Posted in: No Huddle Reviews by Gino Sassani on October 17th, 2025
"I like it when people underestimate me. It gives me an edge."
Much like the current thinking about our universe, it all started with The Big Bang Theory. The breakout character there was Sheldon Cooper, played by Jim Parsons. For 279 episodes, television fans just couldn't get enough. That was until Parsons asked for a huge boatload of cash and the show ended. The character was not finished. A spin-off called Young Sheldon debuted with Ian Armitage starring as a very young Sheldon, as the name implies. It's pretty much an origin story. Parsons returned, but only to provide the show's narration in a The Wonder Years kind of presentation. But it would add another 140 episodes to the story. In Young Sheldon we also were introduced to his family growing up. One of those family members was his older brother Georgie, played by Montana Jordan. He was very much the polar opposite of Sheldon. He wasn't very bright, but had a bit more of what you might call street smarts, and his character's charm would win over the show's audience. So now the Sheldon story continues, without Sheldon, in the first season of Georgie & Mandy's First Marriage, now out on DVD from Warner Brothers.
Posted in: Disc Reviews by Gino Sassani on October 16th, 2025
"Good evening, Ethan. This is your president. Since you won't reply to anyone else, I thought I'd reach out directly. First, I want to thank you for a lifetime of devoted and unrelenting service; were it not for the tireless dedication of you and your team, the Earth would be a very different place. It might not even be here at all. Every risk you've taken, every comrade you've lost in the field, every personal sacrifice you made, has brought this world another sunrise. It's been 35 years since circumstances brought you to us and you were given the choice -- since the IMF saved you from a life in prison. And though you never followed orders, you never let us down. You were always the best of men in the worst of times. I need you to be that man now."
I imagine this is how it happened. It's January of 2019, and Tom Cruise has just popped into the bathroom to shave. He opens up that can of Barbasol just to make sure there isn't any dinosaur DNA left in the can, but as he takes off the cap, an authoritative voice begins to speak: “Good morning, Mr. Cruise. Your mission, should you decide to accept it, is to make a two-part film of the Mission Impossible franchise. It won't be easy. That's why only the IMF team can be counted on to complete this task. There are agents out to stop you before you even get started. In China there is a virus code-name COVID, and this virus will spread to pandemic levels just as you're starting to get your production crew together. Elements within our own government will take measures to shut you down. Delays will cost an extra $100 million and necessitate crucial cast changes. They'll be serious injuries, and your release date will be July of 2021 ... I mean November of 2021 ... Would you believe May of 2022? ... Let's shoot for July 14, 2023. You will have to deal with nefarious crew members who will attempt to sabotage the project by standing closer than two meters apart. You may use over-the-top rants to attempt to intimidate these factions into compliance. Beware that said rants don't end up released by the press to the world. Somehow through all of these challenges you must create a pair of Mission Impossible films that will be bigger and better than anything that came before. And remember, Tom, if your film fails to bring in a billion or more, the studio will disavow your team, and your movie will go straight to streaming ... or worse, get shelved as a tax write-off. Good luck, Tom. This message will self-destruct in five seconds.” There's a swoosh of fog, and Tom Cruise is sitting in his bathroom with no shaving cream to complete his original task. I figure that's how it must have gone. And that was just for the first movie.
Posted in: Disc Reviews by Gino Sassani on October 15th, 2025
"One … two … Freddy’s coming for you, three … four … better lock the door, five … six … grab your crucifix ..."
Freddy might have been born in the mind of Wes Craven, but he grew and developed in the knife-wielding hands of Robert Englund. Granted, not all of these films are equal in quality, but the first was everything you could ask for in a horror/slasher film of the era. Freddy himself is by far the most colorful and animated of the slashers. His burned face, fedora, striped sweater, and knife-blade glove were all integral parts of the wise-cracking maniac. Now Warner Brothers has released the original seven films on UHD Blu-ray in Ultra High Definition. It's a dream come true ... well ... at least a nightmare come true.
Posted in: No Huddle Reviews by Gino Sassani on October 15th, 2025
"It wasn't a dream; at least that's what I believe. The thing is I felt hurt and plenty sad, and there were times when I thought I couldn't go on. But I know I'm not the only one suffering. I want to protect everyone's future. I need to keep pushing forward. I feel that more every day."
Ultraman is a huge part of Japanese culture and pretty much has been since the original live-action show in 1966. Perhaps Godzilla started the ball rolling, but Ultraman brought us these monsters on a regular basis. In Japan, Ultraman is like our Superman. He’s an iconic hero and a huge part of the pop culture. Since the 60’s he has appeared in many forms, most of them animated. But it is this 1966 series that made a ton of us kids fall in love with him and an entire genre. Yes, there were many from the era: Space Giants featured a giant fighting robot who fought monsters and sometimes converted into a spaceship (yes, before transformers were ever thought of); Johnny Socko had his giant robot; and the list goes on. But it was Ultraman who started it. Eiji Tsuburaya, who created the original Godzilla, formed a new company outside of Toho Pictures. Ultraman was pretty much the first thing out of the new shop.
Posted in: No Huddle Reviews by Gino Sassani on October 7th, 2025
"There are no industry secrets. We can always meet our life partner out in the wild or swiping on apps, but the happy ending to a first date is not the second date. It's changing each other's diapers and burying each other. You're looking for a nursing home partner and a grave buddy. Who our partner is, it determines our whole life and how we live not for one, two, ten years, but forever."
Celine Song delivers her second feature film from the director's chair. She returns to basically the same themes of a woman trying to decide her romantic destiny between two men, but this isn't the same film as Past Lives. Materialists is a much more serious film, while still playing in the same gene pool as the rom-com. I don't think you'll find yourself laughing in this one, and it's a rather clever way of presenting those same themes and ideas. In Materialists, we're introduced to romance being distilled down to a mathematical equation. I expect that's not very clever, as computerized dating has been around since the 70's, but Song attempts to put more of a human element into those equations. It's AI without the AI. Marvel fans will appreciate that the three leads here are Chris Evans (Captain America), Pedro Pascal (Reed Richards/Mr. Fantastic) and Dakota Johnson (Madam Web). It wasn't likely intentional, but if it was, it wasn't a terrible idea."One day, for no reason in particular, you two will start to hate each other. You'll resent each other, you'll take each other for granted. You'll stop having sex, somehow manage to make a couple of kids. And then you'll get sick of each other, and one of you will cheat on the other. And then you'll fight. At first, not in front of the kids, but then in front of the kids. And then you resent the kids for seeing you fight. And then you file for divorce, and you fight about who owns what and who gets the kids when until it's all over."
Posted in: No Huddle Reviews by Gino Sassani on October 1st, 2025
“Since 1970 a rogue group known as UFO Sweden has been investigating unexplained phenomena. This story is inspired by that determination to answer humanity’s ultimate question: Are we alone?”
Posted in: No Huddle Reviews by Jeremy Butler on October 1st, 2025
So, I don’t want to make this film out to be more than it was intended to be, a movie intended to capitalize on the nostalgia of Pitch Perfect fans by bringing together three of its stars (Rebel Wison and Anna Camp of the original trilogy, as well as Gigi Zumbado appeared in Pitch Perfect 2) in what amounted to a lackluster comedy. In addition, the film was to capitalize on residual popularity of Rebel Wilson, who won over so many with her quick wit and unique brand of humor. However, the film came off as more of a mash-up of already-seen Rebel Wilson movies, specifically Bridesmaids and The Hustle. And while I commend Rebel Wilson’s nunchuck skills as well as most of her own stunts in the film and her commitment to filming despite getting injured on the final day of filming, this wasn’t a movie that really did it for me. There wasn’t enough originality to keep my interest. The plot essentially felt like a rehash of another average wedding flick that shotgunned a hostage situation. Even with the addition of Justin Hartley and Stephen Dorff, this film felt like more like a direct-to-streaming movie than a theatrical release.
Wilson stars as Sam, a secret agent whose job begins to impede her maid of honor duties, much to the chagrin of her best friend, Betsy (Camp), who, as expected, is unaware of Sam’s job. When Sam’s latest assignment prompts her disappearance from the party, this leads Betsy to drunkenly name her fiancé's sister Virginia as maid of honor instead. Ostracized from the bridal party, Sam's attempt to comfort Betsy backfires, and she slips away after Betsy suggests they have grown apart as friends. Things come to a head at the wedding when a mercenary group crashes the party and takes the guests hostage. Sam must jeopardize her cover in order to take down the mercenaries and keep her friends safe.
Posted in: No Huddle Reviews by Jeremy Butler on October 1st, 2025
This episode collection was all right with me, but in the eyes of my son, it could do no wrong, and as he is the one actually in the age demographic, this will be the one time where I defer to the opinion of a three-year-old. In this ten-episode collection, Marshall takes charge and leads the pups from everything from a blaze at a lemonade stand to saving a lost penguin. This disc marks the first time that my son has willingly sat through the watching of something from start to finish. It’s not all that surprising, as he was a fan of the series before this disc, but I still found it significant, because he does remain selective about which episodes he watches. Fortunately, Marshall is among his favorite of the crew, especially now that Rubble is off doing his own thing. Luckily, Rubble also featured in this episode collection, so my son got the best of both worlds.
For those not in the know, though I suspect that is very few, Paw Patrol is a Canadian animated series that focuses on a young boy named Ryder who leads a crew of search and rescue dogs that work together on missions to protect the shoreside community of Adventure Bay and surrounding areas. Each dog has a specific set of skills based on emergency services professions, such as a firefighter, a police officer, and an aviation pilot. They all reside in doghouses that transform into customized vehicles, or "pupmobiles", for their missions. They are also equipped with special hi-tech backpacks called "pup packs" that contain tools relating to the pups' jobs. The series has completed 11 seasons (which many of the episodes in this collection are from) and has spawned at least three feature films along with a spin-off series featuring the popular character Rubble.
Posted in: No Huddle Reviews by Gino Sassani on September 30th, 2025
In 1887, readers of the popular periodical Beeton's Christmas Annual were to receive quite a special treat. There wasn't much fanfare or hype to the event. Inside the pages of the magazine was a story called A Study In Scarlet. It was a detective story, perhaps like many published before, except for the detective himself, a certain Mr. Sherlock Holmes. Together with his faithful companion and chronicler Dr. Watson, Holmes would win the hearts of those holiday readers. It might have been an ordinary day, but the world was about to change. Sherlock Holmes would become the most famous detective in the world. His stories would remain in print nearly 130 years later. Over 100 films would be made featuring the character. There would be television shows and cartoon spoofs. No other character has appeared in more productions. When his creator dared to kill the beloved detective in order to move on to newer stories, his very life was threatened. It would seem that Doyle was on the verge of becoming a victim much like those in his stories. There was only one man who could save him from such a grim fate, and he did just that. It was Sherlock Holmes himself, but if Doyle had actually been harmed over the ordeal, he wouldn't turn to his iconic detective; he would need the services of Dr. Watson.
Holmes has been depicted in many ways on television, but we haven't seen a show that focused on his faithful companion and chronicler Dr. John Watson. So now we have a television medical show that channels the spirit of the great detective in medical mysteries. They say it hasn't been done before, but I must have just imagined the seven seasons of House I watched recently. The name might be Watson, but the idea is familiar.
Posted in: Disc Reviews by Gino Sassani on September 26th, 2025
"That is where you've always been wrong about me, Lex. I am as human as anyone. I love, I get scared. I wake up every morning, and despite not knowing what to do, I put one foot in front of the other, and I try to make the best choices that I can. I screw up all the time, but that is being human, and that's my greatest strength. And someday, I hope, for the sake of the world, you understand that it's yours too."
I'm much more of a Marvel guy than a DC guy, but there are great characters and stories in both cinematic universes. DC pretty much invented the entire idea of a superhero when two young guys in New York came up with a new idea back in the 1930's. When Superman was first introduced to us, it was in Action Comics #1 back in 1938 from the writer Jerry Siegel and the artist Joe Shuster. Since then the character has become a cultural phenomenon that’s been featured in just about every form of media from radio shows, TV shows, cartoons, movies and everything else in between. The character has evolved quite a bit since those early comic book days, and one of the character’s biggest evolutions came with the Max Fleischer cartoon series. But it wasn't until Richard Donner and Christopher Reeve convinced us that a man can fly in 1978 that Superman truly conquered the world of cinema. Since then DC had another huge win with the Tim Burton and Michael Keaton Batman films about 10 years later. With that kind of a head start, you would think that the DCU (DC Universe) would have left Marvel in the dust. I mean, for decades Marvel couldn't even make the stuff themselves, because they didn't have the studio connection like DC has had with Warner Bros. for decades. Yet the Marvel films have progressed through six phases of films and have dominated the film superhero world.
It didn't help that when Zack Snyder took over, he created this dark place where Superman was a brooding character. Superman was never that in the comics. He was the eternal optimist with a "golly gee" manner that made this almost-invulnerable super-being relatable to the little guys like us. DC has decided to erase the franchise and start over with James Gunn and Peter Chiappetta. Gunn is really the man in charge, and their brand new DCU starts with the 2025 film Superman. He has certainly changed directions, but the question for me remains: did you go too far? Judging by the box office take, I'd say he might have won the fans over. Now that Superman is out from Warner Bros., with this UHD Blu-ray 4K release you can decide that for yourself. Let me be your guide.
James Gunn absolutely got the first part right. Thankfully, a new universe and Superman franchise doesn't start with an origin story. We all know that Krypton blew up and the planet's leading scientist sent his infant son to Earth in hopes of his and the Krypton race's survival. We don't need to see it again. With the likes of Marlon Brando and Michael Shannon putting their imprints on Jor-El (Supe’s Pops), no one is going to do it better. I don't need to see Bruce Wayne's parents killed over and over again. I'm tired of watching Peter Parker get bitten by some messed-up spider, and James Gunn correctly assumes that we don't need to see that story yet again. That's a win in the Gunn column.
The film begins about three years since Superman/Clark Kent (Corenswet) has made himself known in Metropolis. He's already dating Lois Lane (Brosnahan), who already knows who he is. So Gunn saves us from another tired Superman film trope of him just barely staying one step ahead of his Pulitzer prize-winning partner. That's two for Gunn. In fact, after we see Superman after he got his behind kicked and saved by Krypto and his squad of robots, one of the best scenes in the film is this honest and candid exchange between Clark and Lois at her apartment. I'm not into the whole romantic screen stuff, but there is absolutely a dynamic here that sets the playing field and establishes the kind of chemistry these two characters just have to have. As much as I love Chris Reeve's version, I did not feel the chemistry between him and Margot Kidder That could be because the actress turned out to be bat-crap crazy. I'm not sure about that one. But here Gunn made good choices in his cast. I'll give him a half point here and explain later.
What is a superhero without a supervillain? Gunn did go for the obvious path here and, once again the bad guy is Lex Luthor (Hoult). They already hate each other, and Lex, again of course, has been plotting to defeat the Man of Steel. This time he intends to ruin his reputation. Luthor manipulates Superman into "invading" another country and using it as an excuse to unleash his havoc on Metropolis. There are stories of pocket universes and a series of henchmen characters, and we know Superman will win the day. The story is fine, if not a bit overcomplicated by the inclusion of too many central characters. Some of these, however, are quite good.
Great Caesar's ghost. If you're a fan of The Wire you know who Wendell Pierce is. Gunn cast Bunk as the Daily Planet's editor-in-chief (but don't call him chief). He's terribly underused here, but that's the problem when you have so many characters that you are trying to be faithful to. Gunn uses them all. Only the comic fans know who Steve Lombard (Bennett) is. He brought over Otis (Rosemore) and Miss Teschmacher (Sampaio) from the Donner films, and you have to have Superman's pal, Jimmy (Gisando). He also uses the film to introduce sometimes-bad-guy, sometimes-good-guy Metamorpho (Carrigan). He also plants the seeds of the eventual Justice League who go by the Justice Gang right now by giving us the first feature film versions of Green Lantern and all-around pain in the butt Guy Gardner (Fillion). He imagines himself the "guy" in charge, and Fillion is the perfect choice to play him, and I liked him even with the classic comics bowl haircut look. Maybe this is another half point, OK? We get Hawkgirl (Merced) and a really dynamic version of Mr. Terrific (Gathegi), but the problem is none of these characters have more than a few minutes to shine. There are a ton of other "Easter egg" characters and elements, but the film's own kryptonite is that it's too much all at once. There's even Krypto, and I'm taking away a point here, because Gunn decided to use the design of his own dog instead of his classic white shepherd look from the comics. I mean, come on, James. You pay attention to the details of Guy Gardner's haircut, but you turn Krypto into a yip-yip dog? Yeah. OK. A yip-yip dog with superpowers.
In tone the film reaches for camp more than dark and serious, which is fine with me. The Donner films were loaded with camp. I will admit it's a promising beginning, but if I could say one thing to the new DC boss: slow down your roll. You can't catch up to Marvel in a single movie. Give it time to evolve. If you load so many elements into each movie, it won't matter how well-cast they are, and these really are. The pace is almost manic because it has to be, and I suspect there's a 4-hour version of it out there somewhere. Cue The Gunn Cut.
Superman is presented in its original but odd aspect ratio of 1.90:1. The ultra-high-definition 2160p image is arrived at by an HEVC codec with an average bitrate of 75 mbps. This is a very colorful film, and that's quite appropriate for a comic book movie. The HDR/Dolby Vision allows for wonderfully vivid and bright reds and blues, which are crucial to the character. I'm particularly impressed by the white levels here, as much of the film takes place in the Arctic, although filmed all the way south in the Antarctic. It was a really good idea, because the snow and ice textures are pretty good here. That also means it's a little too easy to spot the moments where the environment is not at least completely real. Still the f/x blend quite nicely an issue Marvel has been fighting in recent releases. Contrast wins the day with solid delineation between bright and inky black elements. Sometimes the film is a little too glossy. I also loved the contrast of the warm colors of Lois's apartment against the frigid cold colors of the Arctic. It's close to a show-off piece for your setup.