let's take a look and see if we can still enjoy this experience.
Yohan Vives (played by Bastien Bouillon) is cycling around a track alone lap after lap. Since he is doing this at night, he can zone in on his thoughts as his body continues to wrap around the circle of movement.
Posted in: Disc Reviews by Brent Lorentson on October 19th, 2023
“Where the hell did you come from?”
When you consider just how many films have been made about Bram Stoker’s novel Dracula, I’m surprised it has taken this long to get a film like The Last Voyage of the Demeter. I’m not a huge fan of the novel, but the chapter that centers around Dracula’s voyage from Carpathia to London is a section that I always enjoyed. It’s a chapter told through journal entries from the captain of the ship and how the crew is killed one by one by a mysterious menace aboard the ship. In the movies that have come before, this moment of the film is usually mentioned as an afterthought or simply gets a couple of minutes of screen time. So is this the fresh take on the beloved horror icon that cinema goers have been waiting for, or is this just a lame attempt to revive the vampire genre?
