Posted in: Disc Reviews by Archive Authors on January 20th, 2005
Exit light…enter night. Metallica: Some Kind of Monster is a documentary about the inner workings of the band. But it’s not a “behind the music” type piece or a concert movie. The filmmakers attempt to gnaw away at the troubling trials of fame, addiction, and friendship. It’s fascinating stuff. Now, I’m not a big fan of Metallica, but I’ve been in creative collective situations. The personal relationships are constantly shifting. You bicker one minute, you love one another the next. In Metallica’s cas..., they even hire a personal therapist (which borders on Spinal Tap territory). But there’s enough music to keep the fans happy. And the filmmakers, Joe Berlinger and Bruce Sinofsky, are veterans of the documentary world (Paradise Lost and Brother’s Keeper are excellent). Metallica: Some Kind of Monster is not an easy musical bio piece. It’s a lesson in the tumultuous tempest we call human relationships.
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Posted in: Disc Reviews by Archive Authors on January 20th, 2005
What a find! Film footage from a landmark 1970 concert sat in a producer’s garage for almost 3 decades. So finally, after all the music rights and remastering were taken care of, we have a landmark rockumentary. Thank the maker. Festival Express is a rock concert movie about a 3 city train tour, with stops in Toronto, Winnipeg, and Calgary (not to mention a stop in Saskatoon for booze). The performers included The Grateful Dead, The Band, Buddy Guy, and Janis Joplin (among many, many others).
<p ...The film doesn’t have the sociological impact of Woodstock and Gimme Shelter, or the melancholic “meaning” of The Last Waltz. Festival Express has more of a backstage pass quality. We get to see the performers (mostly in the bar car) sitting around talking or jamming. The retrospective interviews have some amusing anecdotes (I like the one where the concert promoter slugs the mayor of Calgary). The concert footage is not especially amazing, and some of the songs are merely OK. But Janet Joplin, man, she steals the show. Her two songs in the movie will blow your mind. It’s sad that she died just two months after the festival.
Posted in: Disc Reviews by David Annandale on January 13th, 2005
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Posted in: Disc Reviews by David Annandale on December 31st, 2004
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Posted in: Disc Reviews by Archive Authors on December 10th, 2004
After learning about lawsuits filed by two obese women against McDonald’s - accusing the fast-food giant of making them obese - Morgan Spurlock decided to eat nothing but food from McDonald’s for 30 days to see what would happen. Even his doctors didn’t expect the eventual results: Spurlock gained 30 pounds, became depressed, experienced a diminished sex drive, and teetered on the edge of liver failure. His doctors even warned him that failure to change his diet immediately would cause death - and he still had a week...to go.
Sprinkled throughout Spurlock’s quest to eat nothing but McDonald’s for a month are: interviews with people on the street, experts in the health industry, and executives for fast food companies. Spurlock goes deeper than just McDonald’s, which is fair, because McDonald’s isn’t the only fast food company out there making people fat today. Spurlock also explores school cafeteria lunches, marketing, and subliminal messages in advertising.
Posted in: Disc Reviews by David Annandale on December 3rd, 2004
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This is the life story of Howard Hughes, as told by the man himself. Literally. Sort of. Michael Ferreri is the voice of Hughes, and he narrates his life from birth to death. This narration is intercut with interviews with Hughes’ surviving friends and widow. The visuals are a lively mix of footage and animated stills. Though the case boasts a running time of almost three hours, this is when all the extras are factored in. The actual feature is only 56 minutes long. Though the effort is alwa...s interesting, the decision to go with the fiction of Hughes telling his story is a very odd one, and one that I, personally, found very off-putting.
Posted in: Disc Reviews by Archive Authors on November 18th, 2004
Born Rich is a documentary about, well, rich kids. The subject makes it hard to sympathize with the piece (“oh those poor millionaires”). But the director and main character, Jamie Johnson (an heir to the Johnson & Johnson fortune), gives us interviews with other heirs from rich families - Ivanka Trump (Real Estate Heiress), Josiah Hornblower (Vanderbilt/Whitney Heir), Cody Franchetti (Textile Heir), S.I Newhouse IV (Publishing Heir), Luke Weil (Gambling Heir), and others. Johnson makes his subjects talk abo...t that taboo topic: money.
There are some revealing interviews, and we get taken inside a secret world, which is the whole point of documentary filmmaking. And the subject matter, obviously, satisfies people’s curiosity (remember Lifestyles of the Rich and Famous). But the problem with the film (an “official” selection at the Sundance Film Festival) is that we’re only scratching the surface here. It’s an interview based documentary, and the interviews aren’t nearly exciting to support an entire film. What about the clubs? The parties? The chi-chi stuff? We just get glimpses. The movie is only 67 minutes long and NOT the 81 minutes advertised on the DVD cover. Surely a rich kid could afford a little bit more budget?
Posted in: Disc Reviews by David Annandale on October 6th, 2004
Synopsis
Nick Broomfield’s first documentary about Aileen Wuornos is a mixture of media clips andinterviews Broomfield conducted with Wuornos and the major figures in her trial, notably heradoptive mother and her unbelievably sleazy and incompetent lawyer (his “Dr. Legal” ad markshim as the legal equivalent of Dr. Nick Riviera). Then there’s the issue of police corruption. Allin all, essential viewing, especially in conjunction with the later film (which shows that, at thevery least said la...yer suffered some consequences thanks to this documentary) andMonster.
Posted in: Disc Reviews by David Annandale on October 4th, 2004
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Posted in: Disc Reviews by David Annandale on September 20th, 2004
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