Posted in: Disc Reviews by Michael Durr on May 5th, 2011
The movie to introduce Thor to the motion picture audience is set to open this Friday. Captain America isn’t too far behind that and opens up in July. Most movie goers have also seen one or both of the Iron Man and Hulk films. But all of those characters will soon be assembled into a mighty team called the Avengers. But before that mammoth movie, first we have to get the kiddies involved with a new cartoon series. Enter Avengers: Earth’s Mightiest Heroes.
Iron Man has a problem. The name of this problem: Hydra. Hydra has apparently obtained the much desired Stark technology and is using it against the world including Iron Man and SHIELD (ran by Nick Fury). Before we know it, Tony Stark will come face to face with the Dreadnaughts and Nick Fury will have to take on the Grim Reaper. If Grim Reaper is allowed to take out Nick Fury, then he would be able to free Baron Strucker from the Vault.
Posted in: Disc Reviews by Gino Sassani on April 27th, 2011
I’ve been a fan of South Park ever since a friend introduced me to the internet Christmas card that started it all. It was Santa versus Jesus and these short potty-mouthed kids that somehow wormed their way under your skin. Pretty soon I was downloading the episodes and watching them on my computer. For some reason I can’t quite explain, I’ve very rarely watched an episode on Comedy Central. By the time things were getting tighter and riskier downloading the shorts, the single disc, 4-episode DVDs began to arrive in stores. So my South Park viewing moved from the PC to the DVD player. In a short time season sets began to arrive, and I looked forward to them with much anticipation, still watching it infrequently on television. After all, who needs the commercials and those silly network bugs that distract you on the screen? The series itself evolved in that time. The show was once achieved through a stop-motion process using construction paper cutouts. The animation was crude. After the Christmas card, the characters were significantly redesigned. They had a very evil look on that short. The first couple of episodes brought us an evolution toward the characters we know and love today. After a while the animation went to a computer process. The look remained the same, but gone were the paper cuts and stop-motion photography. As the show progressed there were less and less bleeps. It’s not that the language got any tamer. Standards got a little looser. Finally the bleeps would disappear from at least the DVD releases. And now South Park has crossed another milestone. Welcome to Blu-ray and high definition, South Park.
I often have trouble believing that South Park has been around for as long as it has. It’s not just the passing of 14 years, but the sheer brilliance in the face of an increasingly politically correct society. It’s like watching old episodes of All In The Family. Who believes that Archie Bunker would have any chance of survival in the 21st century? It’s no wonder that Norman Lear has become involved in the series. It’s the last remaining vestige of a once great freedom to be ridiculous and offend. Eric Cartman’s a lot worse than Archie ever was. We always knew that, in his heart, Archie had a soul. Cartman’s a psychopath without a conscience, and in a civilized society we would be terrified of the existence of such a demon spawn…except he’s just so dang funny. Trey Parker and Matt Stone have been walking a tightrope for over 13 years now, and it just doesn’t get old. One of the reasons the show doesn’t grow stale is their ability to make such a quick turnaround on current events. Because the show takes literally days to write and produce, they are quite often always the first to address an issue. They had an election-night episode on literally the next day in last season. That means the ideas stay as fresh as the headlines. Finally, you have to credit the expanding universe of good characters. The core group of Cartman, Stan, Kyle, and Kenny were great for a lot of years. But, watching this 14th season you have to admire how much Butters has infused himself into that core. We also have such great semi-regulars as Timmy, Jimmy, and Token. These characters allow the stories to expand in ways the core group could not. I’ve honestly come to think of Butters as one of the core now.
Posted in: Disc Reviews by Gino Sassani on April 21st, 2011
I've long held the belief that the folks at Pixar are really just children who have refused to grow up. That doesn't mean that they don't have to deal with the realities that adulthood thrust upon each of us. I'm sure they have families and are responsible citizens and parents. They consistently make movies, that while there is certainly appeal for children, are obviously intended for adults, adults like them, who have decided to never grow up. If you ever required proof of that concept, The Incredibles should prove the point quite nicely. Brad Bird and his team weren't writing about superheroes. They decided to do a movie about themselves. Finally out in high-definition Blu-ray the team now calls all of us like-minded souls to join the fold. This Blu-ray serves as our membership card and absolutely grants all of the privileges of membership right from your most comfortable home theatre seat. Count me in.
Bob Parr (Nelson) has a secret identity. He's in reality Mr. Incredible. He is a superhero who has dedicated his life to fighting crime. He has super strength and other abilities. He's not the only one. There is his best friend Lucius (Jackson) better known as the cool hero Frozone. There's also Helen (Hunter) who protects the city as Elastigirl. She has the same powers that The Fantastic Four's Mr. Fantastic has to stretch her body. Bob and Helen get married and join their superpowers with two super kids. Dash (Fox) has super speed and Violet (Vowell) has the abilities of The Fantastic Four's Susan Storm. She can become invisible and create powerful force fields. Unfortunately, the world has had enough of masked heroes. Lawsuits cause the heroes to turn in their capes, and they are put into a sort of witness protection program where they must swear off crime fighting. That's been hard for Bob and Lucius who do a little rescue work on the side while their wives think they're out bowling. It's a good thing, too. A new super-villain has emerged, and now it will be up to the Parr family to save the world from Syndrome (Lee), a one-time stalker fan who has decided to get revenge on the hero who once spurned his advances to join him.
Posted in: Disc Reviews by Gino Sassani on April 12th, 2011
"Jonathan Brisby was killed today. It is four years since our departure from NIMH, and our world is changing. We can not stay here much longer. Jonathan was a dear friend. I am lost in knowing how to deal with his widow. She knows nothing of us or the plan."
When Don Bluth left Walt Disney, he led an exodus of some of the studio's top talent. They were becoming disenchanted with the product Disney was producing at the time, and it is generally accepted that this was the dark ages of the studio. The group of animators joined Bluth and formed their own company, and the first film to come out of that collaboration was The Secret Of NIMH.
Posted in: Disc Reviews by BABY on April 7th, 2011
"You can't keep a good dog down."
Baby here again. Yeah, that's right. I'm the German Shepherd/Chow mix that runs security here at Upcomingdiscs. I make sure only the best movies get through my complicated security system. And that spells F A N G S. Okay, I made that last part up. I try to keep them all out, but let's not talk about that right now.
Posted in: Disc Reviews by Gino Sassani on April 5th, 2011
"Once upon a time, a single drop of sunlight fell from the heavens. From this small drop of Sun grew a magical golden flower. It was said that this flower held the power to heal the sick and injured. From this flower sprang a glorious kingdom, ruled by the most generous king and queen, who were soon to have a baby..."
That baby has been the subject of many tales over the years. Walt Disney himself had begun work on an animated feature based on Rapunzel back in the 1940's. Uncle Walt was fascinated with timeless fairy tales, and they became the studio's specialty over the years. For one reason or another the film was pushed back and eventually shelved for other titles. But it seems that the studio that still bears his name continues to have the same fascination with fairy tales and fables. Somehow you probably just knew that they would eventually dust off those old plans and return to the story of Rapunzel.
Posted in: Disc Reviews by Michael Durr on March 16th, 2011
Some of you might remember my review of Batman: The Brave and the Bold, the first thirteen episodes which can be found here. I found it to be a great little series that was rich in its roots. Well, six months have passed and we finally get a chance to look at the next thirteen episodes. With a little bit of luck, maybe they will be just as good if not better than our first look into the series.
When we last left the Batman, he had taken part in a two part episode where he was having a lot of trouble with the villain known as Owlman. In order to restore balance to the world, Batman had to not only become Owlman but then turn around and partner with the Joker to defeat Owlman who had donned the cape of Caped Crusader. Wrap your head around that one. Anyway, all is safe and we continue on to the next set of thirteen episodes.
Posted in: Disc Reviews by Gino Sassani on March 8th, 2011
"Good morning, young Prince."
The forest is alive with the news. It travels from tree to tree, from animal to animal. A new prince has been born, and the creatures of the woods gather to welcome the young fawn. His name is Bambi, and he soon wins the hearts of the entire population of the forest. From his first attempts to stand on his wobbly legs to his discovery of the things that surround him in this brand new world, Bambi takes us on an emotional journey through the circle of life.
Posted in: Disc Reviews by Gino Sassani on March 4th, 2011
Scooby Doo has spanned generations and over 40 years. Since the 1960’s the name and conventions have become a part of the pop culture. The original cartoon series had a series of conventions. The Scooby Gang would drive around in their green Mystery Machine van and solve ghostly mysteries. Fans of the show quickly grew to learn that these spirits and goblins were usually just normal people using scare tactics to get revenge or make a profit. The cartoon classic spawned music albums, live action movies, and several new shows and animated features.
The jokes haven’t changed much, even if the voices have. Frank Welker, who voiced Freddie briefly in 1970, returns as Freddie and Scooby Doo. Unfortunately Don Messick died in 1997, and Welker has been voicing the pup since that time and before. Mindy Cohn has been voicing Velma since 2004, replacing a line of actors starting with Nicole Jaffe. What’s important is that Casey Kasem does not return as Shaggy, a part he’s played since 1969. That part now goes to Matthew Lilard. Don't get me wrong, he does a fine job, but this was the most unmistakable voice in the mix up until now. Older fans will notice the change with sadness. Part of me is very glad to see that Scooby and the gang are still out there working for Scooby Snax. The charm remains, even if the jokes don’t appear quite as funny anymore. Daphne is now voiced by Grey Delise. She's done the voice on and off since 2001. Heather North was the original voice and has come back to the role as recently as 2004.
Posted in: Disc Reviews by Gino Sassani on March 4th, 2011
In the 1930’s and 40’s MGM was trying to get in on the lucrative animation game. The field was dominated at the time by Warner Brothers with their Loony Tunes shorts, and of course, the iconic cast of animated characters coming out of the Walt Disney Studio. For years they had failed to find the right property to take advantage of the market. It wasn’t until the team of William Hanna and Joseph Barbera approached the studio with their first project that the times did change, at least a little, for the fledgling animation department at MGM. The project was far from an original one even for the time. It was a very basic cat-and-mouse adventure featuring a cat named Tom and a mouse named Jerry. There would be almost no dialog on the shorts. It certainly didn’t look like much of a hit to the studio brass, but with no better ideas on the way, they went ahead with the new shorts of Tom And Jerry. There’s a reason why the cat-and-mouse pair is such a classic. It’s because it works. If you can make your characters entertaining and endearing enough, you can have a hit. MGM finally entered the major leagues, and the team of Hanna and Barbera would become one of the most successful animation teams in history. They would go on to create such cherished characters as The Flintstones, Yogi Bear, The Jetsons, and, of course, Scooby Doo.
These were the days of the Golden Age in Hollywood. These shorts were not being produced for television, which hadn’t been invented when they began; rather, they were intended for theatergoers. In those days going to the movies was much more of an inclusive experience. You always got a cartoon short along with an adventure serial, the likes of Buck Rogers, Flash Gordon, and The Lone Ranger. These multi-chaptered serials were the forerunners to the modern television series. It kept you coming back to the movies to see what would happen next. Each chapter ended in a cliffhanger. These early serials were the inspiration for such film franchises as Star Wars and Indiana Jones. Finally you got one, sometimes two movies, all for the price of a single admission.