Comedy

In the unnecessary sequel department comes Miss Congeniality 2: Armed and Fabulous. Why make this movie? Because Sandra Bullock needs a hit? It doesn't come here. Bullock, once again (and hopefully for the last time), plays Gracie Hart. Her involvement in a well known beauty pageant has made it impossible for Gracie to maintain a low FBI profile. So she has become the PR person for the bureau. But Gracie is "called back" into the line of duty (against the FBI's wishes) when two of her friends (played by ...illiam Shatner and Heather Burns) are kidnapped. This uncomfortable blend of action and comedy does not work. It's a waste of almost two hours of your life.

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Synopsis

Michael Sheen (so good as the sweet, big-hearted protagonist of Heartlands) is on the verge of losing his job as an architect, and he and his wife have just separated. His obsessive compulsive disorders, which led to these problems in the first place, are enormously exacerbated by the resultant stress, and Tourette’s Syndrome becomes a problem now too. He is desperate to win his wife back, an in an attempt to get his life together, he joins an OCD self-help group led by Shirley Hender...on, the woman he should really open his eyes and hear to see.

Synopsis

Without a doubt, Bob Hope was one of (if not) the best comedic actors of his era. During a time after Charlie Chaplin had peaked in silent films, Hope picked up the comedic torch, and during a time where actors consistently appeared in 3-5 films a year, and an early recognizable title was 1940’s Road to Singapore, the first of several Road To films with him and friends Bing Crosby and Dorothy Lamour.

National Lampoon was still around? I didn’t think so. But sure enough, there is a staff, they still produce movies occasionally (the cinematic tour de force Van Wilder being among their recent contributions to cinema), and in order to satirize some of the absolute sheet on TV nowadays, came up with the Lost Reality series of discs.

With introduction from (who I’m assuming are) members of the Lampoon staff, the clips are a bit hit or miss. Some of the funnier bits are OK, and could have turned ...nto decent sketches with some polishing. For instance, “Scare Me” is basically a few kids that scare the crap out of people in various locations. The concept is OK, but using actors that see it coming takes the fun out of it. “Payback” is set up a la Punk’d, and at first seeing two parents that terrorize their 8 year old is funny, then it just goes downhill from there. Even some of the bits that you would think be funny just aren’t. Using the American Gladiator TV show from the ‘80s and putting midgets in as Gladiators dragged.

Synopsis

Irritable, repressed Sylvia Stickles (Tracy Ullman) is conked on the head, and the concussiontransforms her into a sexual dynamo, one of the followers of sexual healer and prophet Ray-Ray(Johnny Knoxville). The streets of Baltimore are the battleground of a culture war between theanti-sex Neuters, led by Sylvia’s mother-in-law Big Ethel, and the forces of the polymorphouslyperverse. The result is a little bit like a George Romero zombie movie, where getting headingthe bonked transf...rms you back and forth between human and zombie. Here, the Neuters are thezombies.

Continuing in the bold tradition of centering a movie around a place or event in the African American community (see The Wash, Barbershop and Beauty Shop, to name a few), Queen Latifah has decided to run the horse into the ground, and subsequently throw it over the coals, in a film she wrote and appears in, entitled The Cookout.

The concept of the film is simple enough that everyone can identify with it; cookouts are a good time where friends and family, sane and crazy, can get t...gether over food and drinks, and have a good time. When Todd Andersen (Storm P) is drafted into the NBA, the next few days are a whirlwind of enjoying his soon to be fame, though his mother (Jenifer Lewis, Antwone Fisher) is trying to make sure he stays grounded and close to his roots. Though he does manage to buy a huge house and move into an upper class neighborhood, and everyone is afraid of the new neighbors, none more terrified than Mr. and Mrs. Crowley (Danny Glover and Farrah Fawcett). Todd decides to have a cookout with his family, some of whom are played by Frankie Faison (Red Dragon) and Tim Meadows (Ladies’ Man). Along with Todd’s family is his agent (Jonathan Silverman, Weekend at Bernie’s) and girlfriend (Meagan Good, You Got Served). During all of this, Todd tries to do what he can to balance his family with his newfound celebrity and keep his sanity, all at the same time.

Some sequels should not be made. I mean, was there any reason to have another Caddyshack? So who thought having a sequel to The Mask was a good idea. And not have Jim Carrey. Son of the Mask goes into the category of unnecessary sequels.

The premise is simple: the missing mask (which can give the wearer powers) is found floating in a stream by Otis, a dog. The dog takes it back to the Avery family. Tim Avery, a cartoonist, is played by Jamie Kennedy. The new mask gives him new powers,...and the baby he creates with his wife becomes a mask baby. The baby's face contorts and he can jump around (the baby is basically a cartoon). Meanwhile, the god of mischief Loki (played by the usually solid Alan Cumming) is sent by his father Odin (Bob Hoskins desperate for a paycheck?)on the trail of this mask.

In Good Company is a "feel good" movie about the ruthless corporate world. Now, is such a thing possible? Writer/Director Paul Weitz almost pulls it off. The movie stars Dennis Quaid as Dan Foreman, the head of advertising sales for a sports magazine. All goes down the toilet for Dan when the sports magazine is swallowed up my a major media conglomerate. Enter Carter Duryea, played by Topher Grace. Carter is brought in as the new "boss", but he's young and in way over his head. Carter decides to keep Dan...around. There's also a romance too, as Carter hooks up with Dan's daughter Alex (played by the lovely Scarlett Johansson). That's the basic gist.

The performances are all excellent here. Topher Grace seems perfectly cast. Johansson, as always, is a complete delight. But Dennis Quaid really seems to be coming into his own lately in these "older man" roles. Quaid has definite screen presence. David Paymer's performance is also worth noting, as the sad sack long time employee of the magazine.