Posted in: Disc Reviews by David Annandale on September 9th, 2004
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Posted in: Disc Reviews by David Annandale on August 21st, 2004
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Posted in: Disc Reviews by David Annandale on July 27th, 2004
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Posted in: Disc Reviews by Archive Authors on July 16th, 2004
The mid-nineties Fox Spider-Man was hands down the best animated series of the time. It was one of the first series to use a Japanese animation company to produce a regular Saturday morning series and the Japanese influence was immediately striking. The brightness and depth of colors as well as the consistency of the animation blew away everything else that was available on TV at the time. The stories were outstanding in that they borrowed heavily from classic comic stories and adapted them for viewers that may not b... as familiar with the Spider-Man mythos as us comic book geeks (I’ve been buying Spider-Man comics for about 25 years now…I guess I qualify as a comic book geek…oh well…). With the theme music done by none other than Aerosmith’s guitar god Joe Perry, this series rocked right from the intro.
So with that intro…how could Marvel and Buena Vista mess up this DVD so much?
Posted in: Disc Reviews by David Annandale on June 2nd, 2004
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Posted in: Disc Reviews by David Annandale on May 13th, 2004
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Posted in: Disc Reviews by David Annandale on May 10th, 2004
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Posted in: Disc Reviews by Archive Authors on April 28th, 2004
I spent many an evening as a child watching the Peanuts gang in one of their famous holiday specials. I looked in my backyard for The Great Pumpkin at Halloween, and I often times decorated my very own Charlie Brown Christmas tree at Christmastime. Obviously, I was not alone in my enjoyment of these cartoons, as the very same shows are aired even now, during the appropriate time of year.
The popularity of these cartoons has not escaped the attention of the estate of Charles Schultz, either. In an attempt to...keep a good thing going, the Peanuts gang is back in an all new special, Lucy Must Be Traded, Charlie Brown. Often times, any effort to capture the magic of a classic in an all-new feature fails miserably, but thank goodness that is not the case here. This special is just as much fun as the originals were, complete with the determined spirit of underachieving Chuck, the cruel nature of loudmouth Lucy, and the mannish (dare I say homosexual?) tendencies of Marci.
Posted in: Disc Reviews by David Annandale on April 15th, 2004
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Here are three cartoons that Paul McCartney backed and scored. They are all lovinglycrafted, even if they don’t always work at the narrative level. “Tropic Island Hum” and “Rupertand the Frog Song” are the weakest (though again, they look stunning). They are little more thanvisually lush excuses to set up underwhelming musical numbers (which tend to reinforce theimpression that McCarney is a creatively spent force in this department). The former apes thelook of classic musical shor...s of the 40s, but has little of the loosey-goosey energy of its models.The latter, which revives a character from a popular British children’s comic strip, doesn’t goanywhere much with this revival. The middle film, “Tuesday,” on the other hand, is a delight.One night, a multitude of frogs levitates on lily pads, and the gently surreal image is played out toits fullest. That this piece is taken from a children’s book, and so the narrative arc was not left toMcCartney and his team, may account for its being so much better than its companions.McCartney also does a number of the voices here, to rather uneven effect.
Posted in: Disc Reviews by Archive Authors on March 22nd, 2004
Brother Bear is the story of a boy who becomes a man by becoming a bear. Kenai (Joaquin Phoenix) is a young man set on revenge against a bear he feels is responsible for his brother’s death. Going up against the beast and winning the battle, the great Spirits who guide Kenai transform him into a bear himself. As Kenai tries to undo the spell placed on him by the spirits, he meets Koda (Jeremy Suarez) a young cub who was separated from his mother. As the story unfolds Kenai becomes more find of Koda and “adopts... him, however, his main desire is to once again become human. Kenai’s journey takes himself and Koda to the salmon spawning grounds where they meet a group of other bears led by a huge black bear voiced by Michael Clarke Duncan. It is here that we learn that Koda’s mother was the bear that Kenai did battle with at the beginning of the film – he learns that Koda’s mother was attempting to protect Koda from ‘the hunters’ i.e Kenai and his brothers. Because of Kenai’s anger at the bear he attacked and as a result is the reason for Koda being without his mother. The climax of the movie comes when Kenai faces off against his remaining brother who believes that Kenai, in his bear form, is responsible for the death of Kenai and their older brother. While Kenai tries to avoid harming his brother he is torn when his brother starts going after Koda. Kenai does his best to protect Koda and at this point the spirits intervene and transform Kenai back to his human form. Kenai is finally reunited with his brothers but his joy is overcome with the responsibility that he feels for Koda and in the end makes the decision to remain as a bear and care for his brother bear.
While this sounds very serious, the comedy provided here is some of the best that Disney has offered in a long time. Now I am a huge SCTV fan so keep that in mind. The comedy relief is provided by Rutt and Tuke, a couple of moose voiced by none other than Bob and Doug themselves, Rick Moranis and Dave Thomas. How cool is that? And where else are you going to hear a line like, “How do you total a mammoth (referring to the trip that they all took on the backs of a herd of mammoths that Rutt and Tuke ‘crashed’ offscreen)?”
