Posted in: Disc Reviews by David Annandale on August 1st, 2005
Synopsis
Think of this as the John Waters version of Grease, with everything that that entails. The setting is the fifties, and kids are divided between the Squares (so clean-cut and conformist they make Ward Cleaver look like Marlon Brando) and the black-leather-clad Drapes. The leader of the Drapes is Cry-Baby Walker (Johnny Depp), and his posse includes the likes of Ricki Lake (BEFORE she became a talk-show host) and Traci Lords (AFTER... well, after). Square Amy Locane is drawn to Depp an... his world, much to the horror of her cohorts.
Posted in: Disc Reviews by Archive Authors on July 31st, 2005
On the one hand, I have pretty low expectations for movies that were made for TV. On the other hand, this is an HBO film, so my expectations are just a bit higher than normal. My interest was further peaked when I saw that this was a romantic comedy. It is nice to see the network famous for drama branch out into comedy, and I was curious to see the results.
The plot of this film reminded me somewhat of the Keanu Reeves sleeper hit A Walk in the Clouds. In this case, however, the family business is not ...ine, but fireworks. The always-fantastic Stanley Tucci plays an Italian from the old country that comes to America to work for his distant cousins making fireworks. Naturally, he falls in love with a girl (Bridget Fonda) once he gets there, and both drama and hilarity ensue.
Posted in: Disc Reviews by Gino Sassani on July 30th, 2005
Synopsis
The frustrating thing in watching Gas is just how familiar it is to The Cookout, Barbershop, Beautyshop, and other films that involve groups of African-American men getting together in the neighborhood and having fun, and getting the most successful family member in touch with their roots. What’s next, Sunday Church? Or Night at Silver Diner?
Posted in: Disc Reviews by Gino Sassani on July 27th, 2005
It’s another case of mistaken identity that gets our boys (Abbott and Costello) in trouble, this time with a couple of gangsters. I’ve always been an Abbott and Costello fan but somehow missed this 1948 film over the years. It’s possible that because it was one of only a few pictures the duo did outside of Universal it did not enjoy the wide release their other works had. A few gems from the boys’ routines can be found. Look for the “horse eating his fodder” and “I’ll bet you you’re not here”. There is none of the Big Band Era song and dance routine to slow this film’s pace. It will certainly fly by you. If you like the boys, you’ll find this a pretty routine outing.
Synopsis
Posted in: Disc Reviews by Gino Sassani on July 27th, 2005
The Naked Truth is a 1958 British farce that benefits most from an excellent performance by Peter Sellers. Sellers plays Sonny Boy MacGregor as a comedic Lon Chaney. Each of Sonny’s characters is a complete package from the makeup to the accents. Moments of the inspired genius that would be better displayed in The Pink Panther films make this average production something more. The comedy is decidedly European in flavor and probably not for everyone. Most of the film slows when Sellers is not on the scene
Synopsis
Posted in: Disc Reviews by Gino Sassani on July 22nd, 2005
Synopsis
Well, considering that there were so many different strange film ideas in the 1980s, it was only a matter of time that someone write and produce a film about a dead guy, right? Well, you’re in luck, as two names from the period (Andrew McCarthy, St. Elmo’s Fire and Jonathan Silverman, Brighton Beach Memoirs) fulfill your wish as Weekend at Bernie’s finally comes to DVD.
Posted in: Disc Reviews by Gino Sassani on July 15th, 2005
Synopsis
Well, I’m unsure how many people would see a romantic comedy involving a 59 year old man and a 26 year old woman (unless you saw Autumn in New York awhile ago), but the romance between Clark Gable (Gone With the Wind) and Sophia Loren (El Cid) in It Started in Naples is just a little creepy for me. Especially when you consider Gable seemed to always appear in his mid-60’s.
Posted in: Disc Reviews by David Annandale on July 14th, 2005
Synopsis
Expropriated from his castle by the Romanian government (the place is going to be turned into a training facility for Olympic athletes), Count Dracula (George Hamilton) and Renfield (Arte Johnson, mimicking Dwight Frye’s laugh from the 1931 Dracula) make their way to New York. Dracula has fallen for a fashion model (Susan Saint James), convinced that she is the reincarnation of a woman he has loved before. Though something of a fish out of water, Dracula does his best to adapt to his ...ew surroundings and romance Saint James, while being opposed by Richard Benjamin, his rival for Saint James’ affections.
Posted in: Disc Reviews by Gino Sassani on July 9th, 2005
Synopsis
I didn’t know what quite to expect from watching D.E.B.S. for the first time. So, it looks like a group of college girls who double as CIA assassins, right? OK, I can buy that, I mean, I’m a fan of Alias, so I can dig it. You’ve got Amy (Sara Foster, The Big Bounce), D.E.B. Academy’s top notch student with her pick of anywhere she wants to go; her friend, the tough and ambitious Max (Meagan Good, The Cookout), along with the younger Janet (Jill Ritchie, Herbie Fully L...aded) and the very French Dominique (Devon Aoki, Sin Cit).
Posted in: Disc Reviews by Gino Sassani on July 9th, 2005
Synopsis
One could make an attempt at witty prose by comparing Jackass to the works of Kubrick, Cassavettes, Scorsese, or what have you. But look, it’s a bunch of guys, some of whom have reputations in other circles, such as skateboarder Bam Margera and acclaimed director Spike Jonze, doing stunts that you may not have thought, dared or remotely considered doing, and keeping parts of the general public off guard. The gang made a huge splash on MTV, and scores of crazed teens wanted to try what these guys we...e doing, and maybe appear on the show. I think the quote from Millhouse on the Simpsons says it best: "All those warnings on TV make me want to do it more". The kids would get burned, broken, what have you, and parents who couldn’t crack the whip hard enough at home decided to sue anyone under the sun, despite the profuse warnings on each show, as well as a timeslot shift early on in the series’ life. So Johnny Knoxville became this decade’s Beavis, which I guess makes Steve-O Butthead. So, after judging (perhaps correctly) there wasn’t anything really left to do on TV, they decided to step things up and do a movie, and a $5 million budget led to a gross of over $60 million. Do they have enough for a sequel with those kinds of numbers behind them? I shudder to think what a sequel could bring.
