Posted in: Disc Reviews by Gino Sassani on December 30th, 2002
Synopsis
Posted in: Disc Reviews by Gino Sassani on November 27th, 2002
Raw Heat is actually the video release of an early 90’s TV movie called Victim Of Love. Pierce Brosnan was cashing in on his Remington Steele fame then, not the much more sophisticated Bond image he struts today. Recently Brosnan announced he has been signed to at least one more Bond film after Die Another Day. If Raw Heat is the caliber of films he would otherwise be making count his further commitment to Bond as the greatest escape in 007 history.
Synopsis
Posted in: Disc Reviews by Archive Authors on November 22nd, 2002
Written by Dan Bradley
Ever since Dragonslayer lit up the screen, I've been waiting for a comparable dragon movie to come along. There have been a few between then and now, most recently the lighthearted Dragonheart, but none have come close to capturing the style and mood of Dragonslayer. Finally a dark depiction of the mythical beasts has returned to ravage audiences and scorch anything in sight, although it could have been a lot better.
Posted in: Disc Reviews by Gino Sassani on November 19th, 2002
Several years ago David Caruso left a young TV series to pursue a career in the big time. That young series was NYPD Blue and the big time movie career ended up somewhat less successful. Caruso is back on TV now and his latest film is proof that’s where he belongs. It’s not that Black Point is a bad film at all. It’s not. It does, however, play out like a made for TV movie. Artisan must agree because they decided to release it in full screen format. It’s one of those several twists/ no honor among thieves affairs. If you liked The Score and Heist this is the kind of film for you in a lighter package.
Synopsis
Posted in: Disc Reviews by Archive Authors on October 30th, 2002
This disc combines excellent sound, a fantastic movie, and bales of extras with murky video to create a very acceptable – if not truly outstanding - first release of Spider-Man. I would heartily recommend this disc to anyone, but with some caution: this release (“Widescreen Special Edition” reviewed) leaves plenty of doors open for SuperBit Deluxe and later Collector’s releases. Both sound and video are good – but definitely not the best – so, watch for re-releases after the holidays.
This two-disc set is b... no means unworthy of purchase, however. Its highlights include sound with paranormally accurate special placement, wild menus, and a roster of extras that boggle the mind. Beware, however. The menus switch formats completely within different sections of the discs, so navigation can be confusing. Also, while there are some true gems amongst the extras, there’s also mountains of filler… take a look at the Special Features section below for suggested viewing.
Posted in: Disc Reviews by Archive Authors on October 16th, 2002
Tommy Lee Wallace. Not John Carpenter. Do not be fooled. Just because “Vampires: Los Muertos” (V:LM) says “Presented by John Carpenter” on the front, doesn’t mean it has anything to do with John Carpenter. It was directed, in fact, by Tommy Lee Wallace, who is a Grade B king, responsible for such other gems as “Stell Chariots” and “Danger Islands”. Whether Carpenter was involved or not (no big prize after Ghosts of Mars, anyway), V:LM was a fairly large disappointment anyway. The sound and video are fine, but the mov...e is definitely direct-to-video. Strangely enough, this is a “Destination” film, implying that it is supposed to be distinct and alternative. That it is – but it may not quite be of the caliber that destination collectors are expecting.
V:LM follows the saga of some character played by Jon Bon Jovi, who has cast off his super-stardom to become a Grade B movie star. There are no spoiler warnings forthcoming because I only last through half of the movie. In the half that I saw, a bunch of randomly timed, ill-conceived plot devices created not much drama, a few uninspired action sequences, and zero character empathy. Ok, perhaps that’s a bit harsh. The movie is not a complete loss, with a few decent Matrix-esque scenes thrown in, and the occasional creative prop, such as (Spoiler!) Jon Bon’s folding surfboard weapons. For some reason, this movie is rated R – don’t expect anything too wild.
Posted in: Disc Reviews by David Annandale on October 5th, 2002
Synopsis
Posted in: Disc Reviews by David Annandale on September 28th, 2002
Films addressing domestic and international terrorism have been around for a long time. We’ve come to accept them and tell ourselves it can never happen except in the movies. On September 11, 2001, America’s security was incinerated in a series of horrific attacks on the United States. For Arnold Schwarzenegger, this put a halt to the release of his new film Collateral Damage, which dealt with issues that closely mirror the events of that day. The release was delayed for several months into early 2002 where it was sh...nned due to the touchy subject. Nearly a year later, Collateral Damage makes it way to DVD and hopes to dodge the unlikely bad timing of its theatrical release.
In the blink of an eye, Gordy Brewer’s life is shattered. This once proud fireman is left grieving the death of his wife and daughter at the hands of a terrorist attack in downtown Los Angeles. As fate would dictate, Gordy bumped into the terrorist right before the explosion and with the help of an ex-CIA operative, traces El Lobo back to Columbia. With nothing left to live for, Gordy travels to South America and eventually Washington DC with one mission only: to kill the man that murdered his family.
Posted in: Disc Reviews by David Annandale on September 24th, 2002
Changing Lanes never appealed to me during its theatrical run and I blame that entirely on Paramount’s marketing department. The commercials were not enticing in the least and quite frankly made me forget the film in a matter of minutes after viewing them. With the release of the DVD, I was willing to give Changing Lanes a try and am I glad I did. Propelled by a dynamic script and stellar performances, Changing Lanes gives life to an urban drama which tests the ideals of two men on the brink of insanity.
T...e story centers around Gavin Banek (Ben Affleck), a corporate attorney who realizes he takes advantage of others but has never confronted himself about the moral implications of the life he lives. While trying to rush to a court appointment, he is involved in a fender-bender accident on the FDR with Doyle Gipson (Samuel L. Jackson), also on his way to court but as a defendant in a child custody battle. This encounter appears harmless at first, outside of Gavin wanting to pay for the damage in cash and Doyle demanding to do the right thing and exchange insurance information. But when Gavin realizes he left Doyle with a vital court document to win his case and keep himself out of jail, his skirmish with Doyle to retrieve the document by close of business crescendos in a series of violent and disturbing incidents.
