Disc Type

“Since the beginning of time, since the first little girl ever existed, there have been dolls. But the dolls were always and forever baby dolls, until ...” 

Let me preface this by saying that I am in no way the target audience for this film. That said, this film is in no way for the target audience that you may imagine it is for. Initially, I suspected the film was intended for the age bracket that actually plays with Barbies. However, after watching, I’d have to argue that the themes of the film are geared more towards the young adult / early adulthood crowd. Bearing all that in mind, it should go without saying that Barbie was a film that I endured rather than enjoyed until one key moment which I will describe later. To my mind the film was an amalgamation of films that came before it. And while I appreciate the film’s diversity in encompassing a wide range of actors to represent variations of the Barbie and Ken characters, at times it felt as though the film’s agenda was literally punching me in the face.

Full disclaimer: I tend to watch probably too much true crime television.  I've watched about every episode of Homicide Hunter (Joe Kenda), Forensic Files, and plenty of other detective shows based on real cases.  I find them fascinating, and my wife would seriously like to know what else is on our television. As a result, I tend to also gravitate towards real cases depicted in movies and documentaries as well.  Today's film, The Night of the 12th, deals with a real case based in France.  However, this one has a hook.  Whereas almost every case that we tend to see on television is solved and the murderer goes away to jail, this one has a very different ending.  Let's take a look and see if we can still enjoy this experience.

“Where the hell did you come from?”

When you consider just how many films have been made about Bram Stoker’s novel Dracula, I’m surprised it has taken this long to get a film like The Last Voyage of the Demeter. I’m not a huge fan of the novel, but the chapter that centers around Dracula’s voyage from Carpathia to London is a section that I always enjoyed. It’s a chapter told through journal entries from the captain of the ship and how the crew is killed one by one by a mysterious menace aboard the ship. In the movies that have come before, this moment of the film is usually mentioned as an afterthought or simply gets a couple of minutes of screen time. So is this the fresh take on the beloved horror icon that cinema goers have been waiting for, or is this just a lame attempt to revive the vampire genre?

"How much do you know about the family business?"

Well, for over 20 years, the family business over at CBS has been the NCIS franchise, and another decade longer if you consider it was a spin-off of JAG, which lasted 10 years on its own. It's been a busy 20 years, I can tell you that. About seven years into the original show's run, we got our first NCIS spin-off with NCIS: Los Angeles. That show focused more on action and a lot of explosions. The show just finished its final year after 14 seasons. Then there was NCIS: New Orleans that brought the focus to the unique culture and tastes of The Big Easy. It lasted seven years, and there's an upcoming NCIS: Sydney which is about to take us down under to grab that shrimp on the barbie. Things continue to expand, and now we have NCIS: Hawai'i, which expands the franchise and solves a situation at CBS. For decades they have kept a Hawaiian studio on the islands.

In 1995, I remember very vividly going to see Mortal Kombat on the big screen during my summer off from college (when very often I had nothing else to do).  I was instantly wowed by all of the characters that I had played with in the first two video games and seeing them brought to screen.  The music was absolutely fantastic (and still one of the best soundtracks I have ever heard).  However, what I have carried with me most from that experience is my utter love of one character.  Johnny Cage.  Fast forward nearly thirty years, and we finally have a film where he is the main character and no longer some sort of side gag by all those involved.  Let's go to the Cage Match!  Join me, won't you?

It's a genuinely rewarding experience when you find a new director that you find intriguing.  Mostly because as the consumer, it's then a research project to find everything that person has ever done and then dissect which films you can go find to watch immediately.  When I watched Wheel of Fortune and Fantasy, I had that experience instantly.  I wanted to see more of Rysuke Hamaguchi's films.  So I bought a Criterion Blu-ray copy of Drive My Car back in July.  Shortly after that, I saw that his student film, Passion, was going to be released by Film Movement on Blu-ray, and I was eager to get a copy.  Luckily, I didn't have to wait too long, because the opportunity to review presented itself even before the release date.  Let's dive into this film and see the early workings of a true master of the conversation.

"Jack, we have done our jobs and done them well. This fight was passed down to us and will continue with or without us. But we will always be better than the institutions we serve, and that is what matters when it matters most. There are no heroes in our profession. But occasionally there are good men. Men who act on what is right, not simply doing what they are told to do. I have not always lived my life with honor. But perhaps I have done enough to die with it. I hope the same for you." 

Witness the birth of -- actually make that rebirth of --one of the most popular action heroes in literature. Tom Clancy’s Jack Ryan has been a character of many jobs and many faces over the years. Baldwin, Ford, Pine, and Affleck have all stepped into the role of the man who has been a soldier, an analyst, an operative, and a president. What might appear as a clear advantage for this Amazon Prime streaming television show can be just as much a liability. When you throw in the Tom Clancy novels, comic books, and fan fiction, there is a ton of Jack Ryan history that pretty much gives us a story arc from his humble beginnings to extraordinary exploits

"I met him fifteen years ago. I was told there was nothing left. No reason, no conscience, no understanding, even the most rudimentary sense of life or death, good or evil, right or wrong. I met this six-year-old child, with this blank, pale, emotionless face and the blackest eyes ... the devil's eyes. I spent eight years trying to reach him, and then another seven trying to keep him locked up because I realized that what was living behind that boy's eyes was purely and simply ... evil."

Blumhouse and David Gordon Green recently finished a sequel/reboot of John Carpenter's Halloween with mixed results. He got Jamie Lee Curtis to return for all three films in the trilogy. Most of the various sequels and reboots did not include the original film's star, but Green was not the first one to get her to return to the role of Laurie Strode.

"My Mamma told me to pick the right one."

In 1982, Cheers first broke on the network sitcom circuit. It was a small Boston bar owned by a has-been baseball player living on the glory years he didn't really have. It was the bar where everyone knows your name. Behind the bar there was Woody. Woody was pretty much a kid who looked up to the owner in an almost hero-like way. He was naive and was easily and often taken for a rube. But he was kind, and no matter how out of it he might be, there wasn't an evil bone in that character's body. It was all an act. Of course, it was a television show where Woody was played by Woody Harrelson.

Paul Schrader is one of my cinematic heroes and despite his numerous accolades I feel he’s one of the most underappreciated artists to work in film. He has a way of capturing the underbelly of society through his writing and visuals that very few can equal. When he and Martin Scorsese worked together on Taxi Driver that was such a perfect pairing, it’s Schrader’s best screenplay he’s ever produced, and I know this is a controversial take but I feel it’s also Scorsese’s best film. Hardcore would be the second film that Schrader would go on to direct, eventually he’d end up with 27 directing credits, but Hardcore for me is his standout film where he worked as both writer and director. This film isn’t for everyone and despite it being released in 1979 the subject matter remains provocative but for those willing to take a walk into some seedy areas this is film that will take you for a ride you won’t soon forget.