Posted in: Disc Reviews by Gino Sassani on May 23rd, 2002
Synopsis
Jeffrey Beaumont (Kyle MacLachlan), is on his way home from visiting his father at the hospital when he finds a human ear. He turns the ear over to the police, but the mystery eats at him, and, with the help of a detective's daughter (Laura Dern), he begins his own investigation. Very quickly, he gets in over his head, becoming involved with the masochistic Isabella Rossellini, and her deeply disturbed, deeply sadistic boyfriend, Dennis Hopper (in his most terrifying role).
Posted in: Disc Reviews by Gino Sassani on May 16th, 2002
“Among the rugged peaks that frown upon the Borgo Pass are found crumbling castles of a bygone age.” Carla Laemmle read these the first words ever spoken in a horror film that featured sound in the opening moments of Dracula. The film was based more on the Broadway play version of Dracula than the famous Bram Stoker novel. Who better to play the Count than the young Hungarian actor who immortalized him on the stage, Bela Lugosi? Lugosi brought more immortality to Dracula than the blood of his victims. Even today over 70 years later the flowing cape, the hypnotic gaze, and the accented “Good Evening” of Lugosi is the image most of us draw upon when we think of Dracula specifically or vampires in general. Tod Browning’s ingenious use of lighting combined with the maniacal laugh of Dwight Frye’s Renfield still manage to be effective.
Synopsis
Posted in: Disc Reviews by Gino Sassani on May 12th, 2002
Synopsis
1941. Field Marshal Rommel's forces are sweeping across Africa. The only thing blocking him from the Suez Canal is Tobruk. The British and Australian forces are hopelessly outmanned and outgunned, but their orders are to hold out, and hold out they will. Richard Burton is placed in charge of a battalion of green Australians. Though his toughness doesn't endear him to his him, Burton nevertheless whips them into combat and commando troops.
Posted in: Disc Reviews by Archive Authors on September 17th, 2001
Intro
“If you have a taste for terror, you have a date with CARRIE.” So intones the original theatrical trailer for 1976’s “Carrie,” Brian de Palma’s cinematic adaptation of Stephen King’s identically named novel. This is a revenge story: Carrie is a high school student (at “Bates High” – yes this did come out after Psycho) who is tormented by her peers for her lack of physical prowess, weird family, homeliness, et cetera. Her contemporaries mysteriously overlook that fact that she is telekinetic and can...randomly set things on fire with a mere thought; thinking back to high school, I think that these two characteristics would have made her quite popular regardless of her volleyball ability. At any rate, the climax of the movie sees Carrie go ballistic and get her revenge on an uncaring high school populace and staff.
