Posted in: Disc Reviews by Gino Sassani on September 3rd, 2002
Con Express is, at its heart, a low budget Die Hard / Speed hybrid. Terry Cunningham shows off his love for the high impact thrillers, but unfortunately not always his respect. There are times when you don't notice the millions missing in the budget. The story, while it is a bit contrived, carries well throughout the entire film. My only complaint is that Cunningham saw fit to interrupt the film each time it started to flow with a senseless wraparound story of the hero being interviewed to take over the Customs office in Alaska. In an action film pacing is everything and the element most missing from Con Express.
Synopsis
Posted in: Disc Reviews by Archive Authors on August 28th, 2002
Film
Bruce Willis, Samual L. Jackson, Ving Rhames, John Travolta, Uma Thurman, Harvey Keitel, Tim Roth... and the list goes on. Never has one singular film launched the careers of so many actors as Quentin Tarantino's Pulp Fiction. This film brought John Travolta back from actor's purgatory, and gave almost every other actor a jump-start to their careers. This film is genius - from the plot, the style, and the acting. Tarantino is very unique, and he out-did himself with this film.
Posted in: Disc Reviews by Gino Sassani on August 11th, 2002
The final (so far) Lethal Weapon is not a bad film at all, but it does suffer from the escalation syndrome. After three explosive films number 4 finds itself in the trap of having to try too hard to top its predecessors. While Chris Rock is a funny guy and he adds some great moments in the film, he’s just simply not necessary and distracts from the Glover, Gibson, Pesci trilogy of hysterics. I could also do without the domestication of Riggs through Russo’s character. All that said, you won’t be disappointed because it’s back to Disney World and another film literally exploding with rides.
Synopsis
Posted in: Disc Reviews by Gino Sassani on August 5th, 2002
The Lethal Weapon series peaked with the third installment. The addition of Rene Russo, while giving Riggs more of a personal life, adds little to the chemistry of Glover, Gibson, and Pesci. Make no mistake. By the third film it’s all about these three characters. This series does not mix well with romance thrown into the pot.
Synopsis
Posted in: Disc Reviews by Gino Sassani on August 5th, 2002
Just when it seemed that the Glover and Gibson chemistry was as good as it could be, Richard Donner finds a way to improve it. Joe Pesci was the best thing that could have happened to the franchise. This second installment keeps everything that was good about the original and makes it bigger and better. Lethal Weapon 2 is a lot more fun than the first film. The guys are much more comfortable in the roles and it’s obvious they’re having a blast. Watch for a few scenes where you can see Glover working very hard not to crack up around Pesci.
Synopsis
Posted in: Disc Reviews by Gino Sassani on July 26th, 2002
There have been so many “buddy cop” films that it has become its own genre of sorts. Still, no pairing has yet matched the chemistry of Danny Glover and Mel Gibson in the Lethal Weapon franchise. Even with four films now under their belts, the duo is capable of delivering a relationship that is worn and comfortable while still remaining fresh and exciting. Some of the franchise’s running gags begin in this first film, like Riggs and his dislocated shoulder and Murtaugh’s familiar “I’m getting to old for this shit.” If you are more used to the later films, this one will strike you as a bit grittier and certainly darker.
Synopsis
Posted in: Disc Reviews by Archive Authors on July 17th, 2002
Jet Li is the “Contract Killer” (“Sat sau ji wong”) in this direct from Hong Kong 1998 martial arts thriller. Budget? Nope. Plot? Not really. Jet Li? Definitely. This movie is dubbed, and the comedic voices are almost worth the price of admission, especially when they keep switching at various points through the movie. Its really amusing to see Jet Li change from normal to baritone from one scene to another, and its great listening to the “Kwan” character, who’s voice seems to have been done by a young Jason Alexande....
“Contract Killer,” falls right after “Lethal Weapon 4” and before “Romeo Must Die” in Jet Li’s filmography.
Posted in: Disc Reviews by Gino Sassani on July 11th, 2002
Hard Cash wants very much to be a smart movie, with not one but three separate heists that are thought out and executed in complicated style much like the far superior films, Heist and The Score. The problem with Hard Cash is that it can’t resist being campy as well. Hard Cash also wants to be funny. The end result is a movie that does both adequately but neither very well. Val Kilmer looks so uncomfortable in his role, you wonder if his shoes are on too tight. Slater is accually quite convincing, but he can’t get any of the other actors to come along for the ride. One of the true bright elements of the film is the “contingency plan” played by Verne Troyer, best known as Austin Powers’ Mini-Me. There is also a very amusing subplot involving a fellow crook who wants to be a tailor and likes to make “alterations”.
Synopsis
Posted in: Disc Reviews by Gino Sassani on June 24th, 2002
Film
It has been a few years since I last saw Speed... but it is still as enjoyable as ever. Sure, Keanu Reeves is a bland actor, but other then his role in The Matrix… this is some of his best work. The action is hot, and the story is solid. For those who have not seen this film (what rock have you been hidden under?), this synopsis is for you:
Posted in: Disc Reviews by Gino Sassani on June 19th, 2002
Film
If one thing can be said about Michael Bay films, it would be that they are beautifully shot. I cannot think of many directors’ that have such a unique cinematographic feel to their films… and Pearl Harbor is no exception. This film contains some of the best fighting sequences ever put onto film. Unfortunately, this fabulous action is tainted by a sub-par love story that is interwoven into the story. With the elimination of this love story, Pearl Harbor would have been an amazing action film...with a reasonable length of 120 minute (rather then its 180+ minute running time). This Director’s cut of Pearl Harbor showcases an extra 1.5 minutes of footage… mostly extra gore and graphic war sequences. If you are looking for a noticeable amount of extra footage, you may be disappointed. Enough for my ramblings… here is a bit about the story:
