Children’s

Ace Ventura’s back, sort of. It’s a new day. A new cast and crew. A new movie. And, unfortunately, a new Ace Ventura. This is Ace Ventura, Jr. Emphasis is on the junior. Without Jim Carrey, this thing was doomed from the start. Still, if you’re going to do it, I would have hoped that at least some kind of an effort would be in order. Alas, it seems that everyone involved knew this one wasn’t going anywhere so they just decided to have a great time and not worry so much what actually made it on to the film.

Is it me, or have we been getting a lot of talking animal movies of late? I suspect the use of the CG technology that exists today lends itself to this kind of film. You might even make the argument that it hasn’t really been any different than the talking animal cartoons that have been with us forever. It’s just that now we can make live action dogs, or any other creature, for that matter, appear to be talking in a fairly realistic way. And as far as the use of that technology, Beverly Hills Chihuahua certainly blends the CG and live action footage seamlessly enough. And while I can’t really find much fault with this movie, it just seems like I’ve seen and heard it all before, a little too often as of late.

There’s another Holiday on the horizon, and I’ll bet you know what that means. It means that we’ll be in for more Chipmunk adventure tied to the season. For the last year or so Paramount has been hard at work filling your Chipmunks addiction with these holiday themed releases. Easter will be no different as we get The Mystery Of The Easter Chipmunk. It’s no Great Pumpkin, but you can be sure to sink those buck teeth into more revved up Chipmunk mischief and trouble.

Everything you loved from the first film is back again. Dreamworks took the high road and brought all of the voice cast back. That means the wonderful chemistry these characters developed in the first film gets to continue. We don’t have to waste time setting up new bonds. We can get right to the adventure. Dreamworks also retained pretty much the entire animation team and added even more talent. The quality of this animation actually improves upon that of the original. Water, in particular, is startling on this film. It is as photo real as I’ve seen it in any animation feature to date.

When a film is successful enough, it’s a relatively natural assumption today that a sequel will follow. In that sequel we expect more of the same and hopefully something new as well. Unfortunately there is a disturbing sideline for the animation sequel. Because the actors aren’t really on camera at all, there is the temptation to replace them so that you can do a much cheaper, often direct to video sequel. The folks who did Madagascar didn’t go that route, but the folks who did Open Season did. Gone are the likes of Martin Lawrence, Gary Sinise, Ashton Kutcher, and Debra Messing.

“Once upon a time in New York City…”

Walt Disney might well have been the storyteller of more than one generation of kids. Is it any wonder that when we think of such characters as Winnie The Pooh or Peter Pan our minds conjure the images wrought by Disney animators and not necessarily the classic literature descriptions? That might not be the case with this Charles Dickens story, retold through Disney’s trademark animal point of view.

Athena, here again sub “woofin’” for Gino. For those who don’t remember me, I’m a 13 year old Siberian Husky, and Gino lets me watch and review some of the movies for you guys. Times like these you need a dog’s eye view, and I happen to have two of them, a blue one and a brown one. Who says dogs are colorblind? I don’t get to go into the theater here a whole lot, something about fur in the equipment. I thought I was bein’ helpful because Gino’s always saying he doesn’t get enough software for his PS3. Hey, I got the softest wear around here. Well, Gino let me in again a couple of nights ago to watch the latest in the “Buddies” films.

“The Magic Gourd has magical powers. He can carry you high up to the sky, right up to the clouds, where they feel just like cotton candy. Stick out your tongue and they taste like cotton candy. That’s the power of The Magic Gourd. If you become the Gourd’s master, he can grant you anything you wish for…”

Disney films have always had a world wide appeal. Children everywhere on the planet have grown up with the same classic images that we have in the United States. The language might not be the same, but the message and the magic has always been there to discover.

My initial reaction to most kid shows that have references to the bible are a mixture of sarcasm and skepticism. There is one exception to that rule: Veggie Tales. Veggie Tales was started in 1993 when VHS was still strong and kids were still highly impressionable under the influence of a weathered old videotape.

Mary Poppins was the subject of a series of books by P.L. Travers. Long before Harry Potter came on the scene, Mary was delighting children all over the world with her spectacular magical abilities. At the time Walt Disney was making a name for himself and his studio by bringing many of the children’s classics to the big screen. From fairy tales to Winnie The Pooh, the studio was providing the look and the soundtrack to the imaginative worlds already known and beloved by millions. It was a magnificent strategy, and it would pay off huge for the company.