Disc Type

"You mean to say you don't miss this?"

Season 20 brings us to several milestones in the NCIS run. It has now become the longest running procedural in CBS history. It lags behind only the Law & Order franchise in sheer number of episodes. This season gets us to and beyond the 450th. This is also the first complete season that does not include the man who pretty much started it all. Yes, Mark Harmon has left the building, and Leroy Gibbs does not appear at all in this 20th season. Mark Harmon does indeed remain one of the show's executive producers, but to what extent he is actually still involved I can't speak to. I can tell you that he doesn't show up on any of the production features, nor is he mentioned for any particular contribution or involvement. So this must have been a scary season for the cast and crew of NCIS. I'm not sure how they felt going into the year, but I suspect they were feeling pretty good for themselves and the show by the time it was over. After 20 years of being in production, after 450 stories having been told, somehow the show continues to get better with every year. Don't ask me how they do it. All I can tell you is that you can catch the entire season on DVD with CBS Home Entertainment's release of NCIS The Complete 20th Season on DVD.

“Don’t expect too many mistakes from this man. After all, he does seem rather more interesting than just another reader researcher. For example; has he gone into business for himself? Was he turned around? Does someone operate him? Is he homosexual? Broke? Vulnerable? Could he be a soldier of fortune? Did he arrange the hit? Is that why he’s still in flight? Still, he may be innocent. But why didn’t he come in gently?”

Sydney Pollack might have been channeling the essence of Alfred Hitchcock when he directed 3 Days Of The Condor. It’s hard not to see the similarities to some of Hitch’s work. But he might also have been having a bit of precognition at the same time. The later novels and films about Jason Bourne bear a striking resemblance to this 1975 thriller. Whatever connection Pollack might have been making, he managed to direct a film that was timeless while being very much a product of its time. We are reminded of that long-gone era of the 1970’s with generous shots of the just-built World Trade Center towers. Ads and shots of Eastern Airlines planes bring back some memories. These images securely place the action in a specific time. Still, it works maybe even more today than it did in 1975.

"This is The Batman we're talkin' about here."

In 1992 Batman: The Animated Series hit television sets all over the country. It was perhaps the biggest comeback for the Dark Knight since Adam West went camp with the cowl in the 1960's. Yes, the Tim Burton film and its sequels went a long way to bringing the bat back into the popular culture, but the series is what took the fans by storm. Kevin Conroy became, for many, the definitive Batman when he was hired to voice the series, and Mark Hamill finally got out of the shadow of Luke Skywalker with his voice rendition of the Joker. The show was a hit, and around the early years it was decided to do a direct-to-video movie called Batman: Mask Of The Phantasm. Somewhere in the production Warner Brothers had a change of heart. They decided to roll the dice on a theatrical release of the animated feature, likely assuming the series fans would flock to their multiplexes in droves. That didn't happen, and the film lost money even on a modest budget. But in video release it did become a hit. The studio didn't understand that the generation that loved the show would appreciate it more in that setting. It also doesn't help that the mid-production change meant changes to aspect ratios and other animation work that had already begun production. The end might have been a mess at the box office, but it's a solid film that now enjoys a modest upgrade to UHD/4K. The results are admittedly mixed.

“Space … the final frontier. These are the voyages of the starship Enterprise. Its continuing mission, to explore strange new worlds. To seek out new life and new civilizations. To boldly go where no one has gone before.”

Nearly 20 years after the original Star Trek left the network airwaves, Gene Roddenberry set out to discover whether he could catch lightning in a bottle once again. Some say he did an even better job with Star Trek: The Next Generation. There are times I tend to agree. The Star Trek sequel series had a lot more advantages from the moment it was conceived. Star Trek, a series that barely registered on the ratings during its three-year primetime voyage, became a huge sensation in syndication. By the time The Next Generation came on the scene, the original show had been syndicated in over 20 different languages all over the world. It had launched an animated series, and a fifth feature film was already in the early stages of consideration. So it isn’t quite fair to judge the success or quality of The Next Generation over the original series. One thing is inarguable. The second would never have existed if not for the first.

How does a Hallmark resolve a fallout with the actress who is the star of their most popular movie mystery series? Reboot the series the character’s early years and cast a younger actress, it would seem. Candace Cameron Bure’s departure from Hallmark and partnership with its competitor Great American Family was quite the shakeup for the network, and it seems that it was merely the beginning for an even bigger shakeup, as Hallmark witnessed a mass exodus of their talent pool and the cancellation of some of its popular mystery movie series. However, as the name of this would suggest, the network clearly suggests that they are ready for something new. The issue with that is that this reboot in my opinion I highly doubt is going to help them achieve that goal. I’ll give them points for wanting to break new ground. However, I question if rebooting the series is truly breaking new ground or praying that lightning strikes twice. Love her or hate her, the Candace Cameron Bure-led series was without a doubt the network’s biggest moneymaker, so I can understand the desire to keep a good thing going. That being said, I have doubts about Skylar Samuels filling those enormous shoes.

Let me preface this by saying my knowledge of the series is extremely limited. While I’ve always had some familiarity with of the series and its popularity, it was not exactly my cup of tea. It always just seemed a bit too unorthodox. To my recollection, Aurora, or Roe as she’s called by her friends, is a librarian, so her involvement in murders just always seemed strange. To be fair, most of Hallmark’s mysteries tend to follow this formula of people with no reason to be solving crimes, solving crimes. Even so, it was a bit difficult to wrap my head around. Learning that the franchise is based off a series of Charlaine Harris novels aided in the acceptance of this premise.

"Do you give people hope? Are you moving through your city like a guardian angel? Do you make a difference? That bolt of lightning chose you. Don't ever forget it."

There's one thing about being the fastest man alive. You get to the end faster than anyone else ... the finish line, if you will. But not so for Barry Allen, best known in the world of comic books as The Flash. When Arrow debuted back in 2012, no one could have foreseen where it was all going to lead. Greg Berlanti and a few others had created what we all thought was just another comic book hero television show. The Green Arrow wasn't one of the better known heroes, but he was part of the Justice League for many years, and he had a rather interesting origin story that could be told over the longer form of a television series. But it didn't end there. Within a couple of years we had Supergirl, Batwoman, The Legends Of Tomorrow, and, of course The Flash. All of these shows became quickly interconnected, and within another couple of years we all looked forward to a huge crossover event that would involve the casts and crew of all of these shows. These events usually involved some kind of a "crisis" and spread the story out over the various shows themselves. Now Arrow has ended, and the other shows are all gone as well. The Flash was the last hero standing, and that's as it should be, because it was also the best of the shows. Still, all good things come to an end, and after nine seasons, Barry Allen and Team Flash are finally coming to an end. But how can you do something epic when you're the last show standing? You do a crossover all within the confines of your own show and say goodbye with a bang. The final season of The Flash has certainly done that and more. Warner Brothers is now bringing it to a close by releasing the final season of The Flash on Blu-ray, and it's the last one you're going to get, so make sure you savor it a bit. I did.

“You might have saved my life, but you ruined my career, buddy.”

If I’m being honest, it was really difficult not to view this as a parody of buddy cops movies. I know that wasn’t its intention, but if I could make a recommendation; rebranding it as such would bolster its credibility. Between the helicopter vs. airplane shootout, and the dogged, always-get-your-man main character sitting in his empty apartment eating raw steak, I’m not sure how I was supposed to take this film seriously as a buddy-cop film. That said, the film is not without its charms or entertaining moments. I’d even be willing to go as far as to suggest that it worthy of whatever cult status that it has managed to achieve. It may have even became a blueprint for future buddy cop films, or at least a rough outline for them, had it not for another, more popular and realistic buddy cop film that also came out that year. Robert Carradine’s Nick Barzack may have been unpredictable, but Mel Gibson’s Martin Riggs was crazy! Carradine never stood a chance.

Korean horror has picked up in the last twenty years tenfold.  From films like Bedevilled and Thirst, they took on the revenge and vampire themes that a lot of classic horror films are built upon.  But honestly, I've been most impressed with films like The Wailing and Train to Busan.  The latter bred new life into the very tired zombie genre and made a darn watchable film, while The Wailing knew exactly what buttons to push when it comes to religion but then used that to make an interesting and thought-provoking film.  That's why when I saw that we had a copy of Seire, I knew I had to review it, even though I probably would be too scared to write about it for a few days.  I'm so glad I did.

According to the legend of samchil-il, 21 days after childbirth, the baby is vulnerable to bad luck, curses, and evil spirits.  One of the most popular of the methods to keep out those spirits is to wrap the home with rope to keep outsiders out.  No taboo is to be broken no matter how difficult it may be.  For if you do, then you will suffer a horrible fate.

"If we're going to do this, there's a lot I'm going to have to explain to you."

Been waiting on this one for some time, ever since we were introduced to the character in the Justice League movie and it was announced that the film would cover the Flashpoint Paradox storyline, which is one of my favorite comic storylines. My enthusiasm was tempered a bit with the film being delayed and the actor’s subsequent troubles (for the purposes of staying on the topic at hand, that will be my only mention of that situation). However, it is finally here, and after viewing it I can say that it was well done and well received. It is also a bit bittersweet, as it signifies the conclusion of the DCEU as we know it. While I have complete confidence that the future of DC is safe in James Gunn’s hands, it is difficult to say farewell to the only thing that we’ve known since Cavill first donned the suit. Back on topic: in my opinion, while this adaptation does have some slight deviations from the source material, I can confidently say that the film does the source material justice (pun intended).

I probably could be called a lot of things, some kind and some not so kind.  But the one thing that probably most people would say about me is that I'm loyal.  Loyal to my job, loyal to my wife, loyal to my son.  However, in my life, I have certainly felt the pain of disloyalty, even to the point of infidelity.  Despite what people might say or think, you never quite expect it, and furthermore one can't predict how you might feel or act given the situation.  Today's movie Three into Two Won't Go explores the idea of what happens when a man cheats on his wife with another woman.  However, this woman stays around long after the fact and continues to press into his everyday life until it becomes unbearable.  Let's take a look.

Steve Howard (played by Rod Steiger) is driving down the road listening to some bumpy and festive music while the credits roll.  He's finger-waving and whistling and generally having a good time.  All of a sudden, he sees a 19-year-old girl named Ella Patterson (played by Judy Geeson) hitchhiking on the side of the road.  He stops the car, and honks for her to walk to the car.  She stands her ground, and eventually Steve backs up and lets her inside.